First Kill

A documentary of insect life in meadows and ponds, using incredible close-ups, slow motion, and time-lapse photography. It includes bees collecting nectar, ladybugs eating mites, snails mating, spiders wrapping their catch, a scarab beetle relentlessly pushing its ball of dung uphill, endless lines of caterpillars, an underwater spider creating an air bubble to live in, and a mosquito hatching.

Maria Zmarz-Koczanowicz directed this insightful TV documentary (2005) tracing the Polish filmmaker's career. Former classmates reminisce about Kieslowski's happy beginnings at the Lodz film school and how his dissatisfaction with some of his early documentaries prompted the dramatic work and stylistic experimentation that led to his monumental series of films The Decalogue (1989). Wim Wenders, Agnieszka Holland, and Juliette Binoche are among the many admirers weighing in on his hard-driving work methods and preoccupation with the ephemeral. In Polish, French, and German with subtitles.

A fast-moving and comprehensive documentation of three Survival Research Laboratories performances 1989-1990. Includes "Illusions of Shameless Abundance ...", ArtSpace Computer-Controlled Installation, "A Carnival of Misplaced Devotion ...", plus details of the 1989 bomb hoax incident.

Two Shows from Survival Research Laboratories: San Francisco, CA 1994 and Graz, Austria 1992. The Doom show was SRL's biggest show ever and the War Zone event resulted in a nation-wide defense alert in Austria.

Dance for All

Set during the early part of his reign, Ivan faces betrayal from the aristocracy and even his closest friends as he seeks to unite the Russian people. Sergei Eisenstein's final film, this is the first part of a three-part biopic of Tsar Ivan IV of Russia, which was never completed due to the producer's dissatisfaction with Eisenstein's attempts to use forbidden experimental filming techniques and excessive cost overruns. The second part was completed but not released for a decade after Eisenstein's death and a change of heart in the USSR government toward his work; the third part was only in its earliest stage of filming when shooting was stopped altogether.

Two years since her arrest made her an accidental superhero of the Umbrella Movement, the infamous 'Chalk Girl', now 16, must decide whether to rejoin the battle for Hong Kong's democracy.

Filmmaker Laura Poitras profiles William Binney, a 32-year veteran of the National Security Agency who helped design a top-secret program he says is broadly collecting Americans' personal data.

The filmmaker Laura Poitras follows the tragic return home to Yemen of a Guantánamo Bay prison detainee, Adnan Latif.

'Compton in C Minor' is a meditation on the gang capital of the world from a hometown girl's point of view. Frustrated by negative portrayals of the inner-city, director Ava DuVernay challenged herself to capture Compton in only two hours and present whatever she found. The results touch on everything from unemployment to entrepreneurship, from graffiti to pride of ownership. The short documentary ends with an inspiring spectacle that will cause you to rethink your stereotypes of this community.

Shot over a three-year period with unparalleled intimacy and access, ALL THIS PANIC is a feature length documentary that takes an intimate look at the interior lives of a group of teenage girls as they come of age in Brooklyn. A potent mix of vivid portraiture and vérité, we follow the girls as they navigate the ephemeral and fleeting transition between childhood and adulthood.

Beyond the mystical city of Timbuktu, Mamatal, the son of a Tuareg chief sets out on a journey across the Sahara to save his culture known as the blue people of the Sahara before they disappear. But when the North African government of Mali collapses, he finds himself and his people caught up in an international crisis,a battle between the Tuareg fighting for independence and Al Qaeda bent on taking over the Sahara to plot future terrorist attacks against the United States and Europe. documentary looks behind the international headlines of the crisis in the Sahara and exposes the government corruption and neglect of an indigenous people who might be the only hope for defeating Islamic radicals in the region.

On October 23, 1998, a sniper carrying a high-powered rifle assassinated Dr. Barnett Slepian in his home, altering forever a family, a community, and the bounds of our imaginings about anti-abortion violence. This horrific act punctuated a decade of escalating harassment and violence against women’s heath care providers – a decade marred by murders, assaults, death threats, stalking, clinic blockades, arsons, bombings, and chemical attacks. How do these events affect the personal and professional lives of abortion providers? What motivates them to continue their work in the face of such terrorism?

We wanted to make a film about a teenage mother. We met Joana in a casting that took place in Setubal, in the Bela Vista neighborhood. She appeared to us as a porcelain doll, small, fragile, pale, with a little hair bow. Little by little, she crumbled apart, revealing a charming complexity. We were conquered by the duality of strength and fragility, freedom and incarceration, joy and sorrow. The intimacy and complicity we were able to establish with her made this film possible. In Cat's Cradle, we share her with everyone else.

Kuxa Kanema: The Birth of Cinema is a 2003 documentary by Margarida Cardoso on the National Institute of Cinema (INC), created by President Samora Machel following the 1975 independence of Mozambique.

In 1982, soon after the first Gay Games, 'West Hollywood Swim Club,' as it was known then, registered as the first openly gay masters swim and water polo club. This feature documentary film follows their battle for acceptance: from their humble beginnings, to how these men and women have become a renowned force fighting injustice in the world of competitive sports.

More people are imprisoned in the United States at this moment than in any other time or place in history, yet the prison itself has never felt further away or more out of sight. This is a film about the prison in which we never see an actual penitentiary. The film unfolds a cinematic journey through a series of landscapes across the USA where prisons do work and affect lives, from an anti-sex-offender pocket park in Los Angeles, to a congregation of ex-incarcerated chess players shut out of the formal labor market, to an Appalachian coal town betting its future on the promise of prison jobs.

During the Vietnam War, the main threat to the strike packages was the V-750 (S-75) Dvina, the first effective Soviet surface-to-air missile (SAM). Better known by the NATO designation SA-2 Guideline To suppress and destroy this threat, the U.S. Air Force countered with the courage and skill of the Wild Weasels, who not only flew some of the most dangerous missions in Southeast Asia but also became pioneers in Suppression of Enemy Air Defenses (SEAD) operations. This documentary tells the story of the Wild Weasel program.

In 1971, inmates at Attica State Prison seized control of D-yard and took 35 hostages after peaceful efforts for reforms failed. Attica investigates the rebellion and its bloody suppression, revealing institutionalized injustices, sanctioned dishonesty, and abuses of power.

Documenting the creative brilliance and passion of three stand-up comedians working the comedy club circuit in the “flyover zones” of middle America, Road Comics: Big Work on Small Stages explores expectations of where and how comedy thrives today in the United States. Anthropologist and first-time filmmaker Susan Seizer​ follows comedians Stewart Huff, Tim Northern, and Kristin Key as they earn their living on the road, pausing along the way to discuss the business of being funny with regional club owners.