Figaro uses every trick he can muster to outwit Dr Bartolo and ensure his master wins his chosen bride. He meets his match in the would-be-bride Rosina, who has schemes of her own. Glyndebourne favourite Danielle de Niese adds the crafty Rosina to her growing list of bel canto heroines. Directed by Annabel Arden with playful energy springing from Rossini’s joyous music, this new production heralds the welcome return of a masterpiece not seen at Glyndebourne Festival since 1982.
Behind the Hollywood Bowl stage which is playing the opera The Barber of Seville, Bugs Bunny flees into the backstage area with Elmer Fudd in close pursuit. Seeing his opportunity to fight on his terms, Bugs raises the curtain on Elmer, trapping him on stage. As the orchestra begins playing, Bugs comes into play as the barber who is going to make sure that Elmer is going to get a grooming he will never forget.
Isabella is a strong, independent woman who has no intention of giving in to the clumsy advances of the powerful Mustafà. In the production by BAFTA winners Mosh Leiser and Patrice Caurier, which plays with prejudices about clashing cultures, Mustafà is no longer an Ottoman bey, but a shady gangster who traffics electronic goods in the port of Algiers.
Rossini: La Gazza Ladra - Teatro alla Scala
Tom, famous baritone Signor Thomasino Catti-Cazzaza, enthralls a concert audience with his rendition of "Largo al factotum", from Rossini's "Il Barbiere di Siviglia", while Jerry strives for sleep under the stage.
Live performance, Festival d'Aix-en-Provence, July 2006. 'L'italiana in Algeri' (English: 'The Italian Girl in Algiers') is an operatic dramma giocoso in two acts by Gioachino Rossini to an Italian libretto by Angelo Anelli, based on his earlier text set by Luigi Mosca. It premiered at the Teatro San Benedetto in Venice on 22 May 1813. The music is characteristic of Rossini's style, remarkable for its fusion of sustained, manic energy with elegant, pristine melodies.
A silent black-and-white comedy inspired by the fizzing rollercoaster of Largo al factotum - the familiar aria from Rossini's The Barber of Seville - featuring the young apprentice hero and a recalcitrant, increasingly monstrous hairball.
Rossini: L'inganno felice - Rossini in Wildbad
Radio singing star, Eve Porter, wants a vacation during her show's summer hiatus, but her manager and press have booked her for additional work. She refuses and goes to Las Vegas. When she finds them there hunting her down, she manages to escape them by hiding in the car of a newspaper reporter. She comes out of hiding while he is driving, but everything she says is misconstrued, making him believe that she is a recently-escaped convict, "The Singing Widow". He plans to use this as a story to get back into the good graces of his editor. Through some comic mishaps, he learns who she really is. He then decides to take her back to Hollywood to collect the reward for her return. But now love has entered the mix, and must be resolved with his job and her engagement to another.
Detectives Dick Williams and Andy McAllister find themselves trying to solve several crimes at an isolated mentally-ill hospital, where the patients range from slightly daffy to criminally insane, and they don't know which is which. A gang is out to steal a fortune inherited by one of the patients and, before Dick and Andy solve the case, several patients are transferred to the cemetery. And 'tiddlie-winks" are indeed involved.
Based on the novel by Güzide Sabri Aygün, the film tells the relationship of a mentally-ill woman and the doctor whom she loved in her youth.
In "The Bride with the Black Veil" (1975), director Süreyya Duru continues to focus on social issues, exposing problems of the peasants and feodal relations.