Rossini: L'inganno felice - Rossini in Wildbad

Figaro uses every trick he can muster to outwit Dr Bartolo and ensure his master wins his chosen bride. He meets his match in the would-be-bride Rosina, who has schemes of her own. Glyndebourne favourite Danielle de Niese adds the crafty Rosina to her growing list of bel canto heroines. Directed by Annabel Arden with playful energy springing from Rossini’s joyous music, this new production heralds the welcome return of a masterpiece not seen at Glyndebourne Festival since 1982.

In late 18th-century Italy, in the mansion of Don Magnifico, the young and pretty Angelina works as a maid. Teased by her two frivolous half-sisters, Clorinda and Tisby, Angelina believes she is in love with a young valet and goes to the ball. Dressed in her finest finery, she meets the man who is in fact the Prince and flees from him after giving him a bracelet that will allow him to recognise her a little later. The masks come off, and kindness and love triumph! ‘La Cenerentola’ is the last opera buffa composed by Gioachino Rossini for an Italian audience. A dramma giocoso in two acts, with a libretto by Jacopo Ferretti, freely adapted from Charles Perrault’s fairy tale ‘Cinderella’ (1697), omitting the magic in favour of a realism tinged with humour and social criticism. Premiered for the Rome Carnival at the Teatro Valle in Rome on 28 January 1817. Recorded live at Glyndebourne Opera, Lewes, East Sussex, on 2 and 4 June 2005.

Behind the Hollywood Bowl stage which is playing the opera The Barber of Seville, Bugs Bunny flees into the backstage area with Elmer Fudd in close pursuit. Seeing his opportunity to fight on his terms, Bugs raises the curtain on Elmer, trapping him on stage. As the orchestra begins playing, Bugs comes into play as the barber who is going to make sure that Elmer is going to get a grooming he will never forget.

Isabella is a strong, independent woman who has no intention of giving in to the clumsy advances of the powerful Mustafà. In this production by Mosh Leiser and Patrice Caurier, which plays on preconceptions about culture clash, Mustafà is no longer a handsome Ottoman, but a shady gangster who traffics in electronic goods in the port of Algiers. Make of it what you will...

Rossini: La Gazza Ladra - Teatro alla Scala

Rossini: L'inganno felice - Teatro Fraschini di Pavia

In 1810, Mustafà, Bey of Algiers and thoroughly fed up with his wife, the docile Elvira, orders the captain of the corsairs to find him one of those feisty Italian women. It turns out to be Isabella, an Italian woman of unparalleled beauty searching for her fiancé Lindoro, whom Mustafà happens to be holding captive in his seraglio. The Bey intends to give Lindoro to his wife Elvira, hoping to get rid of him once and for all. Isabella, accompanied by her annoying suitor Taddeo—whom she passes off as her uncle to save him from the gallows—relies on her powers of seduction. “L’italiana in Algeri” (The Italian Girl in Algiers) is a two-act dramma giocoso (opera buffa) by Gioachino Rossini, with a libretto by Angelo Anelli. It premiered at the Teatro San Benedetto in Venice on May 22, 1813. Recorded in the studios of Radiotelevisione Italiana (RAI) in Milan on July 10, 1957.

Live performance, Festival d'Aix-en-Provence, July 2006. 'L'italiana in Algeri' (English: 'The Italian Girl in Algiers') is an operatic dramma giocoso in two acts by Gioachino Rossini to an Italian libretto by Angelo Anelli, based on his earlier text set by Luigi Mosca. It premiered at the Teatro San Benedetto in Venice on 22 May 1813. The music is characteristic of Rossini's style, remarkable for its fusion of sustained, manic energy with elegant, pristine melodies.

A silent black-and-white comedy inspired by the fizzing rollercoaster of Largo al factotum - the familiar aria from Rossini's The Barber of Seville - featuring the young apprentice hero and a recalcitrant, increasingly monstrous hairball.

Tom, famous baritone Signor Thomasino Catti-Cazzaza, enthralls a concert audience with his rendition of "Largo al factotum", from Rossini's "Il Barbiere di Siviglia", while Jerry strives for sleep under the stage.

The lives of a wounded soldier, a widow, a drunk guy and a secret agent are connected. The reason is hidden behind a pressing noise.

Zulu Comedy Festival: De håndplukkede

Aspiring reporter Hope Jensen uncovers the remarkable secret behind a holiday phenomenon: money-filled glass jars anonymously given to people in need.

Roommates Raj and Soham are in love with Purva (Amruta Khanvilkar), a modern girl with few friends in the city. Purva works at a coffee shop post her college. Dheeru an imposter and Madhav a regular customer in the coffee shop are also in love with Purva. Everyone wants to impress Purva by playing dirty tricks on each other. Who will get the girl? This competition to get love entertains all.

Το μυστικό μιας μητέρας

Jeong-ah and Sol are the members of the broadcasting department at highschool. But there are rumors that there are lesbians at school. Jeong-ah who is a lesbian gets scared because of the sight of the uneasy society.

A lonely boy prepares for his first day of high school

For years, Axel has cut off ties with his family, devastated by a tragedy for which he was made to bear responsibility. When the freighter on which he was cook stopped in his hometown, he decided to visit his mother, Françoise. It's a shock: she no longer recognizes him. Having Alzheimer's disease, Françoise now forgets whole sections of her life. Axel is the first of the siblings to disappear from his memory. Why him? What is he hiding behind this oversight? And while Ivan and Lucie have agreed to have her admitted in the center, Axel opposes it frontally and delays her departure to take care of her, despite the tensions. Between the mother and the son opens the face-to-face so long feared and yet necessary.

Two brothers battle over the future of the family, but it will be a young girl who changes her father's SUBSTANCE and the fate of generations.

A rhythmic short film utilizing objects commonly found in a college dormitory.