On ne badine pas avec l'amour

Two young swordsmen, Akado Suzunosuke and Tatsumaki Rainoshin, arrive at the city of Edo in their quest to test and improve their skills. Soon they become involved in a conflict against a mysterious group of demonic criminals led by the king of hell, Taira no Masakado — a strugle to which both were destined since the moment they were born.

A comedy musical stage version of the Phantom of the Opera, filmed live on-stage during a performance in Florida.

Matka

Návrat do pekla

In a miserable, freezing two-room apartment on the first floor of a building, the Ruòppolo family lives in complete poverty. Giovanni, a clerk, struggles against a thousand difficulties to make ends meet, while his wife, Cristina, takes care of the housework.

On the spare stage of J. Svoboda, director M. Macháček focuses on exploring the relationships between the characters and their motivations. In this version, the story is gradually revealed like a detective story, from the ghost’s message through the play-within-a-play to the murderous finale. Though not originally received well, the production became a Prague theatre hit before closing in 1988.

Le retour de Richard 3 par le train de 9h24

Marcelline is an actress. Forty, single and childless, she begins rehearsals for Turgenev’s A Month in the Country. Denis, the director, admires her greatly and promises he’ll make her happy on stage — she will shine. But things don’t go to plan.

Unpolished and ultra-pragmatic industrialist Jean-Jacques Castella reluctantly attends Racine's tragedy "Berenice" in order to see his niece play a bit part. He is taken with the play's strangely familiar-looking leading lady Clara Devaux. During the course of the show, Castella soon remembers that he once hired and then promptly fired the actress as an English language tutor. He immediately goes out and signs up for language lessons. Thinking that he is nothing but an ill-tempered philistine with bad taste, Clara rejects him until Castella charms her off her feet.

A police drama that chronicles the efforts of a police officer to uncover an unexplained murder case that blends the lives of two women and a theater actor, the victim of an "artistic" shot, part of a play.

A boy who was once a perpetual outcast finds friends in a new boarding school. United with his new peers, he gets involved in a heated rivalry with a group of students from a neighboring school.

Witty, playful and utterly magical, the story is a compelling romantic adventure in which Rosalind and Orlando's celebrated courtship is played out against a backdrop of political rivalry, banishment and exile in the Forest of Arden - set in 19th-century Japan.

Each is dependent on the other. He breaks into the passport office to get a passport. He is surprised and ends up back in prison, where he is trained in military drill. After his release, he once again lodges with relatives, his sister and brother-in-law. Wearing a second-hand captain's uniform, he first takes over a guard unit and uses it to occupy Köpenick town hall, where all the employees of the town council submit to the supposed captain. The mayor is promoted to Berlin and Voigt presents himself to the authorities a few days later. At first, everyone present laughs at the prank, but then Voigt is made aware of the legal consequences. He is sent back to prison, but shortly afterwards he is pardoned by the Emperor.

The Empty King created a mythical figure and a whole world from grotesque, archetypal images. The drama was originally conceived as a student tirade against a teacher at Jarry's school, the Lyceum of Rennes. This teacher, Hébert, was the target of public ridicule. In 1888, at the age of 15, Jarry wrote a puppet play about the exploits of the Woolly Tartar and staged it to the amusement of his friends. The figure of Übü is a crude, cruel caricature of the foolish, selfish bourgeoisie as seen through the unrelenting gaze of a schoolboy; but this Rabelaisian figure, in all his falstaffian greed and cowardice, is more than a mere social satire. It is a terrifying picture of man's animal nature, his evil and cruelty. The Katona József Theatre in Budapest premiered Jarry's play in 1984, and it ran continuously for more than 10 years.

A struggling actress is cast in her last off (off) Broadway show - a modern take on “A Christmas Carol” - before giving up her dream and moving home. Instead, she finds romance with her director and a renewed passion for her craft and the city. But when the historic theater loses its lease and the show is set to fold, she and her cast mates are need of a Christmas miracle.

Stage actress Valerie Stanton is locked in a bitter feud with her producer and ex Gordon Dunning. When he attempts to blackmail her into remaining under contract with his company, Stanton, in a fit of passion, clubs Dunning with a statuette, killing him. Her gloves have prevented fingerprints but her perfect alibi quickly unravels as Captain Danbury begins investigating.

In early 20th-century Naples, a theatrical parody lands beloved thespian and playwright Eduardo Scarpetta in court, facing a malicious lawsuit that could compromise his freedom of expression and the economic security of his extended family—including his son's, young Eduardo De Filippo.

Ravi, a critic, comes across the writings of K T N Kottoor. Highly inspired by what he reads, he travels to a village in Kerala in search of the author.

Sofia, Don Saverio's sister, confesses to her brother that she was the victim of a fateful event: while she accompanied her brother to Rome, while he was resting at a hotel, a terrible storm broke out during the night, accompanied by thunder and lightning. Frightened, she left her room to seek refuge in her brother's, when, after the lights went out, she accidentally entered a stranger's room in the darkness and fainted from fear of a violent clap of thunder. The unknown individual seized the opportunity and took advantage of her. From that turbulent encounter, Don Felice Sciosciammocca was born, Sofia's illegitimate son, now engaged to Marietta, Don Saverio's daughter.

In Naples, where the modest clerk Michele Crispucci lives with his daughter Assuntina, his ex-wife arrives with her circus. The young Concettino confides to a friend that he wants to give up his marriage to Assuntina, because twenty years earlier the girl's mother had abandoned the family and become rich by giving herself to wealthy lovers.