A Matrimonial Boomerang

As Wanda bicycles down the street, she finds herself at the center of a series of adventures and mishaps involving fire trucks, a construction site, a cop, a policeman, a honky tonk but it all ends happily in the arms of a dreamy engineer.

Horace Ventimore, a young London architect, stumbles across an old brass bottle. When he picks it up a genie suddenly appears and promises Horace that he will grant every wish Horace wants in exchange for his freedom. Horace accepts the genie's offer but finds out that things aren't working out quite as well as he thought they would.

Buck Duane guns down the man who killed his father and flees from the law. He rescues a girl he once loved from outlaws, but the wife of outlaw chief has her own designs on him.

An escaped lunatic threatens the romance of his wife and her new suitor.

An adventure tale set in the North Woods. The villain, smuggler Jules Payette, would give anything if Jeanne would give in. Saving her virtue in the nick of time is stalwart Pierre, who turns out to be a Northwest Mountie.

A foppish Londoner joins the Royal Canadian Mounties and tries to break a smuggling ring.

Minnie, the homeliest girl in town, is devoted to her father, a discouraged inventor who has been working on a wireless device. Subject to the sneers of her neighbors, Minnie "invents" a lover and sends herself letters and flowers. Her stepsister suspects the truth and threatens to expose her. Desperate, she claims an unidentified body at the morgue and tells a reporter that this is her lover, unaware that the body is that of a Chinese man. The absent-minded reporter sees her heart and forgets about the big story. After further disappointments in the invention, Minnie's stepmother decides to leave her father. Her father then has a success and becomes rich. At a celebration, the stepsister and townspeople are surprised when a new couple appear, which turn out to be the former reporter and his lovely wife Minnie.

Directed by Max Urban.

One of the two earliest horror films ever made. This film is presumed lost. In this black comedy scene, the bottom falls out of a coffin, the corpse tumble out, and is jolted back to life. Short sequences like this, as well as street scenes and dancing geisha girls were the main subjects of early Nippon cinema, pioneered by Shiro Asano and Shibata Tsunekichi from 1897 onwards. In creating dramatic, scenes, film-makers naturally chose the most striking or bizarre. Another undocumented film, recalled by cameraman Shiro Asano.

Curley Smith, a lieutenant of the Texas Rangers, gets chased by a band of smugglers after getting caught spying on them and becomes injured. Anita, the daughter of the chief smuggler tends to him and the two of them fall in love. Dean, a member of the renegade, becomes jealous of their romance, and will do whatever he can to get rid of Curley - fair or foul.

A lost film. Teddy Drake is a pleasure-seeking aristocrat who ends up expelled from his exclusive Fifth Avenue club for playing practical jokes and other rambunctious antics. He decides to reform his selfish ways and boards a train heading heading for the Southwest.

Charles, Joseph and Sir Benjamin are in love with Maria and Lady Sneerwell is in love with Charles.

Jack Pepper accidentally fires his gun while forcing a newspaper editor to retract his statement regarding Miss Tulip Hellier, and the sheriff goes after Jack. While hiding out, Jack finds a liquor cache on the Hellier ranch and knows it was placed there as a ruse to distract the sheriff while an outlaw gang runs dope across the border.

Amy Lindel, a church choir singer, goes to the city to pursue a singing career, but finds herself only able to get cabaret gigs. She then becomes entangled in a situation involving stolen diamonds, and is saved by the "good guy" whom she later marries.

A short burlesque that is lost today.

Full of booze, bluster, and fight "Black Pete," a big "bad man" of the wild west comes from the local saloon ready to put daylight through anybody and everybody within the range of his voice and the reach of his gun and, to further convince the crowd that he is the terror of the territory, lands on an inoffensive bystander knocking him down. "Billy" is an entirely different sort of a citizen; he is a young chap living with his sister whom he loves very dearly; their love is mutual. Billy has received a letter and stops on his way home in an opening in the woods to read it. While thus engaged, an Indian girl is making her way through the woods. "Black Pete" coming along the pass sees and attacks her. Billy springs to her defense and knocks "Pete" down; in falling he strikes his head on a stone and is killed.

In the mountain wilds of Tennessee there is no end to the manufacture of moonshine whiskey. Whole families live on this nefarious trade and many of them die by it. The men who work at this business are constantly hunted by United States revenue officers as violators of the law for manufacturing of liquor without a special license. The "Mountain wife" loves her husband and stands by and shields him from his enemies, the officers; when they are on his track she hides him, then throws them off his trail, giving him time to escape in the mountain fastnesses, as we are shown in this interesting and thrilling picture.

Nora, who is the president of the Bachelor's Club, receives a letter announcing the death of her uncle in the west and that he has made her heir to his immense fortune. Including a ranch at Grey Oaks. Nora decides to go west and take charge of the ranch and run it herself a la suffragette fashion. She invites all the girls to go with her and they start for their new home. Arriving at Grey Oaks they pay no attention to the cowboys who greet them at the station but go at once in the old stage-coach to the ranch. The cowboys follow, approach the ranch, offer their services and are rewarded by being driven from the premises. The boys make up their minds to "get next" to the girls and devise a scheme.

A short silent film produced by Gaston Mèliès in San Antonio.

From force of habit, some might call him a "Greaser," true, he is a Mexicano; he is no more, a man of noble instinct and chivalrous nature. He falls in love with the American ranchman's daughter, and while she appreciates his sincerity, she does not return his affection for her. Tony not only loves, he respects her, and will not inflict his attentions upon her, and will not inflict his attentions upon her, neither seeking recognition nor reward.