Chisholm '72: Unbought & Unbossed

War is a compelling stimulus to the imagination, creating some of our richest and most powerful artistic inspiration. Oscar-winning actor Eddie Redmayne takes an intensely emotional journey, visiting artists’ studios, museums and travelling to battlefield locations to shine a powerful light into the abyss of warfare, where War Artists have left a unique legacy.

This documentary interweaves celluloid and voice recordings by Maya Deren, and colleagues who knew her firsthand: Jean Rouch, Jonas Mekas, Alexander Hammid, Cecile Starr etc. Maya Deren (1917-1961) was an experimental filmmaker. In the 1940s and 1950s she made several influential avant-garde films, such as Meshes of the Afternoon (1943). Images from this and her other work are used in this documentary. You can also hear her voice, as well as accounts by contemporaries such as Jean Rouch and Jonas Mekas.

Tales of Two Who Dreamt is set in a housing block in Toronto and pivots on representation and self-representation. Here, a Roma family rehearses the stories of their past for the upcoming hearing on their residency status.

The central song and dance ensemble of the Soviet military stationed in East Germany goes on a tour of the country. The dancers and musicians talk about their experiences in East Germany and their admiration for German classical music, which includes not only Richard Wagner, but also newer talents such as Arthur Honegger and Paul Hindemith.

A film that captures the portraits and stories of extraordinary women around the world who are coming together to heal the injustices against the earth, weaves together poetry, music, art, and stunning scenery to create a hopeful and collective story that inspires us to work for the earth. The list of impassioned, indefatigable female environmental activists featured in this film includes Winona LaDuke, a Native American who has championed the use of solar and wind power on reservations; Theo Colborn, head of The Endocrine Disruption Exchange, who fights against toxic chemicals in our water supplies; Beverly Grant, who’s created a vibrant farmer’s market in a black neighborhood of Denver, Colo.; Dana Miller, who spearheads an “urban agriculture movement” in the same city; and Vandana Shiva, who champions organic farming in India.

As artists and visual architects, husband and wife Massimo and Lella Vignelli have been producing unique and groundbreaking work as brand designers. This up-close documentary reveals their major influence in reshaping our visual environment.

In Oct. 2006, the U.S. government decided to build a 700-mile fence along its troubled 2000-mile-plus border with Mexico. Three years, 19 construction companies, 350 engineers, thousands of construction workers, tens of thousands of tons of metal and $3 billion later, was it all worth it? When Arizona recently enacted one of the most extreme immigration laws in the country, the Obama administration responded by filing a lawsuit against the state. This dispute was merely the latest symptom of a greater national problem: the lack of a comprehensive, workable U.S. immigration policy. In its place, lawmakers have resorted to a series of half-measures, the most expensive of which — the U.S.-Mexico border fence — extends through the desert 150 miles south of the Arizona state capital.

Pescenica is an old industrial suburb of Zagreb. As a satirical depiction of Croatia's recent politics, it has been declared independent republic. What's it like there today? Over a year, the film crew was combing streets, avenues, parks and backyards, focusing on the lives of four Pescenica inhabitants: its self-proclaimed president, a teacher in a Roma school, a cleaning lady in a film distribution company and a young stage director. All that in order to portray Pescenopolis, the film's protagonist that floats between mud and clouds.

Julia Pesce tenderly films her family's intimate moments - nine women sharing a summer idyll in Argentina.

InRealLife takes us on a journey from the bedrooms of British teenagers to the world of Silicon Valley, to find out what exactly the internet is doing to our children.

The monks were 5 American GIs in cold war Germany who billed themselves as the anti-Beatles; they were heavy on feedback, nihilism and electrical banjo. They had strange haircuts, dressed in black, mocked the military and rocked harder than any of their mid-sixties counterparts while managing to basically invent industrial, kraut rock, heavy metal, punk and techno music.

This documentary, set in the Lower East End of Vancouver's downtown core, is a pretty honest account of life on the streets in urban Canada. It is aimed at educating high school kids on the dangers of addiction to hard drugs and is the brainchild of a group of city police officers who videotape their interactions with local homeless personalities.

It examines the daily life of the residents and cops at a Rio de Janeiro favela one year after the arrival of a Pacifying Police Unit.

Friends and admirers of iconoclastic film director Sam Fuller read from his memoirs in this unconventional documentary directed by Fuller's only child, Samantha.

Documentary about the musical and social phenomenon of Brazilian funk (or Carioca Funk), a style derived from Miami Bass, based on repetitive bass drum loops and lyrics full of sexual and violent overtones, not directly related to American funk/soul music. This style emerged in the slums and poor neighborhoods of Rio de Janeiro, and is deeply associated with the lower social classes, but is gradually being accepted on higher social circles. The film is specially interested in women's participation, focusing on its major female stars.

July 2006. Another war breaks out in Lebanon. The directors decide to follow a movie star, Catherine Deneuve and a friend, actor and artist Rabih Mroue;, on the roads of South Lebanon. Together, they will drive through the regions devastated by the conflict. It is the beginning of an unpredictable, unexpected adventure...

Twenty-five films from twenty-five European countries by twenty-five European directors.

Road's End is the story of Daina who lives in Latgale in Eastern Latvia, close by the Russian border. She lives two miles from the nearest road, with no electricity or running water. The roof has collapsed. She is completely dependent upon herself in order to cope with her everyday life. Daina’s children have both emigrated, her son to Norway and her daughter to Italy. When she feels lonely, she goes to her husband's grave and sits there talking with him as if he were still alive. Road’s end is a both poetic and existential film about choices we make in life, about obstinacy, love and betrayal.

A critique of liquid love through sarcasm and crude humor. With the desire that the viewer empathize with the protagonists and reflect on the ephemerality of sexual-affective relationships in modern society. At the end of the short film, the transformation of people into mere consumer goods will be clear, which, once they have been used, are discarded

An end-of-life hospice opens its doors in this intimate documentary, revealing moments of joy and tenderness between staff, residents and loved ones.