Truth, War and Consequences

In the winter of 2002-'03, as the US was building its case to attack Iraq, people around the world responded with a series fo the largest peace protests in history. Shutdown: The Rise and Fall of Direct Action to Stop the War, is an action-packed documentary chronicling how DASW successfully organized to shut down a major US city and how they failed to effectively maintain the organization to fight the war machine and end the occupation of Iraq. Created by organizers involved with DASW, Shutdown combines detailed information on organizing for a mass action, critical interviews on organizing pitfalls, and the wisdom of hindsight. It is a must-see film for those engaged in the continuous struggle toward social justice.

Michael Moore's view on how the Bush administration allegedly used the tragic events on 9/11 to push forward its agenda for unjust wars in Afghanistan and Iraq.

Morgan Spurlock tours the Middle East to discuss the war on terror with Arabic people.

The award-winning filmmaker Peter Lilienthal is dedicated to this extremely poignant documentary of U.S. military policy and the living conditions of former resistance fighters in Latin America.

Documents a 40-year relationship between Saddam Hussein and the U.S., through accounts given by those who were witness to and participants in those years of violence. It is about a man and a superpower who used each other, in a marriage of convenience between strange bed-fellows. Includes selected archival footage of Saddam's beginnings, filmed to immortalise his exploits, at 20 years of age, in 1959. Includes also images from the film, Saddam Hussein, le maître de Baghdad, directed by Michel Vuillermet (Zarafa Films)

A chronicle which provides a rare window into the international perception of the Iraq War, courtesy of Al Jazeera, the Arab world's most popular news outlet. Roundly criticized by Cabinet members and Pentagon officials for reporting with a pro-Iraqi bias, and strongly condemned for frequently airing civilian causalities as well as footage of American POWs, the station has revealed (and continues to show the world) everything about the Iraq War that the Bush administration did not want it to see.

An opus in three parts, Iraq In Fragments offers a series of intimate, passionately-felt portraits: A fatherless 11-year-old is apprenticed to the domineering owner of a Baghdad garage; Sadr followers in two Shiite cities rally for regional elections while enforcing Islamic law at the point of a gun; a family of Kurdish farmers welcomes the US presence, which has allowed them a measure of freedom previously denied. American director James Longley spent more than two years filming in Iraq to create this stunningly photographed, poetically rendered documentary of the war-torn country as seen through the eyes of Sunnis, Shiites and Kurds.

A powerful and poignant film in which families and friends of those who have died fighting in Afghanistan and Iraq talk openly about their loved ones and their grief. Epic in scale and spanning seven years of war, this landmark three-hour film gives a rare insight into the personal impact and legacy of this loss.

Three incredible stories of women who risked everything to tell the truth. Their stories became worldwide scandals and took a personal toll on each of their lives

BROTHERS AT WAR is an intimate portrait of an American family during a turbulent time.  Jake Rademacher sets out to understand the experience, sacrifice, and motivation of his two brothers serving in Iraq. The film follows Jake’s exploits as he risks everything—including his life—to tell his brothers’ story.

A former U.S. Air Force air tanker navigator, Lt. Col. Ken Murray’s career takes us from the horrific accident that killed 70 people at an airshow demonstration to Operation Just Cause in Panama and to the Iraq War. Through it all, we experience air operations, post-deployment divorce, a new career as a famed sports photographer and new loves.

There were two wars in Iraq--a military assault and a media war. The former was well-covered; the latter was not. Until now... Independent filmmaker, Emmy-award winningTV journalist, author and media critic, Danny Schechter turns the cameras on the role of the media. His new film, WMD, is an outspoken assessment of how Pentagon propaganda and media complicity misled the American people...

American soldiers of the 2/3 Field Artillery, a group known as the "Gunners," tell of their experiences in Baghdad during the Iraq War. Holed up in a bombed out pleasure palace built by Sadaam Hussein, the soldiers endured hostile situations some four months after President George W. Bush declared the end of major combat operations in the country.

In this revealing program, noted author and economic activist Naomi Klein offers a lecture and a candid interview in which she expounds on the ideas at the heart of her best-selling book.

Interviews with varied U.S officials and experts offer a deconstruction on the Bush administration's case for war in Iraq in the wake of 9/11.

CHARBON depicts how Europe was built on fossil fuels over the past 100 years. And how it was torn apart by wars that were the result of these same fossil fuels. During 3 trips to Ukraine, Italy and Iraq, filmmaker Manu Riche explains how he and his French-German family are inseparably connected to the fate of the Iraqi filmmaker and refugee Hayder Helo.

Programming the Nation? takes an encompassing look at the history of subliminal messaging in America. According to many authorities, since the late 1950s subliminal content has been tested and delivered through all forms of mass-media including Hollywood filmmakers Alfred Hitchcock and William Friedkin. Even our modern military has been accused of these practices in the "war on terror" against soldiers and civilians both abroad and at home. With eye-opening footage, revealing interviews, humorous anecdotes, and an array of visual effects, the film categorically explores the alleged usage of subliminals in advertising, music, film, television, anti-theft devices, political propaganda, military psychological operations, and advanced weapons development. Director Jeff Warrick makes it his personal mission to determine if these manipulative tactics have succeeded in "programming the nation?" Or, if subliminal messaging belongs in the category of what many consider urban legend.

Follow five women reporters and the challenges they face as they work in Iraq during the Second Gulf War. Molly Bingham is an experienced photographer who was held for several days at Abu Ghraib prison at the start of the war. Marie Colvin is a reporter who lost her eye to a grenade while working in Sri Lanka. Janine di Giovanni has to deal with the difficulties of becoming a mother and still working to fulfill her duties as a journalist. Mary Rogers is a camerawoman who continues to put herself in harm's way in an effort to get the proper footage to cover her stories.

Deserter follows Ryan Johnson and his wife Jen during their flight from the Central Valley of California to Toronto, Canada. Johnson deserted the American army after hearing that he was going to be deployed to Iraq, despite assurances that this would not happen. Like many of his contemporaries, Johnson only joined the army because he could not find a job, and he sees the war in Iraq as both illegal and immoral. Desertion means imprisonment, so he decides to flee, realising that there will be no way back. Johnson seeks advice from various helpful organisations that guide him and Jen to Canada. The employees include both Vietnam veterans and young soldiers who have already served in Iraq.

Captain Pam Roark is a Navy nurse who shares her story about service, compassion, and leadership, demonstrating that leadership ability isn't a consequence of gender. It is a consequence of character.