This short travelogue depicts snippets of locations in Hollywood, California, most of them as seen from the streets. Considerable time is taken showing the kinds of architecture of private homes. There are images of various important buildings, and a depiction of the Hollywood Bowl. Finally, there is a sequence revolving around the premiere of the film “Dirigible” (1931) at the famed Chinese Theatre.
Refuge(e) traces the incredible journey of two refugees, Alpha and Zeferino. Each fled violent threats to their lives in their home countries and presented themselves at the US border asking for political asylum, only to be incarcerated in a for-profit prison for months on end without having committed any crime. Thousands more like them can't tell their stories.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
In November 2017, a devastating earthquake hit western Iran. It took only 13 seconds to lose everything. This is a fleeting observation of the days after the disaster.
A fantastic short documentary that explores an event that is staged in a cave in one of the oldest forests in Romania. The premise of the film - that people are bored and need something to do or perform is beside the point - there are people in Romania who will move an entire orchestra into a cave in the forest and thousands of people will arrive to watch a classical performance there. Breathtaking and fun at the same time.
Documentary about the iconic portrait of Ernesto 'Che' Guevara by Cuban photographer Alberto Diaz Gutiérrez (known as 'Korda').
About the tragic fate of the Estonian artist Julo Sooster and his work.
Bust out your Austin 3:16 shirt, heat up a delicious slice of pie and count down to Y2J all over again with The Attitude Era. Go back to the days when antiheroes ditched “saying their prayers and taking their vitamins” for opening up a can of whoop ass and laying the SmackDown!
Shot in Atlanta, this is a collection of clips of Phanphiroj talking to handsome young men he has brought into his studio to photograph for a book project. So there are clips of him interviewing them, shooting photos and even having physical encounters. And there are several conversations that dig deeper into attitudes. The key point is that most of these guys are straight, and Ohm is flirting shamelessly with them. The film is loosely edited, jumping around between encounters as it explores ideas about attraction, lust and even porn. It's silly and relaxed, and of course very indulgent too.
An intimate conversation between two guys...
A photographer shares unpublished images chronicling time spent among the 'fiercely independent' residents of a remote English fishing village.
A short documentary depicting a typical day in the life of a 1940s era flying stewardess.
Two companies. One goal - to be the only name in sports-entertainment. This 20-episode WWE Network series delivers the in-depth stories of both Vince McMahon's WWE and Ted Turner's WCW, as they battle head to head in a primetime power struggle that forever changed the face of sports entertainment. Part four follows the path of Stone Cold Steve Austin from relative no-name in WCW to era-defining megastar in WWE. WCW unveils a potent new weapon, Goldberg. Plus, WCW cruiserweights take to the skies.
Lightbulbs, fire, barbed wire, mousetraps, staple guns, thumbtacks and glass are weapons of choice in The Backyard. This undercover documentary takes you deep into the controversial arena of backyard wrestling where the limits are constantly being tested...and broken. The Backyard follows several backyard wrestlers in different countries as they pursue their dream to become professional wrestlers.
This short documentary produced by the University of Oregon Multimedia Journalism graduate program explores memories of Portland's Japantown – Nihonmachi – and the thriving Japanese American community in Oregon prior to World War II. The film features Chisao Hata, an artist, teacher and activist, and Jean Matsumoto, who was incarcerated at the Portland Assembly Center and in the Minidoka concentration camp as a child.
Many cities or countries have a distinct malaise. They are places that could be Portugal, so sunk in a painful longing of the past, and where each tension of the present is only the tip of an iceberg that is explained in successive retreats that can go straight until origin of the species, at least. This feeling common to many latitudes is often presented as a diagnosis, a denial of a painful present as opposed to the desire to return to a glorious past.
An attempt to erect a virtual memorial for the victims of the Bosnian war, using archive material, videos and statements from survivors in a 3D animation.
Juana, Mar, and Eduardo tell their stories of abuse.
Documentary about Transylvanian Saxons.
According to the U.S. Department of Veterans Affairs, one veteran dies by suicide in America every 80 minutes. While only 1% of Americans has served in the military, former service members account for 20% of all suicides in the U.S. Based in Canandaigua, NY and open 24 hours a day, 365 days a year, the Veterans Crisis Line receives more than 22,000 calls each month from veterans of all conflicts who are struggling or contemplating suicide. This timely documentary spotlights the traumas endured by America’s veterans, as seen through the work of the hotline’s trained responders. CRISIS HOTLINE captures extremely private moments, where the professionals, many of whom are themselves veterans or veterans’ spouses, can often interrupt the thoughts and plans of suicidal callers to steer them out of crisis.