Joy And Love For All Things in the Garden

Smetak

The film is constructed from video material that the author shot in 1999 at the horseshoe factory in Karlovac (closed in 2005). It consists of 99 shots. A special software arranges the shots in a new random order each time it is run. Each generated configuration represents a unique author film - the Nth Cinematic Nail Factory, where N is the ordinal number of each film edited in this way.

A collection of images taken on 35mm film with a point-and-click Holga135BC during the year after I dropped out of school.

A fragment of reality about a less affected part of the third world, and how it got to the moon.

An ongoing work, David Gatten's Secret History cycle "probes the relationship between printed words and images, philosophical ideas, historical records, and biography." Currently, parts I-V have been released: Secret history of the Dividing Line, The Great Art of Knowing, Moxon's Mechanick Exercises or the Doctrine of Handy-works applied to the Art of Printing, The Enjoyment of Reading (Lost and Found) and What Places of Heaven, What Planets Directed, How Long the Effects? or, the General Accidents of the World.

A trans Vietnamese woman's deadname being repeated over and over again.

A drawing of an ancient bathhouse in a French travel book to the Middle East sparks a visual poem, inspired by the Arab poetry tradition of "standing by the ruins". The ambivalence of the five-hundred-year-old image gestures towards enduring capitalist and colonial power dynamics. Pleasure and pain, seduction and domination, archives and ruins, histories of sex, and histories of empire, all commingle in this essay film. What transpires is a web of visible and invisible threads where homosexuality in the Middle East today seems to be enmeshe

Innocent nature walk leads to a discovery of the morbid nature of humans.

Two instants separated by 99 days conflict with each other.

Experimental video art compiled from video taken on an LG Env3 flip phone circa 2009-2010

Experimental self portrait

Experimental short film by Barbara Sykes

Set at an artificial reservoir in North Carolina, RESERVOIR (SEVEN FRAGMENTS) is a meditation on the unnatural histories of the American environment. The film approaches both the cinematic image and the landscape it captures as damaged, estranged things—things adrift in a world of irreparable discord.

“All that which in Picture is not of the body or argument thereof is Landskip, Parergon, or By-work” (Thomas Blount, Glossographia, 1656).

Documentary filmed on the occasion of the “2003, Odyssey in Space Zero” operation inside the Spazio Zero Theater in Rome. The document, filmed between 21 October and 30 November 2003, recounts the representation of Fotofinish not as a single and continuous work, but as the evolution over time of the moods and movements of the actors who, replica after replica, have developed an awareness of the space and arrived at the joy of staging.

A last tour throughout a day through the signs and the memory of a house. A sensory and poetic exploration that reflects an intimate and nostalgic look at the places we inhabit and the way they contain us.

Every day in Sutton, scientists from The Institute of Cancer Research at The London Cancer Hub try to discover what will defeat cancer. In the summer of 2022, communities in Sutton came together to celebrate their incredible research through the creation of a short community film celebrating this science. The resulting film showcases choreographed dance sequences as creative yet recognisable interpretations of scientific concepts.

"Here Where It All Ends" is an experimental, poetic short film that moves between documentary and fiction to address an endangered culture, that of indigenous people in the Brazil. It is, in particular, a sharing of knowledge carried out in Aldeia Bugio, at all stages of 16mm filming, botanical development and sound capture in a collective way. It seeks to reactivate the memory of the origins of the Laklãnõ/Xokleng people.

Formally eclectic, the first few seconds of the film seem to introduce us to a typical sensory documentary, but soon the flow of the narrative evolves into a much more complex portrait of the port of Paita, by concatenating recordings made by the author himself, videos generated by an AI, Google Maps views and archival images.

An experimental film about the relation of Time and Space.