The Walkmen: Juan's Basement

Herbie is a short 16mm black and white film by George Lucas and Paul Golding made in 1966 as part of their USC film school course. It is an abstract film with no story and no actors, that graphically depicts the reflections of moving light streaks and light flashes from traffic at night. It is set to a piece of jazz music by Herbie Hancock, whose first name was used for the title.

Teenage Babylon presents the aftermath of three teenage suicides through the medium of what purports to be 1960s vintage black and white police file footage. The film's haunting images, evoking teenage love gone wrong, are counterpointed by a series of saccharine torch songs, celebrating falling in love and the end of a masquerade. Through a kind of bathetic synthesis, the dialectic of Eros and Thanatos, love and death, is consummated in the 'morgue' of the forensic archive.

A Super-8 short-film adaptation of S.E. Hinton's "The Outsiders" styled as a music video/silent-film -- director Juli Saragosa has a different take on greaser masculinity than did Francis Ford Coppola.

Louis Prima, between song numbers, tells how he happened to get a job in a Hollywood cafe playing music while a couple, unrelated to anything else, play a slot machine in the background. This short was reissued in 1944 and again in 1952. Lucille Ball has a bit part. Song numbers include; "Way Down Yonder in New Orleans", "Up a Lazy River", "Dinah","Basin Street Blues" and "Johnny Get Your Gun."

As technology accelerates, our species' collective imagination of the future grows ever more kaleidoscopic. We are all haunted by temporal distortion, perhaps no more than when we attempt to remember what the future looked like to our younger selves. As the mist of time devours our memories, the future recedes; each of us burdened by the gaping mouth of entropy. Yet, emerging technology provides a glimmer of hope; transhumanism promises a future free from mortality, disease and pain. Does our salvation lie in digital simulacra? We're here to sell you the answer to that question, for the low, low price of four hundred and seventy seconds.

A struggling drummer trapped by his creative block embarks on an isolated journey through his memories, confronting the turmoil that stands between him and his rhythm.

Quiet 10-year-old Zsofi has just changed schools. Feeling out of place at first, she is quickly admitted to the school’s famous choir and befriends her popular classmate Liza. Soon, they have to stand up united against their choir master, who isn’t quite the friendly and inspirational teacher they first thought she was.

A boy experiences new desires while watching a man at an indoor swimming pool. Forced up the diving platform by a rowdy gang, he receives unexpected help. Cold Star is a mixture of short and music video. A hybrid, that connects the emotions of a short with beats and lyrics of music. The film is an appeal for acceptance of your own and others sexual identity.

Light Up the Night is an analog science-fiction short film set in an Orwellian, futuristic 1980s. The story tells the tensions flaring between rebellious citizens and robotic law enforcement. We are introduced to two dissidents as they take aim at the city's looming, panoptic control tower, while local band The Protomen take the stage amidst the action, inciting unrest as they narrate the struggle.

The story of Cinderella with a children's cast.

This short plugs the new tunes written by Mack Gordon and Harry Revel for the movie "College Rhythm" and shows the audience how they were written and rehearsed. Naturally it also advertises the movie.

Juice Leskinen & Grand Slam live set recorded in 1988.

When Thomas Overby mistakenly believes Aya is his assigned driver, she spontaneously decides to go along with the charade and drives him to Jerusalem. A stiff and guarded pianist, Overby is intrigued by the impulsive though melancholy Aya. As they slowly begin to connect, the film takes us on a journey we hope will never end.

Johnny YesNo – Redux reunites Cabaret Voltaire and Peter Care almost 30 years later with a completely new cast, a relocation to LA and an entirely new soundtrack remixed by Richard H. Kirk, the film has lost none of its hallucinatory power. The short goes deep into the structure of Peter Care’s original film and the Cabaret Voltaire tracks used in connection with it. What emerges is as much a juxtaposition of times and places as sights and sounds. The tale changes in the retelling, but that change now seems to be taking place on a molecular level. Richard H Kirk has reconfigured the film’s soundtrack, giving the proceedings an ominous sense of something slowly sliding into view from afar, glimpsed out of the corner of the eye.

A metalhead gets passed down a satanic guitar that riffs to shreds.

Several members of MGM's 'galaxy of stars' attend an evening of music and a fashion show.

In this Oscar-winning short film, a Marine, Joe Fingers, on a South Sea island during World War II, tells tales of the influence he's had on various personalities. In the words of one of his buddies, he's either the biggest liar in the world or the most important man in show business.

Ruth Eton (Ruth Etting), a singer with a traveling show troupe, is engaged to the troupe manager, Joe Grant (Edward Leiter), but when Ruth's younger sister, Laura (Wanda Perry) arrives, fickle Joe transfers his attentions and intentions to her. For the sake of her sister and the show, Ruth accepts her tough break philosophically, and sings "Why Did It Have To Be Me?"...because she is a real trouper.

Singer Ruth Eton, of the singing team of Eton and Farrell, is told by her agents to get rid of her partner if she wants to advance her career. Instead, she gives him singing lessons. After a few months of training, he is good enough to be on his own and dumps Eton. When he loses his voice suddenly, he finds out who his true friends are.

A New york producer sends a spy to a nightclub to report back on the musical acts.