Naturalist Joe Hutto's remarkable experience of being imprinted on by group of wild turkey hatchlings, and raising them to adulthood and beyond, in the remote wilderness of northern Florida.
İHA'nın Arşivinden 17 Ağustos 1999 Depremi
Fragmentary perspectives on Human Rights and transgender (trans*) People in Turkey. What remains at the place where a murder happened? What constitutes trans* life? How to cope with daily violence and hatred? We begin to search for traces. We follow the tracks of resistance and survival. We are collectors of the expelled. We gather fragments of trans* lives inspired by texts of Nazim Hikmet, Foucault, Benjamin and Zeki Müren. Trans*BUT is a documental research study driven by the question: “What keeps you going when all else falls away?”
Though both the historical and modern-day persecution of Armenians and other Christians is relatively uncovered in the mainstream media and not on the radar of many average Americans, it is a subject that has gotten far more attention in recent years.
Pictures of the Mediterranean made with bread, oil and wine. In one meal the history, geography, economy, climate, culture and people of the Mediterranean. Close up of threshing floors, threshing floors, mills. Dietary habits, production methods, daily routines together with the natural and built environment make up the cultural body of the most interesting, perhaps, man-made environment in history. A culture that runs as a commonplace even in seemingly different worlds. The Mediterranean emerges in a sea of convergence and meeting without, however, ignoring the dynamics of the different.
KÖY (Turkish for village) is about the longing for home, for belonging and the freedom of the self. Three women from three generations are united by their Kurdish roots.
A documentary of Turkish political history about multi-party period, Democrat Party government and the coup d'etat of 27th May. Including eye-witness interviews with journalists, officers, politicians and family members.
More than one million Armenians perished between 1915 and 1916 in massacres or brutal deportation programs. Turkey still denies it ever happened. Laurence Jourdan examines massacres of Armenians in the decades leading up to the mass murder, and the geopolitical situation both before and after the genocide. Contemporaneous reports and documents written by Western diplomats stationed in the Ottoman Empire describe the methods used and the deportation routes. These accounts are mixed with personal stories from the living survivors and archive footage from Ottoman authorities.
12 episodes documentary about Turkish political history focused on period between 1993 and 2002.
Kurdistan, partitioned between Iran, Iraq, Turkey and Syria, could play a major role in a torn Middle East. But who are the Kurds? What influence do they have? Who exactly is Abdullah Öcalan, the leader of the Kurdistan Workers' Party? An enlightening investigation by Luis Miranda.
At a time when French flags are being burned and French embassies targeted, this documentary delves into the growing disaffection between French-speaking Africa and the former colonial power. Through the voices of African leaders, pan-African activists, and committed young people, the film questions the persistence of a relationship marked by the aftermath of colonization, the opaque agreements of "Françafrique," and a military presence deemed paternalistic.
Produced by the Fox Movietone News arm of Fox Film Corporation and based on the book by Lawrence Stallings, this expanded newsreel, using stock-and-archive footage, tells the story of World War I from inception to conclusion. Alternating with scenes of trench warfare and intimate glimpses of European royalty at home, and scenes of conflict at sea combined with sequences of films from the secret archives of many of the involved nations.
A documentary film exploring the legacy of the Holocaust in Bulgaria and the Balkans through the personal stories of three Bulgarian Jews.
Make Turkey Great Again
Teenagers from Belgium, Turkey, and the U.S. talk about their experiences during quarantine, share their opinions on the COVID-19 pandemic and explain how people in their countries cope with the situation.
In the weeks and months surrounding the overthrowing of Bulgaria's socialist dictatorship, the public's taste for democratic discussion begs to be sated. Kiryakov's camera walks through Sofia's South Park as it turns into a hotbed for ideological debate and picketing, where citizens from all walks of life share their hopes despite the winter weather.
A film pioneer, Binka Zhelyazkova was at the forefront of political cinema under Bulgaria's Communist dictatorship. Though she remained faithful to the communist ideals she became an avid critic of the regime and brought upon herself the wrath of its censorship. As a result four of her nine films were shelved and released to the public only after the fall of the regime in 1989, and Binka Zhelyazkova became known as the bad girl of Bulgarian cinema. A provocative portrait that reveals the pressures and complexities that arise when art is made under totalitarianism.
By the end of 1963, the word coup was no longer spoken in Turkey. Talat Aydemir is history, the last tremors of the May 27 earthquake have passed and the sliding faults of the regime have begun to settle into place. In this transition period, which lasted more than four years, the person who managed to get the ship to the port without running aground was İsmet İnönü. He ruled for four troubled years in a country torn between armed uprisings, Cyprus crises, coalition governments and regime debates. But meanwhile, he was also worn out. In the local elections held at the end of 1963, while the CHP's votes remained at 37 percent, the AP found 45 percent. But on the very day of the final election results, a few gunshots heard from across the Atlantic turned everything upside down...
Turkish democracy got over the 27th of May and the 12th of March and set off again, but the storm did not subside and the mutual reckoning was not over. On the contrary, new fronts were opened in the country and blood began to flow like a gutter. Finally, on September 12, there was a knock on the door again. Those who came that day changed everything, everything. Nothing would ever be the same again, nothing would be the same as before.
Demirkırat stumbled on March 12, 1971. Actually, you know, they shoot limping horses. But this time it didn't. Turkish democracy continued to run despite its wounds. Because March 12 was not a "seizure" but a "warning". The generals were saying, "If what we want is not done, we will seize it." The country was entering a new era under this Sword of Damocles. A president who was helpless in the face of events, a prime minister who had to leave his seat, a newly fallen parliament, four generals neither inside nor outside the power... Now, a solution would be tried to be found out of this complex equation. But how and with whom? No one knew the answer to these questions in Turkey on the morning of March 13.