Im Luxuszug durch das Herz Asiens

I AM GOLDEN KAREN is a coming-of-age story of Thaawa, a Karen refugee in search of his identity as a migrant in Thailand. In between puberty and adulthood, he nurtures a strong desire to return to his motherland, Karen State, Burma.

In 1992, teenager Sandi Tan shot Singapore's first indie road movie with her enigmatic American mentor Georges – who then vanished with all the footage. Twenty years later, the 16mm film is recovered, sending Tan, now a novelist in Los Angeles, on a personal odyssey in search of Georges' vanishing footprints.

A documentary directed by Winding Refn's wife, Liv Corfixen, and it follows the Danish-born filmmaker during the making of his 2013 film Only God Forgives.

Class Acts is a feature-length documentary tracing the genesis of Singapore's creative scene in the '90s through intimate conversations with its pioneering personalities. These are the stories of individuals who started creating with nothing, who push Singapore’s creative standards even today. The ones who went on to inspire a new generation of musicians, designers, and street artists.

A musical, visual journey. Recorded and filmed on location, it resurrects ancient and forgotten folk music from Sri Lanka, Thailand, Indonesia, Maldives, India and Myanmar. The experience is brought to life for a contemporary audience through a minimalist orchestration of modern electronic waves and flows, thereby preserving the integrity of the music. The musicians come primarily from the coastal communities, towns and villages practically wiped of the world map by the Tsunami of December 26, 2004. It's beauty lies in it's purity and simplicity, a non-judgmental point of view. For the international team who came together, Laya Project is a personal and collective tribute to the resilience of the human spirit.

A dwarf, a dragon, and a golden egg. Yet the real fairy-tale of this film is the journey of Jeanmarie, the Dutch street performer. In an adventurous project, Jeanmarie teams up with youth worker Frank to travel through the last remaining untouched regions of China, performing his new show to local children. As they transport their wondrous music machine from village to village, they bring laughter and intrigue to all who witness their magical performance, reuniting reality with fantasy, Europe and Asia. In a film as imaginative and whimsical as Jeanmarie's play itself, this is a poignant tale of passion and conviction to follow and fulfil your dreams.

This landmark documentary film by Paul Elston tells the incredible story of how it was the British who gave the Japanese the knowhow to take out Pearl Harbor and capture Singapore in the World War 2. For 19 years before the fall of Singapore in 1942 to the Japanese, British officers were spying for Japan. Worse still, the Japanese had infiltrated the very heart of the British establishment - through a mole who was a peer of the realm known to Churchill himself.

This travelogue begins at Bangkok's rail depot, a center of Indo-Chinese commerce. Next the narrator talks about Buddhism as the camera shows us some of Bangkok's many temples. Then, the narrator introduces us to the importance of traditional dance, with emphasis on the way that delicate wrist movements tell stories. It's on to the system of waterways in Bangkok, where more than 1,000,000 people live or conduct commerce. We take a ride down the Menam River, the country's most important commercial and social road. From our boat, we pass Wat Arun and other colorful signs of life typical in serene Siam.

It's Seattle 2006: A refugee teenager from Cambodia begins recording a video diary early in the summer to explain the meaning of "thug life." But ultimately his summer is defined by tragedy. Awarded Best Documentary at the DC Asian Pacific American Film Festival 2019

Bomb Hunters is an engrossing examination of the micro-economy that has emerged in Cambodia from untrained civilians harvesting unexploded bombs as scrap metal. The film explores the long-term consequences of war and genocide in an attempt to understand the social, cultural, and historical context and experiences of rural villagers who seek out and dismantle UXO (unexploded ordnance) for profit. Part of a global economy, these individuals clear UXO from their land in order to protect their families from harm and to earn enough money to survive. Bomb Hunters is an eye-opening account investigating the on-going residual, persistent effects of war experienced by post-conflict nations around the globe, and the complex realities of achieving "peace".

Born a conjoined twin due to the effects of Agent Orange used during the Vietnam War, Duc Nguyen, now a father and husband, seeks the truth about his past and contemplates the future.

As an omnibus of short films, Art Through Our Eyes is inspired by the art collection found at the National Gallery Singapore. Each of the five directors – Apichatpong Weerasethakul, Brillante Mendoza, Eric Khoo, Ho Yuhang and Joko Anwar – handpicked a masterpiece from the 19th and 20th century as inspiration for their short films.

Dismembered limbs. Topless mermaids. Crabs with human heads. These Chinese folklore-themed statues, in all their surreal, grotesque glory, are seared into the mind of Singapore's Haw Par Villa. But no one knows them as well as Teo Veoh Seng. Decades ago, he started out as an apprentice at the park, which opened in the 1930s; now, at 83, Teo has finally decided to retire. Though his successors prepare for his departure, what will be lost when the master craftsman steps down? Interspersing interviews with animation, this documentary weaves personal and national histories into the portrait of an unlikely Singapore hero. It sheds light on an artisan whose quiet dedication has preserved a uniquely charming slice of a city hounded by rapid urban developments.

A visit to Singapore, an essential port city in Britain's empire, established in 1813 when Raffles negotiated its separation from the independent Malay state of Jahor. The camera observes Singapore's traditional neighborhoods, trade, and small craft, which are dominated by people of Chinese ancestry. Then, we drive the modern causeway to Jahor's small capital, Johor Bahru, for a look at imposing buildings and a visit to the grounds of the sultan. The sultan's son invites the crew in, and we meet the sultan, "H.H." himself. The narrator relates the sultan's commitment to commerce, economic well-being, and tolerance, stemming in part from his European education.

An old Traditional Muayboran Monk Champion Master enters the famous Petchyindee Kingdom Muaythai Gym to practice and train a session of Muaythai. In order to regain and recover the technics and skills, he showcases different styles of Wai Kru dances. From Tiger, Snake, Scorpion, Dragon and the spearing warrior dance.

Singapore GaGa is a 55-minute paean to the quirkiness of the Singaporean aural landscape. It reveals Singapore's past and present with a delight and humour that makes it a necessary film for all Singaporeans. We hear buskers, street vendors, school cheerleaders sing hymns to themselves and to their communities. From these vocabularies (including Arabic, Latin, Hainanese), a sense of what it might mean to be a modern Singaporean emerges. This is Singapore's first documentary to have a cinema release. With English and Chinese subtitles.

This behind the scenes documentary showcases a Singapore-based collective who practice the art of card flourishing. To date, Virtuoso (a.k.a. The Virts) have managed to gather an international following of more than 37,000 people. But how far can a Singapore Brand go in an international scene that is dominated by big personalities like David Blaine? This film examines how these innovative performer entrepreneurs are managing to harness the possibilities of the Internet to extend their reach beyond the shores of Singapore, and develop new business models to share their passion for their craft. Other aspects explored includes the science behind the art of cardistry as well as the cultural associations attached to cards in Asia.

An investigation into the nature of the sex trade in Thailand.

There are only 320 Mlabri people left on this planet. They came out of the jungle in Northern Thailand on the border to Laos one generation ago. The Mlabri people used to be hunters and gatherers. Today they scrape out a meagre existence at the bottom of society working as day labourers for the Hmong farmers, and living in shacks on the outskirts of larger Hmong villages. The Mlabri people are currently going through a transformation process, which has taken many other people thousands of years. Now the young people are faced with the choice of staying with their families in the village or adapting to the Thai society. How do they experience the meeting between their own culture and the local, regional and national majority cultures? In this film young Mlabri tell about their past, present and future as they see it; all expressed in their unique and expressive Mlabri language.

She now lives many miles away from her mother, who is waiting to hear from her. It is a bittersweet, restless, nostalgic moment, and she remembers those vanished years.