Ladies to Board

In a small town in Indiana in the 1890s, the domineering and ambitious Mrs. Biddle arranges a marriage between her spoiled daughter Thelma and the town's prize catch, harvester David Langston, who is wedded to the soil. David is friends with orphan Ruth Jameson and, although she is in love with him, he eventually gives in to the machinations of Mrs. Biddle and consents to marry Thelma. Meanwhile, technological advances come to town, including its first gasoline buggy, galvanic battery, and metal bathtub fitted with running water. When Mrs. Biddle tries to convince David to give up the farming life and join her husband in real estate, Mr. Biddle, hen-pecked and dissatisfied with city life, warns David against selling his farm.

Rosalie Wayne (Talmadge) meets Reginald Carter (Ford) after he introduces himself while chasing her dog with one of his oxfords, and she marries him in haste. Reggie comes down with the measles following a quarrel over her bobbed hair, not knowing he is ill she leaves for Reno and then Europe. After a year's absence and having secured her divorce, she meets Reggie again and finds him engaged to another. Jealousy arouses her to break up the match, but the wedding is progressing before she devises a means of doing so. Reggie, however, is satisfied and glad to be reunited with his Rosalie despite her sharp tongue and unusual method of winning his love.

A romantic comedy, focusing on the love triangle between Bob Jones, Alysia Potter and Polly Meachum. Originally engaged, Bob and Alysia elope to Bowling Green, Connecticut, where they meet Silas Meachum, a campaigner against motion pictures, and his daughter, Polly. The eloping couple’s family arrive, chasing them, and persuade them to wait to get married. Polly goes to New York to join the Ziegfeld Follies, but is ultimately replaced by Alysia. As Bob consoles Polly, Alysia breaks off the engagement, and Bob and Polly may now marry.

Dulcy, a devoted but scatterbrained bride, tries to improve her absent husband's finances by inviting two of his business prospects to dinner. Though at first thoroughly confusing the deal, she does get her husband a bigger share than he bargained for.The film is now considered to be lost.

Pretty Patience Thompson, a "girl with a singing soul," lives with her cold-hearted and avaricious father, Jeff Thompson, on their Indiana farm. Her life of drudgery is brightened by John, the hired hand, but when he asks for her hand in marriage, the old man flies into a rage and discharges him. Soon an aged but wealthy widower courts Patience, and although she still loves John, "Old Jeff" orders her to marry the widower, claiming that a father's will is the law.

Gold digging blonde Lorelei and her brunette friend Dorothy are searching for rich husbands. This film is believed lost.

Brutal rental agent Joseph McGuire demands that Molly-O marry McGuire's son Denny, lest her family be thrown out of their humble shack. But Molly-O prefers the company of carriage driver Larry O'Dea, who unfortunately is just as broke as she is. Or is he?

When a wealthy young lady loses her inheritance, she decides to apply for work in disguise. In prim and proper working girl attire she becomes the respectable companion of a woman looking to reform her wayward nephew.

Lorenzo Carilo selects more-or-less menial jobs at which to make a living, other more "select" jobs not paying enough, and then he meets and falls in love with Vivian Forrester the daughter of a new-rich family. What's a poor boy to do? He might pose as a French Duke.

Luke runs a bunco booking agency.

Adopted by the Kellys from an orphanage, Nancy is reared in dreadful surroundings and mistreated as the household drudge. She accidentally makes the acquaintance of Jack Halliday, son of a wealthy city family who is fishing near her home. When Mrs. Kelly beats Nancy for accepting the attentions of her husband, the girl escapes into the woods and conceals herself in the rear of Jack's car as he drives into the city.

A jazz-mad Nancy Burrard is a young matron easing her boredom by flirting with married men.

In order to inherit their uncle's property, two cousins must marry each other.

Marcus Down makes only $15 a week. He has always paid spot cash for everything, until he meets Mamie New and they are wed. Then Mamie shows him how simple it is to get things on the easy payment plan. At first everything is rosy and matters go very smoothly for the young couple. Then the collectors begin to get busy and finally Marcus has nothing left, not even his bride, for the parson comes to take her for his fee, which had been arranged for on a ten cents a day basis.

One day Coventry Petmore leaves his wife and child to go out in the world and fight the social evils of divorce and loveless marriage. Circumstances lead him to the home of Judge Mitchell, where the judge's son, a minister, and his wife Beatrice reside. The minister does not believe in expressing affection to his wife, and Beatrice becomes enamored of her chauffeur Larry Price.

After a lifetime of hard work, Dad consents to live with his married daughter in the city. The young couple try to make him forget work. Ill at ease under his enforced idleness, he makes a deal with a disabled old street cleaner to keep his job. Finding him out, the young folks give in, and it's "back to the farm" for Dad.

Luke attempts to sell books to a businessman and his wife.

Lizbeth Palmer is known as "The March Hare" among her friends, and the daughter of a Los Angeles millionaire, comes to New York with a chaperon to visit her aunt. After betting the chaperon that she can live on 75c for an entire week, she assumes the part of a flower girl in a restaurant and there makes a hit with young millionaire Tod Rollins, who invites her to his home.

A Yankee Princess is a 1919 American silent comedy-drama film produced and distributed by the Vitagraph Company of America. It was directed by David Smith and stars Bessie Love, who also wrote the screenplay. It is a lost film.

The Little Boss is a 1919 American silent romantic comedy film directed by David Smith and produced by Vitagraph Studios.[2] The story and screenplay were by Rida Johnson Young starring Bessie Love and Wallace MacDonald.