Decoys

Set in the year 2031, this mockumentary looks back at events that ostensibly happened during the first 30 years of the 21st century. The series follows a format that co-creator Armando Iannucci previously used in his satirical year-in-review programme '2004: The Stupid Version'.

This partially unscripted comedy brings viewers into the squad car as incompetent officers swing into action, answering 911 calls about everything from speeding violations and prostitution to staking out a drug den. Within each episode, viewers catch a "fly on the wall" glimpse of the cops' often politically incorrect opinions, ranging from their personal feelings to professional critiques of their colleagues.

In 1988, renegade filmmaker Robert Altman and Pulitzer Prize–winning Doonesbury cartoonist Garry Trudeau created a presidential candidate, ran him alongside the other hopefuls during the primary season, and presented their media campaign as a cross between a soap opera and TV news. The result was the groundbreaking Tanner ’88, a piercing satire of media-age American politics.

OBLOMOV

Mockumentary comedy series following the life of scottish police officers from different areas of the force in a fly on the wall style.

A Netflix comedy series written and directed by Catherine Tate set in a women's prison. Tate plays multiple characters as a documentary crew follows the inmates and staff of HMP Woldsley capturing the penal system at its brutal humorous best.

The many ins and outs of an elite Beverly Hills dating service... located in Tarzana.

Les Karineries

Jake Crewe is an American television news host who is forced, after beating up his station manager, to accept a job in Calgary, Alberta as the host of the lowest-rated morning news program in the city.

Kpop star Seungri, BIGBANG youngest member, tries to lead a team of blumbing staff at YG's Future Strategy Office in this mockumentary sitcom.

When disaster strikes the set of a first-time director, a behind-the-scenes film crew captures everything as mishaps, blackmail and sabotage ensue.

That Peter Kay Thing is a series of six spoof documentaries shown on Channel 4 in January 1999. Set in and around Bolton, these follows the lives of different characters and stars Peter Kay as the subject of each documentary. All of the episodes display Kay's penchant for nostalgic humour and unsympathetic lead characters. The series was narrated by Andrew Sachs. Many of the plot lines were based around actual events from Kay's life. At least six of the characters appear in the spin-off series Peter Kay's Phoenix Nights.

The Games was an Australian mockumentary television series about the 2000 Summer Olympics in Sydney. The series was originally broadcast on the ABC and had two seasons of 13 episodes each, the first in 1998 and the second in 2000. 'The Games' starred satirists John Clarke and Bryan Dawe along with Australian comedian Gina Riley and actor Nicholas Bell. It was written by John Clarke and Ross Stevenson. The series centred on the Sydney Organising Committee for the Olympic Games and satirised corruption and cronyism in the Olympic movement, bureaucratic ineptness in the New South Wales public service, and unethical behaviour within politics and the media. An unusual feature of the show was that the characters shared the same name as the actors who played them, to enhance the illusion of a documentary on the Sydney Games.

People Like Us was a British radio and TV comedy programme, a spoof on-location documentary written by John Morton, and starring Chris Langham as Roy Mallard, an inept interviewer. Originally a radio show for BBC Radio 4 in three series from 1995 to 1997, it was made into a television series for BBC Two that aired from September 1999 to June 2000.

MoCap, LLC presents a dark, hysterical, behind-the-scenes look at the inner workings of a low-rent motion capture studio willing to do just about anything to find work in the video game industry.

Zach hires a camera crew to film him throughout his daily life as a part of his quest to become an over-night celebrity - even though he possesses no real talent. From Zach's attempts to become a celebrity chef or a ring-tone recording artist to purposefully going missing, he'll try any avenue to get noticed and stop at nothing until he reaches fame.

By Ana Milán

L'Gros Show is a Canadian situation comedy/mockumentary television series which is broadcast on the Canadian French language music television station Musique Plus. The show stars Mike Ward as Chabot, a comedy character he had previously developed in 2000, and Martin Perizzolo as his friend Poudy. Chabot and Poudy are very much stuck in the 1980s, an obsession which is evidenced by their hairstyles and clothes. Both live in Poudy's mother's basement, where they spend their time playing air guitar and drinking. Part of the show is shot in black-and-white in a mock documentary style.

A review of a movie, or a restaurant, or a car—or whatever else that typically falls under a critic's domain—is all well and good, and can even be helpful at times. But how can one find out about myriad other experiences that are never tackled in reviews? Enter Forrest MacNeil, a critic who goes beyond overviews of life's more-common subjects—way beyond—to satisfy the curiosity of others: The adrenaline rush of stealing; the danger of drug addiction; the delight of sleeping with a celebrity. MacNeil tries anything suggested by viewers of his TV show, then presents a 1-to-5-star review. But his unwavering commitment to experiencing intense adventures means he must deal with the unintended consequences of such a goal.

Norbert Smith – a Life is a spoof TV documentary film charting the life and career of the fictitious British actor Sir Norbert Smith. It stars Harry Enfield in the title role. It was written by Harry Enfield and Geoffrey Perkins and directed by Geoff Posner. It was made by Hat Trick Productions for Channel 4 and was first broadcast on 3 November 1989. The film is presented as if it were an edition of the ITV arts programme The South Bank Show, and features Melvyn Bragg, the presenter of the real South Bank Show, playing himself as the interviewer visiting Sir Norbert at his home, and encouraging him to reminisce about his past career. The humour arises from the fact that although Sir Norbert is acclaimed as one of Britain’s “Knights of the Theatre”, in the mould of a Laurence Olivier or John Gielgud, actually none of his contemporaries has anything particularly good to say about him, and he appears to have had limited success in landing good film roles. Interviewed now in his old age, he is demented, and has confused memories about his past. The main point of the film, however, is the parodying of various 20th century film genres, through interspersed clips that feature Enfield as Sir Norbert in a variety of film roles.