The Art of Illusion: 100 Years of Hollywood Special Effects

A revolutionary film about the cinematic genius of North Korea's late Dear Leader Kim Jung-IL, with a groundbreaking experiment at its heart - a propaganda film, made according to the rules of his 1987 manifesto. Through the shared love of cinema, AIM HIGH IN CREATION! forges an astonishing new bond between the hidden filmmakers of North Korea and their Free World collaborators. Revealing an unexpected truth about the most isolated nation on earth: filmmakers, no matter where they live, are family.

A collection of restored prints from the Lumière Brothers.

Wicked Wishes: Making the Wishmaster

A Turner Classic Movies (TCM) documentary about Keaton's discontented relationship with MGM and the events that eventually led to his career downfall.

A promotional short to hype the production of A Midsummer Night's Dream (1935).

Filmmaking partners Rupert Kathner and Alma Brooks are determined to get their films made by almost any means necessary. Set in the 1930s, this docudrama relates the moviemakers' struggles to jump-start Australia's film industry.

Directors Stephen Spielberg, George Lucas, Ridley Scott and James Cameron discuss the science fiction movies of the 1950s that influenced them.

Legendary director Lloyd Kaufman, President of Troma Entertainment and Creator of the Toxic Avenger, reveals 40 years worth of maverick cinematic know-how in Direct Your Own Damn Movie! Lloyd offers you the magic key to operating outside the film studio system as well as providing you with the roadmap to script writing, pre-production, casting, managing your set, post-production and the secrets of selling you movie!

In 1974, Chilean-French director Alejandro Jodorowsky embarked on the quixotic project of adapting Frank Herbert's influential novel Dune (1969) for the big screen. After investing two years, and millions of dollars, the gigantic project ended in failure; but the artists Jodorowsky brought together to carry it out continued to work together, and ended up laying the foundations for modern science fiction cinema.

Explores behind the big screen to meet the filmmakers, distributors and exhibitors who bring Australian films to us, the audience. Closures of many independent art-house cinemas like Electric Shadows in Canberra in 2006 have made fair and equitable screening of Australian films increasingly difficult. Exhibitors debate the efficacy of the industry's Code of Conduct and unfair trade practices, while a growing number of Australian films go unreleased.

The first definitive feature documentary to lend new and compelling perspectives on the partnership, both professional and personal, of director James Ivory, producer Ismail Merchant, and their primary associates, writer Ruth Prawer Jhabvala and composer Richard Robbins. Footage from more than fifty interviews, clips, and archival material gives voice to the family of actors and technicians who helped define Merchant Ivory’s Academy Award-winning work of consummate quality and intelligence. With six Oscar winners among the notable artists participating, these close and often long-term collaborators intimately detail the transformational cinematic creativity and personal and professional drama of the wandering company that left an indelible impact on film culture.

Capturing Avatar is a feature length behind-the-scenes documentary about the making of Avatar. It uses footage from the film's development, as well as stock footage from as far back as the production of Titanic in 1995. Also included are numerous interviews with cast, artists, and other crew members. The documentary was released as a bonus feature on the extended collector's edition of Avatar.

An in-depth look at the entire making of Ridley Scott's Gladiator. Consisting of: Tale Of The Scribes: Story Development, The Heat Of Battle: Production Journals, Attire Of The Realm: Costume Design, Shadow And Dust: Resurrecting Proximo, The Glory Of Rome: Visual Effects, Tools Of War: Weapons, Echoes In Eternity: Release And Impact,and final Production Credits.

The story of how a tiny, broke Silicon Valley startup slew giants of the movie rental world, warded off Amazon and forced movie making and distribution into the digital age.

The Making of a Mobster: 'Mickey Blue Eyes'

Take a front row seat as we sit down to chat with some of the creators and stars of the best and most beloved exploitation and grindhouse films of the 1970s and 80s. Featuring interviews with John Dugan (The Texas Chainsaw Massacre), Craig Reed (The Re-Animator), John Russo (Night of the Living Dead), Lynn Lowry (The Crazies), Carl Crew (Blood Diner), and many more independent horror veterans.

How could the Cannes Film Festival become the biggest cinema event in the world? For 75 years, Cannes has succeeded in this prodigy of placing cinema, its sometimes paltry splendors but also its requirements of great modern art, at the center of everything, as if, for ten days in May, nothing was more important than it. This film tells how Cannes has become the largest film festival in the world by opening up to cinematic modernity while never forgetting that cinema remains a performing art, a popular art.

In 1982, Wim Wenders asked 16 of his fellow directors to speak on the future of cinema, resulting in the film Room 666. Now, 40 years later, in Cannes, director Lubna Playoust asks Wim Wenders himself and a new generation of filmmakers (James Gray, Rebecca Zlotowski, Claire Denis, Olivier Assayas, Nadav Lapid, Asghar Farhadi, Alice Rohrwacher and more) the same question: “is cinema a language about to get lost, an art about to die?”

Lloyd Kaufman and the Troma Team struggle against incompetence, conflict and "the man" in order to complete their latest piece of art, Terror Firmer. The documentarians hold nothing back in the fight for truly independent cinema.

A chronological look at the creative life of Luchino Visconti (1906-1976). It examines his theatricality, role in the neorealist movement, use of melodrama, and relation to decadence. It touches on the impact of a fabulously wealthy childhood, his writing for "Cinema," his politics, his work with Renoir, his appreciation of Thomas Mann, and his deep knowledge of literature and the arts. Visconti moves constantly between film and the theater, staging plays provocatively, working with Maria Callas at La Scala, and shooting films in theaters. Clips from his films and interviews with actors, crew members, and critics provide details for this portrait of creativity.