Revza

What happens when your child comes out to you? In this feature documentary, parents of lesbian, gay, bisexual and trans-gender individuals in Turkey intimately share their experiences with the viewer, as they redefine what it means to be parents in this conservative society.

Explores the Ottoman Empire killings of more than one million Armenians during World War I. The film describes not only what happened before, during and since World War I, but also takes a direct look at the genocide denial maintained by Turkey to the present day.

INTENT TO DESTROY embeds with a historic feature production as a springboard to explore the violent history of the Armenian Genocide and legacy of Turkish suppression and denial over the past century.

Though both the historical and modern-day persecution of Armenians and other Christians is relatively uncovered in the mainstream media and not on the radar of many average Americans, it is a subject that has gotten far more attention in recent years.

Turkey in the 1960s and 1970s was one of the biggest producers of film in the world. In order to keep up with the demand, screenwriters and directors were copying scripts and remaking movies from all over the world. This documentary visits the fastest working directors, the most practical cameramen and the most hardheaded actors to have a closer look into the country's tumultuous history of movie making.

A thorough look at the 90's Turkish rock scene, one legendary stage band and its two members: Kerim Capli and Yavuz Cetin... An inquiry of their existential battles with the society, the industry and their own minds.

On the 50th anniversary of the Cyprus Peace Operation, TRT World revisits the island's turbulent history and asks: Is there still hope for reconciliation?

A documentary of Turkish political history about multi-party period, Democrat Party government and the coup d'etat of 27th May. Including eye-witness interviews with journalists, officers, politicians and family members.

Docudrama examining the life of Mustafa Kemal Atatürk, who founded the Republic of Turkey from the ruins of the Ottoman Empire. Monuments to him can be found in every city; the anniversary of his death is commemorated every year; derogatory words about him are punishable by law. Rarely has a politician changed a society so radically in such a short time as Atatürk did Turkey.

Byzance uses a text by Stefan Zweig to describe the Ottoman conquest of the city in 1453. Before he turned to feature filmmaking in 1968 with Naked Childhood, Pialat worked on a series of short films, many of them financed by French television. Byzance is one of Pialat’s six Turkish shorts.

All of Pialat's Turkish films are uniquely interested in the country — especially Istanbul — as it was, not just as it is at the precise moment that Pialat is filming it. History informs these films in a big way, with the voiceover narration (which incorporates excerpts from various authors) introducing tension between the images of the modern-day city and the descriptions of incidents from its long and rich history. Istanbul is probably the most conventional documentary of Pialat's Turkish series, providing a general profile of the titular city, its different neighborhoods, and the different cultures and ways of living that coexist within its sprawling borders. As the other films in the series also suggest, Pialat sees Turkey, and Istanbul in particular, as a junction point between Europe and the East, between the old and the new, between history and modernity.

Maître Galip is the most poetic and powerful of Pialat's Turkish Chronicles, using the poems of Nazim Hikmet to accompany a series of evocative images of ordinary working class people in Istanbul. This was the film that Pialat himself claimed was the most complete realization of what he was aiming for with his Turkish documentaries. It's not difficult to see why this was his favorite: here he abandons the historical commentary and documentary observation of the other shorts in favor of an emotional emphasis on the lives of the poor and the unemployed.A short doc by Maurice Pialat.

La Corne d'or is mostly concerned with religious ritual, examining the mosque (and former cathedral) discussed in Byzance. As a contrast against Istanbul's status as a center of historical religious conflict, Pialat — drawing here on texts by the French poet Gérard de Nerval — also describes the city as a place of strange ethnic and religious harmony, with representatives of various cultures and religions living in close contact. He emphasizes the city's hybrid culture, its blend of Southern European and Arab influences, reflected in both its people and its very construction.

Pehlivan focuses on a three-day wrestling competition, an ancient tradition that dates back over a thousand years to the time of the Ottoman Empire, originating in the games the soldiers would play to entertain themselves in between battles. Maybe that's why there's more than a hint of homoeroticism in the way the wrestlers oil themselves up with grease, making sure to cover every inch of their bodies so that their opponents will be unable to get a grip. Pialat's closeups emphasize the men's muscular bodies jammed together and sliding off one another, posed in intimate, twisted arrangements, struggling desperately for a grip on each other's bodies. Arms are jammed down pants, one of the only places there's some potential for a handhold, and the whole thing is very suggestive and sensual, a form of intimate male contact that's sanctioned as a show of strength and masculinity.

Short doc by Maurice Pialat. The first film in the series set at Turkey, Bosphore, is also the only one that was shot in color.

As the forces of ISIS and Assad tear through villages and society in Syria and Northern Iraq, a group of brave and idealistic women are taking up arms against them—and winning inspiring victories. Members of “The Free Women’s Party” come from Paris, Turkish Kurdistan, and other parts of the world. Their dream: To create a Democratic Syria, and a society based on gender equality. Guns in hand, these women are carrying on a movement with roots that run 40 years deep in the Kurdish Workers’ Party (PKK) in Turkey. GIRL’S WAR honors the legacy of Sakine Cansiz, co-founder of the PKK who was assassinated in Paris in 2013, and reflects on the sacrifices made by all of the women in the movement, who have endured jail, rape, war, and persecution in their quest to liberate their lives and sisters from male dominance. With scenes of solidarity, strength, and love amongst these brave women soldiers, GIRL'S WAR is a surprising story of Middle Eastern feminism on the front lines.

Bakur (North) is a documentary that invites its audience to reflect on a war that has been continuing for decades and gives an insightful look on its main subject, the PKK. The film follows the lives of the guerilla in three different camps on the Kurdish region (north) that lies within Turkish borders.

An indictment of the protagonists in the Cypriot civil war.

Ecumenopolis: City Without Limits" tells the story of Istanbul and other Mega-Cities on a neo-liberal course to destruction. It follows the story of a migrant family from the demolition of their neighborhood to their on-going struggle for housing rights. The film takes a look at the city on a macro level and through the eyes of experts, going from the tops of mushrooming skyscrapers to the depths of the railway tunnel under the Bosphorous strait; from the historic neighborhoods in the south to the forests in the north; from isolated islands of poverty to the villas of the rich. It's an Istanbul going from 15 million to 30 million. It's an Istanbul going from 2 million cars to 8 million. It's the Istanbul of the future that will soon engulf the entire region. It's an Istanbul nobody has ever seen before.

At the heart of the Syrian civil war, a group of activists created an underground library in the besieged outskirts of Damascus. After years of blockade, they were forced to leave their city. But they managed to save their videos illustrating a unique experiment of cultural resistance under the bombs. This film, built between the past and the present, follows the story of three friends who met during the 2011 revolution and never gave up on their cultural resistance and peaceful struggle. Despite ceaseless bombing, they not only saved books from the rubble, but created a secret library, which quickly became a safe haven for peace, freedom and democracy: a special experience that they filmed and documented meticulously. Separated by war and exile, they are striving to reunite with each other. They reminisce on the past and tell us the extraordinary story of the library, based on dozens of hours of video archives. “A Library Under Bombs” is a story of hope and survival.