Battle Front in Britain

Departing from peripheral details of some paintings of the Bilbao Fine Arts Museum, a female narrator unravels several stories related to the economic, social and psychological conditions of past and current artists.

A strange story from Somerset, England about a filmmaking farmer and the inspiring legacy of his long-lost home movies.

America's policy of producing cheap food at all costs has long hobbled small independent farmers, ranchers, and chefs. Worried for their survival, trailblazing food writer Ruth Reichl reaches out across political and social divides to uncover the country's broken food system and the innovators risking it all to transform it.

A propaganda documentary on the post war reconstruction of Miensk, capital of Belarus.

A shocking political exposé, and an intimate ethnographic portrait of Pacific Islanders struggling for survival, dignity, and justice after decades of top-secret human radiation experiments conducted on them by the U.S. government.

On April 18th, 1906, San Francisco witnessed its most devastating natural disaster – an earthquake that initiated a city-wide fire. The commanding officer of the U.S. Army base at the Presidio, Fred Funston, gathered citizens to fight the fire, patrol the streets, and rebuild the city – all without authorization.

¿Por qué morir en Madrid?

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.

Warsaw's Central Railway Station. 'Someone has fallen asleep, someone's waiting for somebody else. Maybe they'll come, maybe they won't. The film is about people looking for something.

The last shots had been fired in the First World War — but peace had yet to be made. Inspired by Margaret MacMillan’s acclaimed work of popular history, Paris 1919 takes us inside the most ambitious peace talks in history, revisiting the event with a vivid sense of narrative. Evoking a pivotal moment when peace seemed possible, director Paul Cowan reflects upon the hard-learned lessons of history.

Exposing the dark underbelly of modern animal agriculture through drones, hidden & handheld cameras, the feature-length film explores the morality and validity of our dominion over the animal kingdom.

The Gallipoli campaign of World War I was so controversial & devastating, it changed the face of battle forever. Using diaries, letters, photographs and memoirs, acclaimed director, Tolga Ornek, traces the personal journeys of Australian, New Zealand, British and Turkish soldiers, from innocence and patriotism to hardship and heartbreak.

The story of Istituto Luce and it's newsreels, full of visual records of the social and political history of Italy under Mussolini's leadership.

Documentary to mark the WI's centenary. Lucy Worsley goes beyond the stereotypes of jam and Jerusalem to reveal the surprisingly radical side of this Great British institution.

Spin doctors spread misinformation and confusion among American citizens to delay progress on such important issues as global climate change.

Social democracy propaganda film about future dreams for Denmark in 1960. Although Denmark is free again, the former opponent and worker, Svend, is disillusioned: "It is all something soft". The dream of the future is incarnated by a young woman, Karen, who shows Svend the visions of a better life in the 'youth's land'. There are homes and a nuclear-powered car for everyone.

L'Amour vache

Esther Johnson’s film uses local archive footage to convey the story of Sunderland's involvement in the First World War, from the men who fought in the fields to those who stayed behind to work in the region’s shipyards and munitions factories.

A Nazi propaganda film about the lead up to World War II and Germany's success on the Western Front. Utilizes newsreel footage of battles and fell into disfavour with propaganda minister Goebbels because of it's lack of emphasis on Adolf Hitler.

A student is held up in the library while a riot rages outside. As SDS protesters head to burn the library down, he has to fend them off with his baseball bat. This film opens with actual footage of civil disturbances in the 1960s, and moves on to images of historical American figures.