I Had a Dream of a House at Night

A feminine machine, stuffed with modern nano-technology and useless operations is depicted in this mixed-media 2D animation short, highlighting the consequences of consumerism and the downfall of civilized society. The machine reminiscent of a two-dimensional video game, leads to a destructive chain reaction after a strange malfunction, with people turning into clones and robots.

After a flat tire leaves her stranded in the woods, a woman revisits haunting memories of her self-destructive tendencies on the finger nails. As she peels the skin from her fingers, each strip draws her deeper into the past. With every layer, she steps closer to the hidden child within herself.

A synthesis of sound and movement; colourful characters dance and move in repetitive patterns to percussive and melodic elements. A combination of motion and music that is hypnotic and beautiful. At first it feels structured and orderly but as more elements are added becomes quixotically expressive.

In an indeterminate future, forbidden memories challenge a database containing all human memories. An experimental cinematic search between past and future, fiction and fact, Prishtina and Tirana. The future, a glitch.

The dog's drama tells the story of a dog on the run through the Belgian countryside, attached to an endless leash.

Fiz Amizade com um Fantasma

a life size stop motion child puppet races through memories and daydreams reflecting on the cyclical nature of life.

Emerging from the sea onto land an axolotl swims through complex terrain parallel to a man searching for an encounter with God.

The best short film about Jesus during the pandemic.

In this abstract analogy between life and an apple, one will have to face problems and suffer wounds to push boundaries. Maybe something new will grow out of it.

A group of partygoers consider what awaits them after death.

Upon his arrival in Paris, filmmaker Tomas Cali immerses himself in learning French, as well as the language of sketching. In an art studio, he meets transgender life model Linda Demorrir, who helps him to connect with himself and his new city in a profoundly different way.

In a world of her own, a young sound engineer spends all her time recording the sounds of the city. That is, until she encounters a man and succeeds in picking up the frequencies of his inner melody.

The leaders, the wise men, the leopard, the deer, the owl and the rat all look up in the sky in fear as a strange object flies through the sky.

In a gargantuan city lurking in the sky, powerful immortals who have become jaded with eternal life. Most of their time is spent monotonously constructing bizarre and unusual objects while waiting for the ultimate gift to arrive.

A family pod of three dolphins navigates decay as an inevitable register while also having a secret ascension to a higher ground.

arc of the natural world’s evolution from the primeval environment to the Anthropocene and back again premiered in program Death is Green at the Whitney Museum of American Art part of Dreamlands: Immersive Cinema and Art 1905-2016 organized by Chrissie Iles

LAND is a fluid series of formal land animation experiments based upon the imprint of landscapes in various locations and intuitive interpretations of those movements. Shot in New York, Thimble Islands Bear Island, Connecticut, Armstrong Redwoods, Sonoma County, California, Hastings, England. note* (part of the EYE Filmmuseum Permanent Collection)

Regeneration is a film about transformation. Starting in a dark place the character reaches toward the divine and breaks into the world of the spirit. Through this act representing an outstretched hand we see that the Holy Spirit represented as a dove is pursuing us even more urgently. The meeting of the two represents the freedom in flight found in trusting fully in the Holy Spirit and is completed with the return to the heart now fully regenerated.

The experimental animated film Song of the Flies (El Canto de las Moscas), translates the desolation caused by the violence of the Colombian armed conflict through the poetic voice of Maria Mercedes Carranza (1945–2003) and the audiovisual dialogue between 9 Colombian women. In 24 places, as a transit over the course of a day (Morning, Day, Night) a map of terror is drawn where massacres took place in Colombia in the 1990s. Archival images, the artists’ personal memories and the use of loops and analogue materials bring to life the landscapes ravaged by violence and build a polyphony of memory and mourning, a universal song of pain.