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After I had already begun to conduct my first cinematographic experiments in 2015, I shot between 2016 and 2019 (during my time as a student in Rostock) exclusively for this "No Budget Feature-Length Experimental Film", now titled "Transfragmentation", which was originally conceived to last three hours, based on Werner Fritsch's "Faust Sonnengesang" (2011), but now has a running time of approximately two hours. In 2015, I also began my correspondence with the Brussels-based Sound-Artist Unenthüllte, who eventually composed four twenty-minute pieces for this work and has to be regarded as my sole artistic collaborator in this sense. My cinematographic concept was clearly outlined from the beginning: The duration of each shot is exactly 1 minute. Only two elements diverge from this primary premise: The Seventeen Minute Prelude, Created In Post-Production (2020-2022), And The Slow Motion Sequences Involving My Voice-Over, Which Linger In The Heart And At The End Of The Work.

An abstract audiovisual poem by electronic musician and composer Ralph Lundsten.

On the 22nd September 2017, Devin Townsend Project played a special show at the Ancient Roman Theatre in Plovdiv, Bulgaria, celebrating the 20th anniversary of the landmark Ocean Machine album in full, as well as a set of fan-requested tracks alongside the Orchestra and Choir of Plovdiv State Opera. This concert was filmed and released as 'Ocean Machine - Live at the Ancient Roman Theatre Plovdiv'.

Best friends Michael and Christian navigate through the pacific northwest searching for beauty and miracles in unexpected places.

A man falls in love with a half-woman/half-phoenix who fell to Earth from the sky.

A lonely character braving a steep mountain attempting to reach its peak. As he journeys the mountain, he is forced to confront a plethora of internal demons.

In an effort to cure her smoking habit a middle-aged woman discovers that she can communicate with her long lost son while watching a Halloween safety program on TV. After suffering a nervous breakdown, her husband, a used car salesman, is revitalized when he travels back in time to drive the first car he ever sold. Seventeen years later a powerful canned food manufacturer crashes the same car into a toaster truck while endorsing a brand of yams on live TV. At the funeral his clergyman experiences a crisis of faith when he and a lifelike Mexican continue their search for a married couple who have befriended an insect who enjoys drinking lime soda. They later meet a young man whose bizarre murder scheme involves four innocent members of an experimental rock band who have all given up smoking.

A whirlwind of improvisation combines the images of animator Pierre Hébert with the avant-garde sound of techno whiz Bob Ostertag in this singular multimedia experience, a hybrid of live animation and performance art.

Produced in 1993, The Grand Delusion is one of our most completely realized works. In addition to taking the usual form of a Tape-beatles release (a CD), The Grand Delusion was also delivered in the form of an ‘expanded cinema’ presentation involving three-screen motion picture projections and sound. The screen space for this production is intended to be three times the width of the normal 3 to 4 "Edison" aspect ratio of 16mm. The presentation only uses the full width intermittently, so transitions from one form to the next has been translated here by means of a video effect. As a live performance presentation, The Grand Delusion has been screened in dozens of venues across North America and Europe.

Our Favorite Things is a new DVD/CD release from reigning Kulture Kut-up Kings Negativland. Twenty-seven years of the group's "greatest hits" have become all-new moving pictures in this amazing, years-in-the-making package. Created with 18 other filmmakers from all over the USA (and one a capella group from Detroit), Our Favorite Things is a collaborative project that takes Negativland's sound explorations into the world of film and video. What emerges is a darkly cracked look at 21st century America, juxtaposing paranoia, torture, control, power, weapons, fear, suicide, cola wars, mental illness, and intellectual property issues with the lighter side of dopey advertising, cartoon characters, cleaning products and Jesus.

Meet Shavon O'Brien: Her family doesn't understand her, her church ignores her, even Jesus forgets about her. With only the spirit of Sinead O'Connor to guide her, Shavon battles institutional child abuse, narcissistic group think, a talking stomach and a singing poop bucket! Shavon goes from Catholic to Crusty Punk in this very, very, very, dark musical comedy!

A short visual experiment resembling the inside of an opal.

Performed live on September 15th, 1985 on the SONY JumboTRON at Tsukuba Expo, Tukuba, Japan

Dreams of the Past

The quick response of a body in social isolation. The dancer moves alone in the living room of her apartment and expresses her feelings in the face of quarantine. A solo choreography of the automatic desires of a body that needs movement.

A collaboration between Soda_Jerk and The Avalanches.

One comes to Earth after a few decades in space. But what if there is no Earth anymore? What if the only thing left of all the cities and countries are smouldering remains and radiating dust in the air?

Photos, animation, and music illustrate the story of the Beatles.

A mad scientist creates the band Music Brigades from body parts of dead musicians.

Three percussionists each have a small table as their only instrument. The variety of tones is ensured by the different striking modes. The positions of the fingers and hands and the rhythmic figures are codified in a repertoire of original symbols used in the score.