Despite the 1960s free-love and alternative culture, many women found that their lives and expectations had barely altered. But by the 1970s, the Women's Liberation Movement was causing seismic shifts in the march of the world's events, and women's creativity and political consciousness was soon to transform everything - including the face of publishing and literature. In 1973 a group of women got together and formed Virago Press; an imprint, they said, for 52 per cent of the population. These women were determined to make change - and they would start by giving women a voice, by giving them back their history and reclaiming women's literature.
In late 1960s New York City, fed up with monotonous college life and police repression, free-spirited Fritz, an impenitent seducer and unrestrained party-animal, decides to explore the world. And just like that, as he flees NYC, heading to San Francisco, Fritz embarks on an endless adventure of illumination. Immersed in a world surrounded by drugs and sex, Fritz participates in mad orgies, brings about a revolution, incites mass urban riots, and crosses paths with drug-addled Nazi bikers.
Three friends who have been fired from the company where they worked and are demoralized because of their unemployment status. In these circumstances, they meet to undertake the plan that mentions the title but there is a problem: the car with which they would travel has broken down and the crane must wait.
Two stories for the price of one: a video store clerk tries to get acquainted with a waitress; a man beats his pregnant wife, unaware that her brother is a violent racist.
Fleabag may seem oversexed, emotionally unfiltered and self-obsessed, but that's just the tip of the iceberg. With family and friendships under strain and a guinea pig café struggling to keep afloat, Fleabag suddenly finds herself with nothing to lose.
When you're a newly divorced woman with two older children, it is very difficult to "rebuild your life". By chance, Monica meets someone new, but will she be able to seize this new oportunity for happiness?
Six widows demand compensation for the death of their husbands, who were killed during a worker's strike. The women are arrested and taken to the police quarters, where the authorities try to make them retract their statements, but it turns out they're not so easily intimidated.
Norman Mailer and a panel of feminists — Jacqueline Ceballos, Germaine Greer, Jill Johnston, and Diana Trilling — debate the issue of Women's Liberation.
Two actresses take us through a series of 'raps' and sketches about what it means to be beautiful and black.
Told by her daughter Wendy, MINK! chronicles the remarkable Patsy Takemoto Mink, a Japanese American from Hawai'i who became the first woman of color elected to the U.S. Congress, on her harrowing mission to co-author and defend Title IX, the law that transformed athletics for generations in America for girls and women.
TOMBOY explores the obstacles that young girls encounter on the recreational stage, the stereotypes, language issues and cultural disparities that follow, and ultimately the insufficient media coverage and compensation that afflicts elite professional athletes seeking full recognition for their talents. The journey of the female athlete is often discouraging, and despite progress achieved during the Title IX era, gender equity in athletics has a long way to go.
A waitress learns about a chance to become a general manager at the diner she works at, and has to decide if she wants to compromise her morals or find comfort within an unlikely group of women who are hiding from the law.
In 2016, after the hate-fuelled murder of a woman in Gangnam, young feminists gathered to talk about their experiences, which led to the ‘tsunami’ of the feminist movement reawakening in Korean society. This tsunami included street protests against misogynistic hate crimes, political campaigning in the upcoming presidential elections, protests against sexism and sexual violence in everyday life, and the ‘black’ protests calling for the abolition of the anti-abortion law. The Fearless And Vulnerable focuses on the activities and members of the Feminist Party (known in Korean as “Femidangdang”), a feminist group that was part of this tsunami wave. The pleasure and sincerity with which they conduct their activities are compounded with their courage in the face of conflict, and the sense of fear that permeates the community. The film shows Femidangdang meetings as well as the daily lives and thoughts of members during their activities post-2016.
Meet Shavon O'Brien: Her family doesn't understand her, her church ignores her, even Jesus forgets about her. With only the spirit of Sinead O'Connor to guide her, Shavon battles institutional child abuse, narcissistic group think, a talking stomach and a singing poop bucket! Shavon goes from Catholic to Crusty Punk in this very, very, very, dark musical comedy!
A progressive-minded documentary filmmaker reunites three older women who have been separated since college and takes them on a trip.
When a secretary's idea is stolen by her boss, she seizes an opportunity to steal it back by pretending she has her boss' job.
The true story of Frances Farmer's meteoric rise to fame in Hollywood and the tragic turn her life took when she was blacklisted.
In 1911, a willful and determined man from peasant stock named Charles Saganne enlists in the military and is assigned to the Sahara Desert under the aristocratic Colonel Dubreuilh.
Directed by Solveig Hoogesteijn, Macu, the Policeman's Woman (1987) is a Venezuelan crime drama based on a true story. The film follows Macu, a young woman living in a Venezuelan shantytown, who becomes romantically involved with a local policeman named Ismael. As their relationship develops, Ismael's jealousy intensifies, leading to tragic consequences. The narrative delves into themes of power, control, and the dynamics of abusive relationships within marginalized communities. The film is notable for its exploration of gender roles and societal issues in Latin America.
Delphine Seyrig reads passages from a Valerie Solanas’s SCUM manifesto.