Afghanistan : vivre en pays taliban

Key decision makers reveal the inside story of how the West was drawn ever deeper into the Afghan war. Reporter John Ware charts the history of a decade of fighting and looks at when the conflict may end.

Mark Urban tells the inside story of Britain's fight for Helmand, told with unique access to the generals and frontline troops who were there.

Korengal picks up where Restrepo left off; the same men, the same valley, the same commanders, but a very different look at the experience of war.

The friendship between Christophe de Ponfilly and Commander Massoud, a legendary figure of the Afghan resistance against the Soviet invader, goes back to the filmmaker's first film, "A Valley Against an Empire", made in 1981. Fifteen years later, weakened, isolated, betrayed by many of his own, the "Lion of Panshir" has not surrendered to his new and implacable enemies, the Taliban. While preparing his next offensive, he evokes his commitment and his fights, and bears witness to a history in which he has been one of the main actors for twenty years. At the same time, the director questions the role and power of the media, as well as his own approach as a filmmaker. Commander Massoud was killed in an attack in September 2001.

Armed only with their cameras, Peabody and Emmy Award-winning conflict Journalist Mike Boettcher, and his son, Carlos, provide unprecedented access into the longest war in U.S. history.

Danish soldiers are sent to Afghanistan in 2009 for 6 months, to help stabilize the country against the Taliban. They're stationed on Armadillo military base in Helman province. Unlike other war movies, this is the real deal – no actors.

A unique documentary about troops' experiences in Iraq and Afghanistan, based on writings by soldiers, Marines, and air men.

Six years ago, U.S.-led forces drove the Taliban from power in Afghanistan for providing sanctuary to al Qaeda terrorists. Now, these Islamist militants are back.

What blood calls a man to war? BLOOD TYPE is a reflective documentary about professional Estonian soldiers in the Afghan war. The deeply personal revelations of the warriors are woven in with footage of their daily dangers, forming an intimate portrait of the soldiers' day-to-day struggles. Their stressful job and haunting fear to lose their legs echo the destiny of Andrei, who lost his leg in the Afghan war two years ago. Having returned to homeland, Andrei gives his all to reunite with his blood brothers on the battle field despite his disability. What is the spiritual journey of a soldier? What kind of responsibility does he have to his brothers in arms, his family, and the locals? By showing the cooperation between Estonians and Afghans, the film is looking for the imprint that might be left behind once the international forces have been withdrawn from the distant Afghanistan.

Australian filmmaker Jordan Bryon has been living and working as a journalist and filmmaker in Afghanistan for more than six years. After the departure of US forces, he stays to document Afghan life under the male-centric Taliban leadership. With his colleague, Teddy, he heads to a Taliban stronghold in the north-west of the country, shortly after he started transitioning. If the Taliban knew he was trans, they would likely kill him. It’s a chaotic time, for the country and for Jordan, as he navigates his transformation and looks to the future.

Directors Hetherington and Junger spend a year with the 2nd Battalion of the United States Army located in one of Afghanistan's most dangerous valleys. The documentary provides insight and empathy on how to win the battle through hard work, deadly gunfights and mutual friendships while the unit must push back the Taliban.

The Kabul National Museum, once known as the "face of Afghanistan," was destroyed in 1993. We filmed the most important cultural treasures of the still-intact museum in 1988: ancient Greco-Roman art and antiquitied of Hellenistic civilization, as well as Buddhist sculpture that was said to have mythology--the art of Gandhara, Bamiyan, and Shotorak among them. After the fall of the Democratic Republic of Afghanistan in 1992, some seventy percent of the contents of the museum was destroyed, stolen, or smuggled overseas to Japan and other countries. The movement to return these items is also touched upon. The footage in this video represents that only film documentation of the Kabul Museum ever made.

In March 2001, the ruling Taliban destroyed Afghanistan's foremost tourist attraction, the 1600 year-old Buddhas of Bamiyan. This film follows the story of one of the refugees who now lives among the ruins….an eight-year-old boy named Mir.

Longe de Cabul

A powerful and poignant film in which families and friends of those who have died fighting in Afghanistan and Iraq talk openly about their loved ones and their grief. Epic in scale and spanning seven years of war, this landmark three-hour film gives a rare insight into the personal impact and legacy of this loss.

A poignant story about overcoming our demons and finding hope through darkness. Haunted by the affects of PTSD induced by fighting a war, the physical injuries that led to copious amounts of opiates, the emotional strain of his squad leader committing suicide, losing his best friend from overdosing on heroin, all combined with his drug addiction ultimately left Shawn losing all hope in life.

Saddam Hussein's arsenal of "weapons of mass destruction" was George W. Bush's main justification for waging war against Iraq in 2003. After the invasion of the country, American leaders recognised that they had been mistaken, and that the Baghdad tyrant did not possess such a capability. Bush claimed it was an error and defended his good faith, denouncing the negligence of his secret services. But the brutal truth lies elsewhere: The war in Iraq was based on lies.

Immediately after the US pullout from Afghanistan, Taliban forces occupied the Hollywood Gate complex, which is claimed to be a former CIA base in Kabul.

No Greater Love explores a combat deployment through the eyes of an Army chaplain, as he and his men fight their way through a hellish tour in one of the most dangerous places in Afghanistan and then as they struggle to reintegrate home.

9/11 marked a new era in global terrorism, and a "War on Terror" was launched by the US. Since then, trillions have been spent on conventional warfare, counter-terrorism, secret intelligence, homeland security, cyberdefence and more, in pursuit of a sometimes indefinable enemy. We look at the costs and impact of this effort. Is there less terrorism today than before the war started? Is our world any safer?