"Come In" explores how Morse history is entangled with the history of the Spiritualist church. The Spiritualist Church was founded by the Fox sisters in 1850. They claimed that they were mediums who could communicate with the dead and they justified this ability by citing the new ability, through Morse, to speak with someone far away almost instantaneously. After fifty years of practicing Spiritualism, the sisters declared the religion a hoax, and many years later Morse code officially lost its role in the commercial realm. As Spiritualists continue to send messages to the dead in spite of the sisters’ statements, and Morse operators transmit messages into the ether with hope, Johnson asks: How do communication networks and technologies affect our calls and responses and make visible our desire for reciprocity?
By chance, two men open their hearts to cats on the street. One man is a poet and traveler, the other man is a CF director. The poet takes pictures of cats on the streets every day. The CF director follows the cats with his video camera and meets people who feed the cats on the street. These two men begin to feed and name the cats they see often. The men get closer to the cats, while they observe, that often, the passersby look at the cats with unfavorable gazes. On a whim, the men decide to make a movie on these street cats.
The film shows one day from waking up in the morning all the way to waking up again the next morning. The everyday situations that many commercials are made of, the little dramas that they create and solve through the product or service they sell, are stitched together into one day. This is a film about the everyday in (German, or Western-European) society because the commercials are part of the everyday of most people (everyone who watches television) and they depict an ideal image of society. The film abundantly uses repetition as an editing technique, in visual ways as described above, but also because commercials can be read in different ways. For instance, Brat baking foil shows up at the evening dinner sequence, when an ovendish is put on the table, and again later on in the sequence about going out to a classic concert, because the clip has classic music.
Extra, behind scenes from Hideaki Anno's film Ritual (also known as Shiki-Jitsu).
This fast-paced Documentary was filmed inside America's biggest Comics/Film Convention and includes informative and humorous interviews with Levar Burton (Star Trek Next Generation, Roots), William Shatner (Star Trek, Boston Legal, Wrath of Khan) Lou Ferrigno (The Hulk) Saul Rubinek (Warehouse 13), Paul Michael Glaser (Starsky and Hutch, Num3ers) Nicholas Brendon (Buffy the Vampire Slayer, Criminal Minds) and more!
Short documentary about the lives of three girls and the women who rescued them from retrogressive cultural practices in their own Maasai community at the AIC Girls School and Rescue Center in Kajiado, Kenya. It is an intimate portrait of these women as they sacrifice everything to make a stand against female genital mutilation and early forced marriage happening within their own culture.
This short explores the possibility that Louis XVII, son of King Louis XVI and Marie Antoinette, escaped death during the French Revolution and was raised by Indians in America.
Thomas Haemmerli is about to celebrate his fortieth birthday when he learns of his mother's death. A further shock follows when he and his brother Erik discover her apartment, which is filthy and full to bursting with junk. It takes the brothers an entire month to clean out the place. Among the chaos, they find films going back to the 1930s, photos and other memorabilia.
A first-person account of a kid named Sidney in a town that helped him become who he is today: Cole Harbour, Nova Scotia.
A fond farewell to London's trams - whose peculiarly endearing qualities were discovered only at the threat of their disappearance.
From the slow waitings for opening of the big top to the loneliness in the dressing room backstage, Abuhadba follows the life of a small circus in Chile run entirely by a traditional circus family.
People from different ethnic backgrounds with "difficult" names by Western standards share their experience with moving through the world with an identity that challenges others to simply just say their name. A short social docu-film by Mariam Meliksetyan, “Say My Name” is a meditation on identity, otherness, assimilation, community, and ancestral roots.
Short subject on how fashion is created-- not by the great couturiers, but on the street.
Making of Jean Luc Godard's Alphaville (1965)
A community of Armenians, refugees from the Soviet Union during the Baku pogroms, live in a deep American province. Baku life, Armenian blood, Soviet mentality, and American emigration mix in incredible tragicomic proportion.
Joan Bakewell visits Haworth in Yorkshire, home of the Brontës, to see the setting in which the novelists worked.
Documentary about the 1970 film, "End of The Road."
A desktop documentary that focuses on the Golden Record that NASA sent into space in the late 1970s. The piece reflects on issues such as the power of scientific discourse to produce revisions of the world, the evolution of the concept of the archive and the resignification of borders in the rhetoric of space colonialism.
Edie Bouvier Beale and her mother, Edith, two aging, eccentric relatives of Jackie Kennedy Onassis, are the sole inhabitants of a Long Island estate. The women reveal themselves to be misfits with outsized, engaging personalities. Much of the conversation is centered on their pasts, as mother and daughter now rarely leave home.
Video Nasty; once a term referring to films that were criticised for their violent content in the early 80s, now the name of an up-and-coming film production company in Sydney, Australia. Join us in this two-minute documentary where university student and founder of Video Nasty, Lachlan Wylie, speaks on his experiences since starting the company in May of 2022.