My Other Name Is Luiza

'Atlal (Remnants)' is a fictional documentary that follows Bassam, a Palestinian man in his fifties, on a journey between the past and present. An abandoned school, the remains of a beach club, and a dusty cinema hold Bassam's cherished memories from his life in Qatar. Through personal archives and interviews with Bassam and his wife, Laila, we get a deeper look into their stories—slowly revealing the dismaying thoughts behind Bassam's nostalgia.

During the summer semester at a New York City arts school, boundaries begin to blur between an adjunct professor and the students in her Personal Documentary filmmaking class.

Agatha Christie contre Hercule Poirot : Qui a tué Roger Ackroyd ?

Is there an audience for Latin American movies? These are some of the questions posed by an Ecuadorian filmmaker whose latest movie was a commercial flop. He embarks on a query to find answers to his questions and relief for his despair. His research leads him to a giant contraband market in the port city of Guayaquil, where pirated movies from all over the world are sold for one dollar each. Here, he discovers a number of Ecuadorian low budget movies produced by amateurs, with titles he had never heard of before: from action packed productions to evangelical melodramas.

"A country without artists is a dead country... I hope we are alive..." It is in this film by Fawzi Sahraoui produced by the RTA in 1985 and filmed a few months before the painter M'hamed Issiakhem 'turns off this sentence is spoken. A very interesting docu-fiction in which Issiakhem delivers himself with finesse, passion and generosity.

Departing from peripheral details of some paintings of the Bilbao Fine Arts Museum, a female narrator unravels several stories related to the economic, social and psychological conditions of past and current artists.

Dreaming in Black and White is a portrait of Singapore artist Tang Ling Nah. The film takes us on a journey into Ling Nah’s inner world—her memories, dreams and angels, and her fascination with black-and-white media, drawing charcoal and the city’s transitional spaces. The film explores her practice over the last 15 years and hints at the possible new directions in her art career. It highlights Ling Nah’s courage to pursue her dream to be an artist, the choices and sacrifices she has made, as well as the challenges of being a woman artist in Singapore and her regrets in this journey. The film’s dream-like form mixes documentary, fiction and animation. It blurs the boundaries between us, Ling Nah’s art and her deepest being. Ultimately, it celebrates our dreams—and reassures us that dreams do come true if persevered.

A sublime documentary on childhood and bereavement that’s one of several shorts the filmmaker completed while working in Algeria for Georges Derocles’s company Les Studios Africa, for whom he would shortly make his breakthrough feature The Olive Trees of Justice.

A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.

A young shepherd explores his relationship with his pack and questions their future

In this documentary, we are invited to the mind of the elderly Hiam, a Palestinian woman from Nazareth. The mundanity of everyday life gives us a few sentimental glimpses of Hiam's past and present through the eyes of the filmmaker Juna Suleiman, her granddaughter.

The Hugo's Brain is a French documentary-drama about autism. The documentary crosses authentic autistic stories with a fiction story about the life of an autistic (Hugo), from childhood to adulthood, portraying his difficulties and his handicap.

In 2020, unable to travel, Ico Costa left a small camera with Ailucha and Domy, two young Mozambicans from the city of Inhambane, and asked them to film their daily lives. The result: working, playing, walking, hanging around, smoking, listening to music, singing, dancing, feeling desire – being teenagers.

On a Summer afternoon, Pedro packs the last few boxes before having to leave his apartment in New York. 12 years ago, Pedro and Ana had arrived in America from Portugal, in search of a dream. Now, Ana's voice describes, from the other side of the ocean, that same country to which they are returning. As the rooms are emptied, Pedro bids farewell to one life, welcoming another. But the dream that brought him will remain forever in the city that never sleeps, awaiting his return.

This documentary follows the feats of high-altitude climber Jerzy Kukuczka and his ascent to higher heights before his death in 1989.

While struggling to understand his place as a second generation Jordanian–born Palestinian, Abood's uncle returns from Canada with stories of his youth as a refugee following the Naksa. Soon after, and with his uncle's stories fresh in his mind, Abood finds himself lost in the streets of Amman, where he meets a young stranger who offers to guide him home as she shares her thoughts on the country, the people, and her identity as a Palestinian living in Jordan.​​​​​​​

A revealing and devastating portrait of a trio of aspiring real-life Viennese models. Vivian will stop at nothing to be a magazine cover girl. Lisa fills her time with routine plastic surgery and cocaine binges, while innocent Tanja focuses on the mystical through tarot cards, yoga, and raw animal energy.

A metacinematic reflection on the nature of representation and the ongoing drug war in Mexico, Nicolás Pereda’s Flora revisits locations and scenes from the mainstream 2010 narco-comedy El Infierno, exploring the paradoxes of depicting narco-trafficking on film—its tendency both to romanticize and to obscure. To screen is both to project and to conceal.

Óscar Peyrou is a veteran Spanish film critic who writes his reviews according to a very peculiar method: in his opinion, it is not really necessary to watch the films since it is possible to judge them simply by looking at their promotional poster.

"All Five Millions of Us" is a hybrid of documentary and fiction feature film about father absence, based on data released by the National Council of Justice: there are 5.5 million children without paternal recognition in Brazil.