André Minvielle, l'homme à la manivelle
Fragments from a portrait of Jean-Louis Costes - sincere artist, versatile designer, poet of excess -, a man forever atoning his anguish through singing, performance, drawing and writing...
With more than 70 films and 160 million cumulative tickets in France, Jean-Paul Belmondo is one of the essential stars of French cinema.
Fifteen years have passed since the spectacular images of Jean-Paul Janssen's "Life at Your Fingertips" introduced the general public to free climbing and its embodiment: Patrick Edlinger. We witnessed the birth of a sporting phenomenon that would leave a lasting mark on generations of climbers. But fifteen years later, in 1997, beyond the myth, where is Patrick Edlinger? Gilles Chappaz found him on some of the most beautiful walls of the Verdon Gorge and other cliffs during the filming of Maurice Rebeix's documentary "Roc'n Wall 97," where he shares his climbing practice and philosophy with the younger generation, including Liv Sansoz and Arnaud Petit.
Through eyewitness accounts and archival footage, viewers are taken on a journey through the great battles that defined President Gamal Abdel Nasser's life—from dramatic economic development initiatives to his ambitions for creating a unified Arab nation. The film chronicles his inspiring success and tragic failures while also exploring how he inspired generations of global leaders in both politics and activism.
Portrait of photographer Bengt Åke Kimbré where he narrates his own life story accompanied by his photographs.
Sancho Panza enters a movie theatre in a provincial city. He is looking for Don Quixote and he finds him sitting off to the side and staring at the screen. The theatre is almost full; the balcony is entirely occupied by noisy children… La proiezione è cominciata (The Projection Has Begun) is an adaptation of The Six Most Beautiful Minutes in the History of Cinema by Giorgio Agamben. It is a portrait in 24 daguerreotypes per second.
Michel Blanc, sur un malentendu
A woman with a deep love of the land, Yolande Simard Perrault sees her life as having been shaped by a planetary upheaval in Charlevoix, Quebec, millions of years ago. As enduring as the Canadian Shield, she’s a woman of strength and spirit, a child of the crater left by the meteor’s impact. This documentary portrays a determined woman who’s the reflection of a land created on an immense scale. She was the creative and life partner of filmmaker Pierre Perrault, who gave up everything to be by her side. The film charts the influence of her unquenchable dreams and her contribution to the building of a people’s collective memory. In a stream of images and words, Simard Perrault recounts the splendours of the landscape and the people who shaped it. Generous and boundless, she embarks on a quest for identity that nurtures and perpetuates the oeuvre of the man who breathed new life into Quebec cinema.
While everyone wants to die "at home" without suffering and surrounded by loved ones, in reality almost everyone dies in hospital. What healthcare provisions enable people to die at home? Are we all equal in terms of the support we receive, regardless of where we live? Young caregivers in a home hospitalization unit drive day and night along the Alabaster Coast. From house to house, from dying person to dying person. Accompanying a dying person at home also means accompanying their loved ones, immersing oneself for a few days or weeks in the intimacy of a family history. Thanks to them, the end of life returns to the home, to the family, and is rehumanized.
Jasmin is joy, living in the moment. A 15-year-old boy described as "non-verbal autistic." He communicates through his eyes. He makes sounds, says a word. He constantly sings the rhythm of a song whose lyrics only he knows. A bubble of sweetness and love.
Eric Escoffier, la Fureur de Vivre
Alix left his native island, Martinique, and its musical culture, to study opera singing in Paris. Portrait of a young man who now embraces all his singularities: his rare countertenor voice, his kohl and his done nails. He works hard to realize his dream of becoming a professional artist.
Joni Mitchell has been called the queen of folk music and one of the biggest pop stars of the 60s and 70s. Even today, her lyrics and unique guitar style continue to inspire new generations of singers and songwriters.
Stop for Bud is Jørgen Leth's first film and the first in his long collaboration with Ole John. […] they wanted to "blow up cinematic conventions and invent cinematic language from scratch". The jazz pianist Bud Powell moves around Copenhagen -- through King's Garden, along the quay at Kalkbrænderihavnen, across a waste dump. […] Bud is alone, accompanied only by his music. […] Image and sound are two different things -- that's Leth's and John's principle. Dexter Gordon, the narrator, tells stories about Powell's famous left hand. In an obituary for Powell, dated 3 August 1966, Leth wrote: "He quite willingly, or better still, unresistingly, mechanically, let himself be directed. The film attempts to depict his strange duality about his surroundings. His touch on the keys was like he was burning his fingers -- that's what it looked like, and that's how it sounded. But outside his playing, and often right in the middle of it, too, he was simply gone, not there."
Loïc Léry, du flingue au stylo
This documentary looks back on a career of a woman who, very early on, refused to accept the roles assigned to her. In the 1980s, while others were trying to please, she wrote "Les hommes préfèrent les grosses" (Men Prefer Fat Women), a manifesto ahead of its time, funny, feminist, and blunt. Later, with "Gazon maudit" (Damned Grass), she tackled homosexuality with a freedom that is still shocking today.
In turn, the medical community has been affected by the post #metoo movement denouncing sexual violence against women. It was about time. Assaults and rapes perpetrated behind closed doors in doctors' offices have gone unpunished for too long. For a victim, reporting them is almost as difficult as recounting incidents of incest. And the medical councils, which are mainly made up of men, have long turned a deaf ear to patients' complaints. When cases are brought before the courts, the justice system also struggles to prosecute these rapists. Recently, practices and names have been made public, complaints are multiplying, and women are daring to speak out. Could this be the end of complacency towards these criminals in white coats?
The film recounts the incredible research conducted by François Cartault, a pediatrician and geneticist on the island of Réunion. Conducted like a police investigation over more than 20 years, his research, both medical and historical, takes us on a journey through the disease of moon children, deprived of sunlight, and on the trail of slavery in Africa. The film shows how genetics is also an astonishing trace of history.
Follows the artist over two years as he explores his „life after Beethoven“, as he searches for his next challenge, his identity as an artist.