The Pipe

While millions of birds migrate freely in the skies above, Fadia, a Palestinian refugee stranded in Lebanon, yearns for the ancestral homeland she is denied. When a chance meeting introduces her to the director, Sarah, she challenges her to find an ancient mulberry tree that once grew next to her grandfather’s house in historic Palestine, a tree that stands witness to her family’s existence.

When two young American Jews raised to unconditionally love Israel witness the mistreatment of Palestinians, they battle the old guard to create a new movement opposing Israel’s occupation, and recentering Judaism itself.

Building on Forensic Architecture’s previous investigation into herbicidal warfare and its effects on Palestinian farmers along the eastern perimeter of the occupied Gaza Strip, this investigation marks Land Day in Palestine by examining the systematic targeting of orchards and greenhouses by Israeli forces since October 2023. Our analysis reveals that this destruction is a widespread and deliberate act of ecocide that has exacerbated the ongoing catastrophic famine in Gaza and is part of a wider pattern of deliberately depriving Palestinians of critical resources for survival.

At Elbit System's office in Göteborg Emma is worried about a new sickness causing deaths in the weapon industry, but soon her workplace is faced with another direct threat.

A Lullaby Unlike Any Other

Filmed at the Théâtre de la Main d'Or on October 22, 2010. Dieudonné returns with "Mahmoud", in what can be described as "a contemporary artistic testimony with a strong humorous content." He tells us about the incredible events that led him to meet the Iranian president, Mahmoud Ahmadinejad. He takes us back in time and transports us to the 16th century on a plantation in Martinique to discuss the courteous relationships between masters and their slaves. He also talks about the all-powerful and revered field of medicine... only to mock it, of course. And it feels good!

Fourteen years after his first visit, Louis Theroux meets some of the growing community of religious-nationalist Israelis who have settled in the occupied West Bank.

What is the reality of daily life in Gaza, along the border of Israel? Can the religious organization of Hamas, rivals to the PLO, move from international pariah to meaningful political player with citizens' interests at heart? Developed over two years and with unprecedented access to this 'terrorist' organization, this documentary uncovers the deeper issues defining life in Gaza under Hamas.

After the Freedom Flotilla attempts to bring humanitarian assistance to Gaza refuses to turn back, it is attacked by the Israeli military. In a dramatic battle scene, activists resist and are killed by the Israeli soldiers. A Turkish commando team led by Polat Alemdar (Necati Şaşmaz) travels to West Bank in Palestine, where they launch a campaign against Israeli military personnel in an attempt to track down and eliminate an Israeli general, leader Moşe Ben Eliyezer (Erdal Beşikçioğlu), who is the responsible for the flotilla raid.

An examination of the creation of the state of Israel in 1948 through to the present day. A semi-biographic film, in four chapters, about a family spanning from 1948 until recent times. Combined with intimate memories of each member, the film attempts to portray the daily life of those Palestinians who remained in their land and were labelled "Israeli-Arabs," living as a minority in their own homeland.

A look inside the work of Breaking the Silence, an organization of former IDF combat soldiers who collect and publish testimonies of soldiers who served in the occupied territories. For six months, director Silvina Landsmann, camera in hand, accompanied the staff of the organization. The many hours of footage have been refined into a film that dives into the heart of Breaking the Silence’s work: guided tours of Hebron and the surrounding area, public lectures and house meetings, internal staff meetings and media strategy. All the while the organization is forced to justify its very existence, both internally and to the broader public, and to justify its place in the political debate. The Good Soldier raises questions about Israel’s dynamic mainstream and the challenges of confronting it.

Najwa, Nawal, and Siham, three Palestinian widows, live with their 11 children in a house on Shuhada Street in Hebron. Their house lies on the border; the façade is under Israeli occupation, the Palestinian Authority controls the back. At the entrance to the house is a military post; on the roof the Israeli army has placed a watch point over Palestinian Hebron. The three women, trapped in the middle and constantly surrounded by Israeli soldiers, carry on their difficult lives in a perverse situation: the occupation becomes a routine, the absurd becomes a given. This is the story of an occupation that extends to the staircase and the roof of the house, where it encounters poverty, loneliness, pain, but also the small joys of everyday life. This is an internal prison, the external one is the ongoing occupation.

War in Lebanon

Israeli director Natalie Assouline chronicles the lives of women, mostly young mothers, in prison for involvement in failed suicide attacks/terrorists attacks in Israel. Filmed over two years, this portrait strives to unearth the motivations behind their crimes. With the women's heads and feelings firmly covered, the film reveals no answers, just the heart-breaking tension between humanity and ideology.

In this video, the artist tries to overcome the effects of distance, and reflects on geography represented in exile due to war, and on the psychological distance represented in each one’s approach to her womanhood. The video beautifully weaves personal images and audio recordings of a very intimate nature, binding the personal with the political. Reading aloud from letters sent by her mother in Beirut, Hatoum creates a visual montage reflecting her feelings of separation and isolation from her Palestinian family. The personal and political are inextricably bound in a narrative that explores personal and family identity against a backdrop of traumatic social rupture, exile and displacement.

Filmed entirely with an iPhone, Teta, Opi & Me is a tribute to conformity, tolerance and courage. It is a poetic, meditative, multilingual, and feeling-driven short film, documenting the intricacies of the artist’s playful process in capturing her grandparents’ enduring romance through social, political and racial adversity. He comes from Bethlehem, Palestine and she comes from Vienna, Austria. Incorporating poetic filmic scenarios, vérité scenes, interviews, and home movies, the work is an inter-generational dialogue that explores themes of family, love, and the intermingling of cultures.

In the region of Masafer Yatta in the West Bank, Palestinians are being subjected to ethnic cleansing. Homes that have been passed down since the days of their grandparents are being reduced to rubble by bulldozers. Families who have lived by farming olive trees are forcibly displaced, and Israeli settlements are built in their place. Under international law, these acts are clear violations, yet they continue unabated. In the space of this grotesque violence—where Palestinian homes are demolished to make way for Israeli settlements—there is a familiar logo affixed to the heavy machinery. It belongs to HD Hyundai, one of South Korea's largest conglomerates. Suddenly, what once felt like a distant geopolitical issue jump-cuts into our lives—right to our doorstep.

Two Cameras for Palestine

A film documenting the story of the Israeli refusnik-movement and interviews some of its protagonists. This timely documentary interweaves the stories of six soldiers who, after years of loyal reserve duty and annual active combat, find they can no longer countenance serving in the occupied territories of the West Bank and Gaza Strip. They become "refusniks" - an action that puts them at odds with deeply held national values and has devastating consequences in their own lives. In the film, six of the signers of the original "Combatants’ Letter" reveal the untenable combat experiences that led to their decision, the public outcry it provoked and the price they continue to pay for refusing to serve - including isolation, family ostracism and imprisonment. Winner, Ecumenical Jury Prize, Berlin Film Festival

In Killing Gaza, independent journalists Max Blumenthal and Dan Cohen documented Israel’s 2014 war on Gaza. Yet this film is much more than a documentary about Palestinian resilience and suffering. It is a chilling visual document of war crimes committed by the Israeli military, featuring direct testimony and evidence from the survivors.