A group of teenagers living in a housing project in the outskirts of Paris rehearse a scene from Marivaux's play of the same name. Krimo is determined not to take part, but after developing feelings for Lydia, he quickly assumes the main role and love interest in the play.
Members of an otherwise typical New York Brooklyn family are "tortured" by a kind of hereditary madness. In the meantime, the adopted nephew Mortimer tries to do everything to protect his two aunts, who indulge in a variety of dangerous acts, such as poisoning lonely and homeless elderly people, and burying them in the basement of their house. When another niece, Jonathan, arrives, the situation will spiral out of control. The play was released on DVD by Radiotileorasi magazine in December 2010 (78th DVD of the "ERT Cultural Film Archive" series).
Elyot Chase and Amanda Prynne are glamorous, rich, reckless…and divorced. Five years later, their love for one another is unexpectedly rekindled when they take adjoining suites of a French hotel while honeymooning with their new spouses. This chance encounter instantly reignites their passion, and they fling themselves headlong into a whirlwind of love and lust once more, without a thought for partners present or turbulences past. This Chichester Festival Theatre production of Noël Coward’s Privates Lives was filmed live at London's Gielgud Theatre.
Pozor, hodný pes!
Botafogo
Jak se stal Rumcajs loupežníkem
A Kuwaiti play talks about the life of Kuwaitis in the years of poverty experienced by Kuwaitis before the economic boom in the seventies, and discusses work in a comic framework of economic and social problems, including poverty, education, and health, by dealing with the stories of work heroes.
Pohádka o lokomotivě
Inavouable
Henry de Sacy, inveterate Don Juan, learns that he will inherit a million euros from his old aunt, on condition that he gets married within the year. As he refuses to depart from his love of women, his friend Norbert, a lawyer, offers him to marry a man. Thus he would respect his aunt's last wishes without losing his freedom. Seduced, Henri offers this unusual contract to his friend Dodo who is single and unemployed. But this marriage for the better will quickly turn into a nightmare...
Hired to helm an Americanized take on a British play, director Lloyd Fellowes does his best to control an eccentric group of stage actors. With a star actress quickly passing her prime, a male lead with no confidence, and a bit actor that's rarely sober, chaos ensues in the lead up to a Broadway premiere.
Tío Vania
Le Petit-Maître corrigé is a three-act romantic comedy by French playwright Marivaux. It was first performed on November 6, 1734, by the Comédie-Française in Paris. In this production Clément Hervieu-Léger makes the eighteenth century resonate with our era, all the more so given that the language is “simpler than in other Marivaux plays, while still as refined, precise and full of humour”. The story is that of a young Parisian whose parents have found a good match for him, a count’s daughter. But when he goes to visit her in her country home, the handsome boy – whose Parisian manners are far removed from the rules of decorum that reign in the provinces – cannot open his heart to his lovely intended. Stung, the latter decides to punish his arrogance while a former lover arrives to prevent the marriage. Between the alliance of master and manservant, and the complicity of mistress and maid, a romantic intrigue ensues full of light-hearted conspiracies and feverish emotions.
Jedenácté přikázání
Rohovín Čtverrohý
Veselohra na mostě
Papy fait de la résistance
L'hôtel du libre échange
Recorded in Paris, Theatre de l'espace Cardin. Louise is single, Alexandre is in the middle of a divorce, she has no children, he has three, she is more on the left, he is more on the right. Both are over fifty! If there is no age to fall in love ... love and life together are an equation that gets complicated with age! The charm of chance encounters is that they bring together people who attract each other without necessarily being compatible.
In 1936 Harlem, the first all-Black cast to perform Shakespeare's 'Macbeth', directed by a young and arrogant Orson Welles, battles to make it to opening night.