Where Empty Shells Hide

Cut up animation and collage technique by Harry Smith synchronized to the jazz of Thelonious Monk's Mysterioso.

This animated short is a play on motion set against a background of multi-hued sky. Spheres of translucent pearl float weightlessly in the unlimited panorama of the sky, grouping, regrouping or colliding like the stylized burst of some atomic chain reaction. The dance is set to the musical cadences of Bach, played by pianist Glenn Gould.

Scroll paintings prepared like film strips with successive images.

Designed for continuous single or multiple monitor display (as well as video projection), the tape is a collection of computer animated sequences of celestial images spanning time and cultures, moving objects and images in harmonic choreography and spatial play.

The very first film in which Maya Yonesho tried to show her thoughts. Even just circles may be able to show emotions as a person in animation. The main circle (character) is slightly pinker than the other grey circles (people) and she thought she was very special. But she is very grey in a colourful world. She will find out that grey is not just a boring colour.

An attempt to explore a deconstructed subconscious through altered visions.

Deter & Oro

A drug artist designs a new piece that is triggered by exposure to audio visual static.

This experimental short documents the clash, sometimes obsessive, sometimes glorifying, between humans and their mechanized environment. Using photographs, the animator creates varying perspectives through optical manipulation and changing colour, achieving bold and provocative effects.

In a setting of natural plenitude, a mystical figure, embodiment of the feminine origin, encounters a wild horse with which she embarks on an ancestral journey of union with nature. An ode to purity, to harmony with the natural, to the pursuit of unbridled freedom, celebrating love in its most natural and raw form.

A strange wire-fingered homunculus navigates through his dreams of different faces and faces, traversing a subliminal and endless variety. They are all different faces, but all have huge eyes that are questioned as to what keeps them apart, perhaps left broken by an impossible love.

African American Express is an abstract animation exploring the impact of consumerism in the Black community. Told in the style of Soviet Propaganda, this animated short dissects the pattern of excessive materialism and consumption prevalent within the Black population.

Six brightly colored characters explore an old inventor's workshop. While discovering their surroundings, they also discover each other.

Stop-motion experiments using B&W 16mm film. Shot using a Bolex, transferred to video, DVD, mp4. No soundtrack.

An impressive parable where the artist’s creativity is paralyzed by the dull crowd can be seen as a metaphor for a totalitarian system. Cleverly designed animation shows the artist as a tied man whose creativity is hindered by the crowd. A visually attractive film with very interesting editing won an award at the Annecy festival in 1983.

In a cardboard forest, two stones argue.

IT'S RAINING...

Glass plate film reflection holograms dance throughout space and time.

For the multimedia exhibition Tangenten I (Tangents I), Dammbeck and co-organizer, sculptor and painter Frieder Heinze had planned to collaborate on a film that would combine non-camera animation with 35mm footage of a train ride between the two Dresden districts of Radebeul and Pieschen. When the exhibition was banned in 1978, Heinze turned to other projects, but Dammbeck continued working on the film by himself. Metamorphoses I—the first experimental film ever to be shown publicly in East Germany—marks the filmic beginning of Dammbeck’s long-term art project the Herakles-Konzept (Hercules Concept).

An NTSC space opera.