Rossini: L'inganno felice - Rossini in Wildbad

In late 18th-century Italy, in the mansion of Don Magnifico, the young and pretty Angelina works as a maid. Teased by her two frivolous half-sisters, Clorinda and Tisby, Angelina believes she is in love with a young valet and goes to the ball. Dressed in her finest finery, she meets the man who is in fact the Prince and flees from him after giving him a bracelet that will allow him to recognise her a little later. The masks come off, and kindness and love triumph! ‘La Cenerentola’ is the last opera buffa composed by Gioachino Rossini for an Italian audience. A dramma giocoso in two acts, with a libretto by Jacopo Ferretti, freely adapted from Charles Perrault’s fairy tale ‘Cinderella’ (1697), omitting the magic in favour of a realism tinged with humour and social criticism. Premiered for the Rome Carnival at the Teatro Valle in Rome on 28 January 1817. Recorded live at Glyndebourne Opera, Lewes, East Sussex, on 2 and 4 June 2005.

Figaro uses every trick he can muster to outwit Dr Bartolo and ensure his master wins his chosen bride. He meets his match in the would-be-bride Rosina, who has schemes of her own. Glyndebourne favourite Danielle de Niese adds the crafty Rosina to her growing list of bel canto heroines. Directed by Annabel Arden with playful energy springing from Rossini’s joyous music, this new production heralds the welcome return of a masterpiece not seen at Glyndebourne Festival since 1982.

Isabella is a strong, independent woman who has no intention of giving in to the clumsy advances of the powerful Mustafà. In this production by Mosh Leiser and Patrice Caurier, which plays on preconceptions about culture clash, Mustafà is no longer a handsome Ottoman, but a shady gangster who traffics in electronic goods in the port of Algiers. Make of it what you will...

Rossini: L'inganno felice - Teatro Fraschini di Pavia

Rossini: La Gazza Ladra - Teatro alla Scala

Behind the Hollywood Bowl stage which is playing the opera The Barber of Seville, Bugs Bunny flees into the backstage area with Elmer Fudd in close pursuit. Seeing his opportunity to fight on his terms, Bugs raises the curtain on Elmer, trapping him on stage. As the orchestra begins playing, Bugs comes into play as the barber who is going to make sure that Elmer is going to get a grooming he will never forget.

In 1810, Mustafà, Bey of Algiers and thoroughly fed up with his wife, the docile Elvira, orders the captain of the corsairs to find him one of those feisty Italian women. It turns out to be Isabella, an Italian woman of unparalleled beauty searching for her fiancé Lindoro, whom Mustafà happens to be holding captive in his seraglio. The Bey intends to give Lindoro to his wife Elvira, hoping to get rid of him once and for all. Isabella, accompanied by her annoying suitor Taddeo—whom she passes off as her uncle to save him from the gallows—relies on her powers of seduction. “L’italiana in Algeri” (The Italian Girl in Algiers) is a two-act dramma giocoso (opera buffa) by Gioachino Rossini, with a libretto by Angelo Anelli. It premiered at the Teatro San Benedetto in Venice on May 22, 1813. Recorded in the studios of Radiotelevisione Italiana (RAI) in Milan on July 10, 1957.

Live performance, Festival d'Aix-en-Provence, July 2006. 'L'italiana in Algeri' (English: 'The Italian Girl in Algiers') is an operatic dramma giocoso in two acts by Gioachino Rossini to an Italian libretto by Angelo Anelli, based on his earlier text set by Luigi Mosca. It premiered at the Teatro San Benedetto in Venice on 22 May 1813. The music is characteristic of Rossini's style, remarkable for its fusion of sustained, manic energy with elegant, pristine melodies.

A silent black-and-white comedy inspired by the fizzing rollercoaster of Largo al factotum - the familiar aria from Rossini's The Barber of Seville - featuring the young apprentice hero and a recalcitrant, increasingly monstrous hairball.

Tom, famous baritone Signor Thomasino Catti-Cazzaza, enthralls a concert audience with his rendition of "Largo al factotum", from Rossini's "Il Barbiere di Siviglia", while Jerry strives for sleep under the stage.

Over the course of a fifty-year career, the British band The Cure has released fourteen highly successful studio albums; but it was their 1989 album Disintegration, released during a pivotal year for Europe and the world, that would capture the imagination of so many fans.

Famous tragedy by Euripides in ballet.

Tells the story of Hendri who imagines his family's past just because he is too lazy to go to college.

The viewer is lured deep into a dilapidated glasshouse, a place where nature is traditionally tamed and studied, by a ghostly figure, dancing to a variation on the popular song from Disney’s The Jungle Book (1967). As the music fades out, he makes way for the vocal group Black Harmony, offering a reinterpretation of the song in their own language - Lugbara. I Wan’na Be Like You deconstructs and reconstructs the novel, film, that song and their legacies.

In 2004, Status Quo was one of a number of major artists to play a special show to mark the opening of the recently renovated Zürich Airport, Switzerland. The show was performed inside of an aircraft hangar in front of a crowd of over 10,000.

A slingshot is loaded, the stone flies and crashes - the neighbor's window breaks. Ramona and Nico are friends, lazy bums and fresh out of school. But instead of thinking about their future, they prefer to let the hot Berlin summer get the better of them. When they release a beloved neighbor's bird, they have to flee - into the politically charged world that they really don't want to be in. A road trip through Berlin begins - but on foot.

During a dynastic crisis in 14th century Portugal, the 10 year old Beatriz enters into a forced marriage to become the country’s new queen. At the Monastery of Sancti Spiritus in Toro, where the tomb of Beatriz is located, this story is re-enacted, re-imagined, and recreated with children of the same age. As their imagination is allowed to roam free, a different way to interact with their country’s history opens up.

Orsolya is a bailiff in Cluj, the main city in Transylvania. One day she has to evict a homeless man from a cellar, an action with tragic consequences that triggers a moral crisis which Orsolya must weather as best she can.

A talented poor man sings in the city center to make money. A group of girls notice him and ask him to sing the song “roșu aprins”.Later, the poor man tells them about the connection he has with this song.