Tiag

Photo poetry of Bunchanawingʉmʉ Jesús Camilo Niño Izquierdo' piece of lost feelings in the Arhuaco Indigenous Reservation, northern Colombia.

The Road Forward is an electrifying musical documentary that connects a pivotal moment in Canada’s civil rights history—the beginnings of Indian Nationalism in the 1930s—with the powerful momentum of First Nations activism today. Interviews and musical sequences describe how a tiny movement, the Native Brotherhood and Sisterhood, grew to become a successful voice for change across the country. Visually stunning, The Road Forward seamlessly connects past and present through superbly produced story-songs with soaring vocals, blues, rock, and traditional beats.

Cuviví is the Ecuadorean indigenous name for the upland sandpiper, a wading bird that has special significance for the communities living around the Ozogoche lakes in the middle of the Andes. Each year, these birds migrate south from North America. Around September they pass the Ozogoche lakes, where large numbers then “commit suicide,” plunging from great heights into the ice-cold water. A girl lives near the lake. Her uncle lives in the US, and she might be heading there herself. In the meantime, she awaits the arrival of the cuvivís, few of which have appeared in recent years. The lakes are drying up.

Manifesto of the Pataxó tribe, with the testimony of the chief José Guajajara, in front of the Monument to Estácio de Sá, where the Tamoios massacre took place in 1567, on the coincident day that celebrates the foundation of the city of Rio de Janeiro, 20 January.

Exploration of the way of life of the Q’eros Indians of Peru, who have lived in the Andes for more than 3,000 years.

The film tells the story of four Cree siblings, Connie, Marianne, Gwen, and Anthony, separated as babies through Canada’s notorious Sixties Scoop, which saw indigenous children taken from their homes to be adopted by white families. Excited and curious, but also scared and afraid of rejection, they agree to meet for the first time over a holiday weekend in the mountains of Banff.

Thirty years ago, a rubber company enslaved a group of Asháninka people, manipulating them into tapping the trees in the lush borderland between Peru and Brazil. The company was expelled by a coalition of Indigenous and non-Indigenous people, led by one mixed race couple. Now the adult children of this marriage combat political corruption and ongoing environmental disaster.

With its moving personal approach, careful artistic direction, and inspired sound design, this skillfully symbolic work embodies the importance of transmission.

When the anito icon was gone missing, Og, a tribesman from the Ogag tribe, was assigned to retrieve it. When he traveled to the Capital Region, he falls in love with a woman whose family hired him as a housekeeper.

A botanical expedition in Ecuador's Amazon becomes a medium for an indigenous Huaorani community to remember the genocidal colonization it suffered in the 1960s. Meanwhile, a group of ecologists from the capital tries to stop oil exploitation in the last remaining forests where the isolated Huaoranis still live, who to this day refuse to come into contact with civilization.

What does it mean to be of a place? Of the sun and soil and bees, of the water and black ants and cowpeas. To be so entangled with an ecosystem, generation after generation, that nature and culture become one? Clans living in Tharaka, Kenya, have been subjected to colonialism and all that follows. Their indigeneity unthreaded by a powerful few pulling the world apart for profit. But Atharaka – ‘those of Tharaka’ – are remembering the power in their identity. Beside the Kithino River, they are reviving customs and enabling nature to regenerate: rethreading a complex biocultural system that brings balance, autonomy, and joy.

Documentary about how indigenous culture and the achievements of modern tourism intertwine.

A short film detailing the journey and prospects of returning the skeletons of indigenous peoples' ancestors back to their homeland.

Pigmeos: la agonía del dios verde

Still working through the grief of losing her only child, Thelma, a young Blackfeet woman in Browning, MT, is taken advantage of by friends who use her as de facto child care while they continue to live the freewheeling lifestyles they had before becoming parents.

The Guarani people have searched for a land without shadows for a hundred years. The beauty in their home is precious and undeniable, but climate change threatens to ruin this special place.

A New Yorker journeys to the jungle in the Darien Gap of Panama to reconnect with an indigenous tribe he met and photographed 20 years ago. Their reunion highlights the profound power of photos and the human connection that transcends cultural barriers.

Dutch coach Thomas Rongen attempts the nearly impossible task of turning the American Samoa soccer team from perennial losers into winners.

When internationally renowned Haida carver Robert Davidson was only 22 years old, he carved the first new totem pole on British Columbia’s Haida Gwaii in almost a century. On the 50th anniversary of the pole’s raising, Haida filmmaker Christopher Auchter steps easily through history to revisit that day in August 1969, when the entire village of Old Massett gathered to celebrate the event that would signal the rebirth of the Haida spirit.

The film follows Postcommodity, an interdisciplinary arts collective comprised of Raven Chacon, Cristóbal Martinez and Kade L. Twist, who put land art in a tribal context. The group bring together a community to construct the Repellent Fence, a two-mile long ephemeral monument “stitching” together the US and Mexico.