In the late sixties, Spanish cinema began to produce a huge amount of horror genre films: international markets were opened, the production was continuous, a small star-system was created, as well as a solid group of specialized directors. Although foreign trends were imitated, Spanish horror offered a particular approach to sex, blood and violence. It was an extremely unusual artistic movement in Franco's Spain.
In Spain, a poor country ruined by the recent Civil War (1936-39), and in the midst of Franco's dictatorship, a film school was created in Madrid in 1947, which became, almost unintentionally, a space of freedom and pure experimentation until its closure in 1976.
Franco on Trial is the new film by Dietmar Post and Lucía Palacios. After the success of Franco's Settlers, their first encounter with Franco's dictatorship, they are now setting their sights on one of the darkest chapters of European history: the presumed organized extermination that took place during the coup, the war, and the subsequent dictatorship led by Franco, as well as Argentina's current effort, by invoking the principle of universal jurisdiction, to prosecute Francoists accused of committing crimes against humanity. The film is also a sore reminder of an issue that still stands today: the clear-cut accountability held by Germany, Italy, and Portugal. The film accomplishes to give both sides a voice - those against whom the killing has been directed; and the side of the perpetrators.
Born in Campo de Criptana, a small village in the Spanish region of La Mancha, Sara Montiel (1928-2013) conquered Mexico, Hollywood, and the hearts of people. The recognition of an unparalleled professional career, an intimate dialogue with a tireless worker who took the stage at the age of twelve and never got off. A movie star who seduced millions of viewers around the world, a singer who reinvented a musical genre, a woman who broke the mold…
A 2008 documentary and debut feature film of Bafta-Award nominated director Jamie Jay Johnson. It follows the lives of the participants of the Junior Eurovision Song Contest 2007, specifically the entrants from Belgium, Bulgaria, Cyprus and Georgia. The film sees them proceed from the national finals that saw them crowned the representatives of their country through to the international song festival itself held in Rotterdam, the Netherlands where they each compete against 16 other acts.
The story of a group of actresses who, in the Spain of the seventies, and in the midst of the democratic Transition, decided to appear nude in the films of that time of radical political change, defying the rigid and deeply rooted social rules.
Hosts and competitors tell the behind-the-scenes story of 60 years of Eurovision, the greatest and maddest song contest on earth.
In December 2016 a remarkable chapter in music history was closed as the Finnish punk rock band Pertti Kurikan Nimipäivät (PKN) retired. Punk Voyage is a feature length documentary film about the last years of the band, with all the ups and downs included. After becoming celebrities in Finland, this incredible quartet continued to conquer new fans around the World. In its seven years run PKN played nearly 300 gigs in 16 countries. In 2015 the band was selected to represent Finland in the Eurovision Song Contest, where they played to over 100 million television spectators. However, the busy traveling and success created a lot of pressure within the band: Kari struggled with the temptations and responsibilities brought by publicity; Sami extended his territory to politics and religion; Toni's and the band's roadie Niila's crush to the the same girl caused conflicts; and Pertti, tired of this all, decided to retire.
A walk through the golden age of Spanish exploitation cinema, from the sixties to the eighties; a low-budget cinema and great popular acceptance that exploited cinematographic fashions: westerns, horror movies, erotic comedies and thrillers about petty criminals.
Prades, France, 1940s. The exiled Catalan cellist Pau Casals decides not to perform any more in public until the fall of the dictatorship that oppresses Spain. Pierre, a young Frenchman studying with Casals, tries to convince him to celebrate an extraordinary concert as a tribute to freedom.
A history of the Spanish Transition told in first person by the main protagonists: on the one hand, the politicians, idealistic or merely opportunistic, who brought it to a successful conclusion in the tribunes and offices; on the other hand, the citizens who, in the streets, supported it sincerely or fought it with ferocity.
The amazing story of Cifesa, a mythical film production company founded in Valencia by the Casanova family that managed to dominate the box office during the turbulent times of the Second Spanish Republic, the carnage of the Civil War and the hardships of the long post-war period and Franco's dictatorship — and survive until the sixties, when Spain was timidly beginning to change.
The pro-Palestinian, anti-capitalist, BDSM-provocative, techno-punk performance art ensemble Hatari unsurprisingly drew attention to themselves with their performance at the Icelandic qualifiers for the Eurovision Song Contest. So much so that they won and therefore were allowed to perform at the main event in Tel Aviv. But what now? Should they boycott the event, swallow their idealism, or use their airtime to criticise the host country for their illegal occupation of Palestine? The Icelandic director Anna Hildur joins the boys in the band all the way to the fateful final.
In a pseudo-futuristic 1994, a square couple enter the corrupt world of the music industry, and subsequently a maze of drugs, sex, and temptation.
Spain, 1970s. A Clockwork Orange, a film considered by critics and audiences as one of the best works in the history of cinema, directed by Stanley Kubrick and released in 1971, was banned by the strict Franco government. However, the film was finally premiered, without going through censorship, during the 20th edition of the Seminci, the Valladolid Film Festival, on April 24, 1975. How was this possible?
The Spanish Civil War (1936-1939) caused a great impression on the lives of most of the American artists of that era, so many movies were made in Hollywood about it. The final defeat of the Spanish Republic left an open wound in the hearts of those who sympathized with its cause. The eventful life of screenwriter Alvah Bessie (1904-1985), one of the Hollywood Ten, serves to analyze this sadness, the tragedy of Spain and its consequences.
The life story of Vicente Miguel Carceller (1890-1940), a Spanish editor committed to freedom who, through his weekly magazine La Traca, connected with the common people while maintaining a dangerous pulse with the powerful.
Eurovision aka the Gay World Cup. A poetic documentary about Eurovision Song Contest fans. The film hears the intimate testimonies of what the contest means to them.
In 1940's Madrid. Juan plays piano for Pepita and her on-stage partner Mario. Although Mario really wants to steal Juan for himself, Juan is not interested and Mario resorts to a string of lovers as consolation. When he loves (and leaves) a young nobleman, the young man wants revenge.
A portrait of the actress and singer Pepa Flores, an incarnation of the recent history of Spain, who, in just twenty-five years of intense career, went from being Marisol, child prodigy of the Franco dictatorship, to being one of the first communist militants, icon of the Transition; an idol of the masses who became a discreet person after having claimed her right to remain silent.