Black, White & Blue

Preston Thornton, an Army veteran, was experiencing paranoid delusions at his home. After calling the Veteran's Crisis line, deputies arrived to transport Preston to a hospital, and tragedy followed.

When the award-winning filmmaker of "An Ordinary Hero", Loki Mulholland, dives into the 400 year history of institutional racism in America he is confronted with the shocking reality that his family helped start it all from the very beginning.

Anthony Baez died during a football game when an officer put him in an illegal chokehold. Amadou Diallo was unarmed when he was shot at 41 times by police in his doorway. Gary (Gidone) Busch was pepper-sprayed and shot to death while holding a small hammer, though witnesses said he posed no threat. Their stories are tragic and the courage shown by the mothers heroic. As one witness says, "As long a there's a mother, we'll continue to fight."

La couleur du temps

In this deeply personal film, director Roger Ross Williams sets out on a journey to understand the complex forces of racism and greed currently at work in America's prison system.

“Meet Me by the Magnolia Tree” is a student documentary on the history of Richmond’s gay community and the role cruising for sex played in places like Byrd Park, the Block, and Battle Abbey.

A historical analysis of how groups such as the Nazi’s may use language, symbols, and religious connotation in order to come to power. It raises questions that deserve in depth analysis and consideration. Questions include: Where do legends expand our thinking and where do they bury it? When does spiritual pursuit suddenly turn into fanaticism and violence? Last, have we as a society learned from our past, and if so have forgotten the lessons of the 20th Century? Are we now embarking on a new level only to learn the same old lessons about humanity again? In addressing these questions we are taken into the back drop of the history of Germany beginning in the late 1800’s through the late 20th Century at the eve of the 21st. “A society that does not take archetypes, myths, and symbols seriously will possibly be jumped by them from behind.”

In a rapidly changing America where mass inequality and dwindling opportunity have devastated the black working class, three Detroit men must fight to build something lasting for themselves and future generations.

Under pressure from activist groups, art is increasingly being cancelled for ideological reasons, because of 'cultural appropriation' or because of the desire for a 'safe space'. The colour and gender of the artist seem to be all-determining in this. How do you relate to this as an artist? Is this a disturbing development or a sign of emancipation? And what does it mean for freedom of expression? Director Karin Junger investigates this with Anne-Fay Kops, Ted van Lieshout, Angel-Rose Oedit Doebé, Raymi Sambo, Boris van Berkum, Marian Markelo, Stephan Sanders and Thomas Chatterton Williams.

Directed by Oscar-nominated and NAACP Image Award winner David Massey, this dynamic documentary explores why so many unarmed black people have been targeted and killed by police officers. The filmmakers talk to legal experts, activists and law enforcement officials who discuss the inequality within our criminal justice system and who confront the crucial question of how to prevent more violence in this country, including Black on Black deaths. As the Black Lives Matter movement - and citizens nationwide - question the accountability of our justice system in cases of police violence, When Justice Isn't Just is an essential addition to the ongoing discussion about reform and renewal.

The Blackprint explores what it means to be Black and British. will.i.am traveled the UK to meet civil rights heroes, schoolchildren and technology trailblazers while also exploring issues they face because of their race. A basic look at racial discrimination experienced by young Black men and women but also, where it began with the slave trade in the 1800s.

A look at the end of the footballing television career of Ron Atkinson

INFINITY minus Infinity draws on several inspirations: the modernist verse of the Jamaican poet Una Marson, the alluvial invocations of the Martinican philosopher and poet Édouard Glissant, the black feminist poetics of the Brazilian philosopher Denise Ferreira da Silva, and the racial formation of geology theorised by British geographer Kathryn Yusoff amongst others in order to envision a black feminist cosmos animated by the principles of mathematical nihilism.

DARK GIRLS 2 is a follow up to the highly-touted DARK GIRLS, and explores the prejudices darker-skinned women face around the world.

Beneath the fury of Ferguson unrest, an affable professor dedicates his life to actionable, peaceful change while attempting the grueling triple crown of ultra-marathon swimming.

James Earl Jones narrates this examination of the historical relationship between American Indians and African-Americans, who often merged their cultures to work and live together while mainstream white society shunned them. Through illuminating anecdotes and interviews, descendants of fused black and Indian families discuss the complications of their mixed heritage and how their culture was largely erased on official documents.

Award-winning filmmaker Byron Hurt explores what it means to be a Black man in America. Traveling to more than fifteen cities and towns across the country, Hurt gathers reflections on Black masculinity from men and women of a variety of socioeconomic backgrounds and a host of leading scholars and cultural critics. What results is an engaging and honest dialogue about race, gender, and identity in America. Features bell hooks, Michael Eric Dyson, John Henrick Clarke, Kevin Powell, Andrew Young, Dr. Alvin Poussaint, MC Hammer, Jackson Katz, and many others.

You Have Struck A Rock! commemorates the special contribution of South African women to the success of the anti-apartheid struggle. It recovers the remarkable "women's campaigns" of the 1950s against the hated pass system. This massive, non-violent civil disobedience movement was only finally crushed by the 1960 Sharpeville Massacre and the banning of anti-apartheid organizations. Lilian Ngoyi, Helen Joseph, Dora Tamana and other leaders recall this struggle and their imprisonment and banning. Yet they remain undaunted, demonstrating the South African proverb: "When you have touched a woman, you have struck a rock."

The film recounts Carlo Giuliani’s day of July 20 and, parallel to it, the July 20 of the march of the ‘disobedients’, or the ‘white overalls’, among whose ranks Carlo died. An individual’s story is told in all its absolute concreteness, the friends he meets, the snack bar he goes to for a bite, the roll of scotch tape he picks up on the street; whereas a multitude’s story is told in all its epic tragedy, the night under the rain, the colossal preparation against the march, the advance behind shields, the attack of which the multitude was victim, the defense that gets organized.

A scream amid so many silences, an attempt to rescue the human's gaze upon himself.