Rainer Kohlberger’s abstract film was created entirely without a camera. Through digital algorithms, he precisely arranged a rhythm of light and shadow that pulsates off the screen into our physical space with blinding intensity. The presence of light is almost felt as we are sucked into the image to become its ghostly accomplice. As we leave the theatre, the optical vibrations continue to haunt us.
A burst of cheer and refreshment that it seems perfectly suited to a late July afternoon.
A deep dive into a snowstorm of structural chaos and a blizzard of exploding gestural animation.
Borrowing its title from a treatise by Aristotle, the latest film by Makino Takashi is an abstract work that finds its drive in the clash between light and darkness. Entirely composed of superimposed images of Tokyo’s landscape and water sites, the film takes its rhythm from the cycles of repetition that are the pillars of life and civilisation. As light emerges from the chaos, Jim O’Rourke’s ambient drone sets the tone for what is to come.
Death takes centre stage and faceless spectators applaud the inevitable in a series of murderous dreams.
A student finds out he is late for his train.
The blinking sun on the surface of the river becomes the ranting mouth of god and utters nova scotia into existence.
An unnamed man peacefully sips cocktails at a nightclub. Simultaneously, an identical, unnamed man paints a self-portrait in an abandoned cabin in the middle of a field.
Enigma is something of a more glamorous version of White Hole, with a wide variety of elaborate textures (often composed of iconographic and religious symbols) converging towards the centre of the screen.
An abstract computer-generated film. The image is of squares revolving in space around and through each other. Colors and forms multiply and divide against a beautiful symphonic score by George Kleinsinger.
Torn from their home by a hand in the sky, colorful entities seek freedom from a rigid binary in this short experimental animation.
A person living in Liberty City goes to work, have some food & gets back home.
In this animated short, simple geometric forms as thin and flat as playing cards constantly form and re-form to the sound of the koto, a 13-stringed Japanese instrument.
A horse goddess gives birth to three powerful brothers who set out into the Underworld to save three princesses from three evil dragons and reclaim their ancestors' lost kingdom.
A trip towards abstraction, as an hypothesis on how mountains might have been formed.
Forced to confront adulthood, a teenage girl detached from reality prepares to leave her childhood home.
Tony the Stamper is about to uncover a nasty secret when his mentor Stanley goes missing amid a hazardous narcotic gas that has flooded the city streets.
Deluge is a 2010 post-apocalyptic short film directed by Australian musician Lulu Collard.
A mathematical play on one repeated movement. It imparts a sense of possibilities: that something simple can produce complex and unexpected patterns. As with an atom, the variety of possibilities from a base movement is potentially infinite.
A visceral journey through dysphoria in the internet age.