Belle famille

Feature-length documentary as part of Pierre Perrault's Abitibian Cycle. The filmmaker questions the past and present of Abitibi and draws up, face to face, the promises of colonization in the 1930s and the great disappointment caused by the closing of the land in the 1970s. There are witnesses to the heroic era, including the cultivator Hauris Lalancette, as well as extracts from films by Father Maurice Proulx (1934-1940).

"This documentary depicts a canoe being built in the traditional manner. Cesar Newashish, a 67-year-old Attikamek of the Manawan Reserve North of Montréal, uses only birchbark, cedar splints, spruce roots, and gum. With a sure hand he works methodically to fashion a craft unsurpassed in function or beauty of design. Building a canoe solely from the materials that the forest provides may become a lost art, even among the Native Peoples whose traditional craft it is. The film is free of spoken commentary but text appears on the screen in Cree, French, and English." - Anthology Film Archives

"This film is one of the first French Unit productions of the “Société Nouvelle/Challenge for Change” program. When an old area of Montréal is to be demolished to make way for a new low-income housing development, is there anything the residents can do to protect their own interests? The film documents such a situation in the Little Burgundy district of Montréal and shows how the residents organized themselves into a committee that successfully influenced the city’s housing policy." - Anthology Film Archives

"Montréal under the snow and the cold winter. It is the period of the year when the garage owners strike it rich. The automobile at the service of man? This small opus would rather show the contrary. This is one in a series of eight films titled “Chronicle of Everyday Life,” a project that filmmaker Jacques Leduc took four years to realize, and whose goal was to revisit Direct Cinema at a moment when it was already heavily “contaminated” by mainstream TV." - Anthology Film Archives

A documentary about direct-cinema from its very beginnings (Nanook of the North) to the fake-direct-cinema of the Blair Witch Project. All the important direct-cinema filmmakers are portrayed and/or interviewed: Leacock, Wiseman, Maysles, Pennebaker, Reisz and others.

"This feature documentary is considered to be the forerunner of the NFB's Challenge for Change Program. The film offers in inside look at 3 weeks in the life of the Bailey family. Trouble with the police, begging for stale bread, and the birth of another child are just some of the issues they face. Through it all, the father tries to explain his family's predicament. Although filmed in Montreal, the film offers an anatomy of poverty as it occurs throughout North America." - NFB

Michel Brault, l'instinct de vue

La meilleure façon, c'est par accident

[On Set with] Lilly Reich explores the contextual limitation of the profession and the recognition, under conditions of equality, of the work of Lilly Reich, a pioneering woman of the Modern Movement.

Lothar König is an original. The long-term youth pastor from Jena doesn’t fit into any system. In the GDR he was under state surveillance, after reunification he was one of the most tireless warning voices against the growing right-wing radicalism. To this day, he takes to the barricades against the extreme right, often on the frontline. Nevertheless, this film portrait by his son Tilman is not an homage but a critical tribute to an outspoken character forced by retirement to re-invent himself.

DON’T SHOOT THE COMPOSER is far from an ordinary profile of Georges Delerue. It also serves as a calling card for Ken Russell, whose work would define the 1970s as Delerue’s did in the 1960s. It begins with a sly work of pastiche, parodying the conventions of French noir. It goes onto encompass slapstick, verité scenes of the Delerue family and a harrowing montage of the Vietnam War. This eclectic approach gives us a sense of the different facets of Delerue’s life- his love of cinema, his home life, his work ethic. It also prefigures Russell’s feature length biopics of Mahler and Liszt, though in a more modest- and lucid- fashion.

Mood Ring is a feature film by performance artist Sereima Adimate/Stelly G, Kiki Oner and Garden Reflexxx. The group examines female friendships, the idea of love letters, the challenge of unpacking heritage and the meaning of going home. In the ineffable shadow of taboo, Mood Ring is a radical sign of deliverance. In 2021 the group started a writer's room brainstorming ideas of 'First Times'. It led them to Mood Ring, a community funded project based in/on Fiji. The footage features moments from the location reconnaissance Sereima went on in early 2022. In a tangled visual poem that blends journal entries with travelogue, Kiki Oner and best friend Stelly G return to their island home Viti Lev. During this - their first trip together as adults - they make contact with a past that is unfamiliar to them yet shrouded in memories. What follows is a deeply felt trip that forces them to confront lives almost lived. There will be scenes of confronting pasts, and catastrophic futures.

From a school band from Essen to an internationally celebrated thrash metal legend: To mark Kreator's 40th anniversary in 2024, frontman Mille Petrozza plans to re-record his greatest hits at the famous Hansa Studios in Berlin together with greats from the metal scene such as Metallica, Sepultura, Slayer, Anthrax and many more. With exclusive private archive material, the story of Kreator is told for the first time.

A portrait of the past and present of the city of Dunfermline, Scotland's ancient capital.

An intimate look at the Woodstock Music & Art Festival held in Bethel, NY in 1969, from preparation through cleanup, with historic access to insiders, blistering concert footage, and portraits of the concertgoers; negative and positive aspects are shown, from drug use by performers to naked fans sliding in the mud, from the collapse of the fences by the unexpected hordes to the surreal arrival of National Guard helicopters with food and medical assistance for the impromptu city of 500,000.

Stories of break dancers from conflicted "third- world" communities around the globe who, although separated by cultural boundaries and individual struggles, are intrinsically tied to one another through their passion for dance and hip-hop culture.

In commemoration of the 50th anniversary of the purported crash of an alien spacecraft in Roswell, N. M., this documentary presents evidence that supports the theory. Eschewing a tabloid approach, the program carefully weighs various factors. Debris from the crash site is evaluated for authenticity, witnesses relate their stories and experts give their thoughts on the subject. Viewers can then make up their own minds about a government cover-up.

Move over, King Tut: There's a new pharaoh on the scene. A team of top archaeologists and forensics experts revisits the story of Hatshepsut, the woman who snatched the throne dressed as a man and declared herself ruler. Despite her long and prosperous reign, her record was all but eradicated from Egyptian history in a mystery that has long puzzled scholars. But with the latest research effort captured in this program, history is about to change.

Sinbad makes his feelings clear about no-talent millionaires with clothing lines. Other topics coming under scrutiny are potty-mouthed comics and his parents' child-rearing skills.

When one-eyed Southern pastor William J. Seymour was barred from the Los Angeles church that sent for him in 1906, he started the Azusa Street Revival and spawned the modern-day Pentecostal movement. Investigating the revival-linked mysteries of salvation, sanctification and speaking in tongues, this fascinating program includes interviews with Dr. Jack W. Hayford, Dr. Marilyn Hickey, Bishop Noel Jones and the Rev. William M. Wilson.