The House I Live In

The Big One is an investigative documentary from director Michael Moore who goes around the country asking why big American corporations produce their product abroad where labor is cheaper while so many Americans are unemployed, losing their jobs, and would happily be hired by such companies as Nike.

In 2018, the Nicaraguan police brutally repressed anti-government protests organised by high school students. K., a 17-year-old girl who was arrested, recounts the horrors of her time in jail.

19-year-old Mikko works as a summer guard in a remote Finnish prison. Spending three months in a closed facility with convicts challenges his views on human dignity.

A man is facing a trial for murdering a Latvian union leader, which more likely than not will end with a death sentence. A close-up look at his emotional journey through the trial, imprisonment and beyond.

Frequent perpetrator Tony ends up in the Pieter Baan Center after yet another violent robbery. For seven weeks, a procession of behavioral researchers passes him by. They must ultimately come to a unanimous conclusion and then advise the judge: whether or not accountable; tbs or not. Psychiatrist: "What is the worst outcome for you?" Tony: "Tbs with compulsory care." The Pieter Baan Center is a detention center with the special task of investigating persons suspected of a serious crime. It is an independent investigation commissioned by the Ministry of Justice. In a seven-week process, the suspect's personality, the possible presence of a disorder and / or a mental illness and whether it can be linked to the crime are examined. Is there a chance of recurrence?

From the land of narco-violence to the land of displaced persons. The documentary Guerras Ajenas ('Wars of Others') explores the consequences of the war on drugs in Colombia, and one of its main tools: aerial spraying.

For three months, the journalist Jesús Quintero visits more than thirty prisons and interviews more than a hundred prisoners in order to discover what life is like for those who live in them.

Mexico, 2016. In some of the world's most dangerous cities life is not worth much. Looking into the eyes of the protagonists of violence, victims as well as executioners, helps to understand how fear inserted itself in the subconscious of our society. Through a network of concrete stories, we are facing the most obscure traits of the human psyche, the frail balance between humanity and evil.

The horrifying story of what went on inside General Pinochet's secret prisons.

Behind the walls of the Compound, LA’s most violent juvenile offenders await their trials. To their advocates, they’re kids. To the system, they’re adults. To their victims, they’re monsters. Who are they to you?

North Philadelphia, PA – Kev, El and Andy are three men united by one struggle: they are trying to defy gravity. As part of the 700,000 prisoners released into society every year, they find themselves faced with a chilling outlook: 67% of ex-offenders re-offend within three years. What explains this invisible force that keeps former inmates in a seemingly unending cycle of incarceration? Filmed on the street over the course of two years, Pull of Gravity is an intimate portrait of these three men that confronts head-on the gritty details of lives cut short by poverty and drugs, where dealing is seen as the only route to economic prosperity, where using offers an escape from powerlessness, and where prison is too often the next stop. The film’s unfiltered lense captures its subjects as they lay bare their stories, fears, and tentative dreams.

There are 100,000 US citizens in solitary confinement across the country, a staggering number prompting comment from both President Obama and the Pope. Situated in rural Virginia, 300 miles from any urban center, Red Onion State Prison is one of over 40 supermax prisons across the US built to hold prisoners in eight-by-ten-foot cells for 23 hours a day. Filmed over the course of one year, this eye-opening film braids stark prison imagery, stories from correction officers, and intimate reflections from the men who are locked up in isolation. The inmates share the paths that led them to prison and their daily struggles to maintain their sanity.

Impressionistic glimpses of London life from early morning to rush hour.

Life is about choice. What we eat, what we read, who we elect; every day we make choices that determine how we want to live. But what if these choices are just an illusion? In an era where regulations and red tape rule every industry, where lobby groups and big businesses wield more influence than ever before, our daily choices have become increasingly limited. And with all our options so deliberately handpicked, are we really making a choice at all? Freedom From Choice examines the current state of life and personal choice today. Experts from many different fields offer a frank and startling look at the hidden limitations in our daily lives. Focusing on key areas such as food, medicine, finance, and media, Freedom From Choice provides viewers with a glimpse at the myriad of ways their lives are being dictated and tells us who stands to gain.

Errol Morris examines the incidents of abuse and torture of suspected terrorists at the hands of U.S. forces at the Abu Ghraib prison.

In 1981, iconic Turkish film director escapes jail to France, his last work re-creating with other exiles the prison lives they left behind.

Carré rouge sur fond noir

Pete and Toshi Seeger, their son Daniel, and folklorist Bruce Jackson visited a Texas prison in Huntsville in March of 1966 and produced this rare document of of work songs by inmates of the Ellis Unit. Worksongs helped African American prisoners survive the grueling work demanded of them. With mechanization and integration, worksongs like these died out shortly after this film was made.

Behind the scenes at one of the most unique and controversial prisons in the UK, home to some of Britain's worst female criminals

The film explores the destruction of a unique train station in Zurich and the construction of the new prison and police centre in its place. From the perspective of the filmmaker’s window, and with testimony from prisoners awaiting deportation, the film probes how we deal with the extinction of history and its replacement with total security.