Territory of Empty Windows

Triggered by Russia's invasion of Ukraine in early spring of 2022, Ukrainian journalist and writer Ivan Avramov struggles to navigate his fluid identity and the shifting reality around him.

As the Russian invasion begins, a team of Ukrainian journalists trapped in the besieged city of Mariupol struggle to continue their work documenting the war's atrocities.

A story about Ukrainian monumental art of the Soviet period in Mariupol. Photographer Stanislav Ivanov lived in Mariupol all his life. He studied history, streets, houses, monumental art. Some of the mosaics are more than half a century old. The "Tree of Life" panel - created by a team of artists led by Alla Gorska and Viktor Zaretsky - was bricked up after the death of the artist and reopened in 2008. This and other stories were collected by Stanislav Ivanov and art critic Oleksandr Chernov in the album "All Shades of Mariupol Mosaics". After February 24, 2022, the mosaicists, like hundreds of thousands of residents of Mariupol, became hostages of the occupying forces of the Russian Federation. In the film, we are transported to peaceful Mariupol in December 2021 and, together with Stanislav, explore the city and its mosaics, transported to a place where time and the elements seemed to be the greatest threats.

In 2022, Mantas Kvedaravičius went back to Ukraine, Mariupol, at the heart of the war, to be with the people he had met and filmed in 2015. Following his death, his producers and collaborators have put all their strength into continuing transmitting his work, his vision and his films. Also a PhD in anthropology, Mantas Kvedaravičius wished to testify as a filmmaker as far as possible from the agitation of the media and the politicians. With huge force and sensitivity, Mariupolis 2 depicts life as it continues amidst the bombing and reveals images that convey both tragedy and hope.

Milena, a young woman from Ukraine, who along with her mother and grandmother (and cat), desperately struggle to escape their war- torn home while an army of supporters on the opposite side of the world fight to keep them safe. Milena survived the destruction of Mariupol, cowering for a month in the basement of a bombed-out building, watching her home and history burn. She managed to contact Ken Pontac, long-time Facebook friend and father figure. Their conversations bolstered Milena's spirits while Ken listened with growing apprehension.

The city of Mariupolis is by the Azov sea. It is also on the river Kalmius. Most of the city’s residents, half a million according to the last census, are working for the steel factory and do fishing, for leisure or food, in between shifts. The orthodox church towers above the city and its newly build bronze domes are sitting next to it, waiting to be donned. A tent near by is sheltering a crying icon, which receives a steady flow of visitors.

The story of the first months of the Russian invasion of Ukraine through the eyes of a volunteer from Kamianets-Podilskyi and a female volunteer who ended up in occupied Mariupol.

Mariupol. Pre-war life in a small Ukrainian town on the shore of the Azov Sea, with a good family life, quarrelsome neighbors, amateur opera, denunciations to the NKVD, and a dance floor in the city garden, the persecution of religion and, of course, with love.

Vendaval

Every year, the most beautiful, best and proudest representatives of German youth meet in Dresden to take to the streets together.

Industrial film demonstrating methods of material handling using electrically-driven equipment. Framed in a fictional scenario of businessmen discussing industrial modernisation.

Luba Skořepová

Made refugees by the war in Ukraine, Olga and her granddaughter Milana travel to a summer camp in the Austrian Alps to test the limits of their own bravery, and to strengthen their growing bond.

A cinematic investigative journey to a story hidden by the IDF for 50 years - a brutal massacre of 17 Israeli prisoners by Syrian soldiers in two tragic events on the Golan Heights front. An event shrouded in secrets and lies that is a metaphor for the first days of that terrible war that caught the State of Israel in its weakness and disgrace .

Before the three feature films, Mario Schifano directs the camera towards the people around him to create real film diaries. His friends, his time partner and the artists he frequented are portrayed in their everyday life or object of the mechanical gaze of the camera, a filter through which to look at the outside world.

The Liberian American Swedish Mining Company (LAMCO) was a mining company that mined iron-ore in northern Liberia at the Nimba massif. About 15,000 Swedes worked for Lamco and the project was cited as a successful example of international cooperation. But in this film the Swedish TV viewers were presented a very different picture. The film broke with the conventional African portrayal and the Swedes in Liberia were portrayed as colonial-era heirs. The film was supplemented with a debate.

A series of interviews about the film Peeping Tom (1960). It includes a rare interview with Karlheinz Böhm talking about his role and its subsequent effect on him.

Since childhood, director Zara Meerza has been fascinated by the Olsen Twins and the near-mystical place that they occupy in pop culture. In this short film, through an excavation of clips of Mary-Kate & Ashley’s films, interviews with the women who grew up with them, and interviews with pairs of twins, Zara explores history’s fascination with twins and the unique way Mary-Kate and Ashley indelibly wove their way into culture.

In the heart of the Peruvian Amazon, Saor, a young androgynous Indian, carries a coffin. He is taking Valentina, his lover, back to her native village to bury her. When Valentina left this village years ago, before becoming a transgender singer in a faraway city, people here knew her as Pol. Valentina's past and death remain an enigma. Yet bit by bit, through his encounters with the people of the village, Saor begins to perceive what connected them to Pol. Sensitive to the world around him, Saor, like a Shaman, enters their memories. Saor starts to understand that, like all homosexuals persecuted by Shining Path terrorists, Pol lived in terror. In the village cemetery, between rage and bitterness, Saor attends the burial of Valentina's body. A ceremony that is both a burial and an exhumation.

From Nashville newcomer to international icon, singer Shania Twain transcends genres across borders amid triumphs and setbacks in this documentary.