Cabaret Girl

Leon Gast's musical documentary reveals New York City's Latin culture and features live performances of salsa greats The Fania All Stars and The Spanish Speaking People of New York. A document of urban American Hispanic culture, Gast's film captures the rhythms of New York's Spanish Harlem, from illegal cockfights and Santeria rituals to the rooftops and backstreets of El Barrio and the legendary musicians performing at the Cheetah club.

Set against the thriving dance music scene in the city of Adelaide, Decks and the City explores the passion for electronic music within the night time cityscape and the obstacles that DJ's, producers, venue owners and patrons face from lawmakers and a conservative society.

'Green Lights, Blue Skies' features twenty tracks to make you want to head for the open road. Many of these videos, promotional clips and performances have never been included on a DVD. Bonus features include an introductory film by DJ and broadcaster Gary Crowley, exclusive band profiles and a new 5:1 mix.

A look at the production and enduring popularity of a modern trash classic from those bad boys behind 1992's Basic Instinct, the infamous screenwriter Joe Eszterhas and the envelope pushing director Paul Verhoeven. In 1995, their next film collaboration, Showgirls, was unleashed upon the world.

Podium

What happened to those vedettes who represented the mexican cabaret’s exotic beauty in the ‘70s and ‘80s? Four decades after the end of their roles, they tell their stories with dignity.

Chronicles the rise and fall of 1970s New York City nightclub Plato's Retreat.

The story of Annabel's, the most celebrated nightclub in the world, and its 50-year history. Renowned for its discretion, and as a haunt of some of our greatest celebrities, the film offers a hitherto unseen glimpse into the rarefied worlds behind the doors of 44 Berkeley Square.

The motions and gestures of military riot police, slowed down while performed by dancers, are surprisingly beautiful. Menace and violence estranged from context and time looks eerily strange, and all too familiar. In this gallery piece, Isaac Chong Wai somehow anticipates, a year early, key images of the Hong Kong protests.

Writes Shimizu: "I used to work as a photographer hired by a website to promote NYC and the Hamptons nightlife. The promoters would hire the people I worked for to send me over to their party to take photos of the people there. I would go to 2-3 different clubs a night, 4 nights a week. The range in partygoers was pretty big. During my final few months with the company, I was mainly assigned to an after-party spot on Broadway called Pangaea. At Pangaea, I photographed Ice T, Sting, among others. The job, for the most part, was really fun. I drank so much Red Bull vodka."

The place is the notorious Starck Club (so called because it was the first major project designed by Philippe Starck in the US.) The Starck Club opened in Dallas in 1984 and not long after hosted the 1984 national Republican Convention. Ironically, it was actually legal to buy MDMA aka ecstasy there, people would put it on their credit cards. The DEA stepped in and made it a category 1 drug on July 1, 1985... In a time when ecstasy was legal & guyliner was cool.

A portrait of the Chicago Near-North nightlife scene in the mid-1960s, centering around the struggles and romantic desires of an African American singer played by long-forgotten folk sensation Willie Wright. (Courtesy Chicago Film Archives)

From transvestites to transformers, we will follow the trail that will lead us in different and famous Parisian music-halls, such as the mythical Alcazar of Paris, La Grande Eugène. Whether they are below or beyond their character, often these men who are looking for themselves look at life with the humor of despair. Why this need to "transform" themselves? Why is it always the men who cross-dress and not the women? Why did the public flock to these shows in the 1970s and 1980s? Interpretations of famous characters such as Diana Ross, Josephine Baker, Billie Holiday, the Peter Sisters, the Andrew Sisters, Zizi Jeanmaire, Judy Garland, Sarah Bernhardt, among others, contribute to making this musical document an essential testimony of this era.

This unique film follows a group of 3 DJs Axwell, Steve Angello and Sebastian Ingrosso as Swedish House Mafia over the course of 2 years, 285 gigs and 15 countries. The film charts their journey from the point at which the Swedish House Mafia really starts to cause big waves to finishing their first hit single, ONE, under a ground breaking joint venture record deal with Virgin Records. There are appearences by Kylie Minogue, Pharell Williams, Tinie Tempah and Dirty South and the film was directed by Christian Larson.

It was a year of extremes for Jochem Myjer: he performed in Carré one-hundred times but at the same time struggled with the tumors growing in his back. How did he keep himself going?

Bill Moyers and filmmaker David Grubin give viewers a rare glimpse into dancer/choreographer Bill T. Jones’s highly acclaimed dance Still/Here. At workshops around the country, people facing life-threatening illnesses are asked to remember the highs and lows of their lives, and even imagine their own deaths. They then transform their feelings into expressive movement, which Jones incorporates into the dance performed later in the program. For this documentary, Jones demonstrates the movements of his own life story: his first encounter with white people, confusion over his sexuality, his partner Arnie Zane’s untimely death from AIDS, and Jones’s own HIV-positive status.

Released in 1995, Paul Verhoeven's Showgirls was met by critics and audiences with near universal derision. You Don't Nomi traces the film's redemptive journey from notorious flop to cult classic, and maybe even masterpiece.

Russ Meyer's documentary about the underground vice world of Europe.

'Looking for the Perfect Beat' is a cinema verite immersion inside the unique Los Angeles 'beat-scene' music community centered around the world famous Low End Theory club night. Filmed over the Summer of 2013, a climatic point in this particular music scene's trajectory, we are given the opportunity to elegantly lift the veil on the personal creative processes of the internationally-acclaimed pillars of the scene. Indie music luminaries such as Flying Lotus, Thundercat, Gaslamp Killer, Daedelus, Nosaj Thing, Ras G, Teebs, D-Styles, TOKiMONSTA and Matthewdavid are all featured in vivid detail. The soundtrack for the film creates itself live on camera as the film elapses. This avant-garde visual angle on each subject in their respective creative spaces provides for an introspective glimpse into what would otherwise be unseen.

A short documentary on the highly influential Los Angeles club night, The Low End Theory