An animated poem about a dog, her human, and the consequences of a nasty habit.
A short film directed by the Argentine filmmaker Ernesto Baca
A girl is faced with the feeling of losing someone she once loved and the need for this person to try to make amends for the mess that remains after severing a bond.
A police officer has a fever dream after having too much sugar.
Inside a block of flats, a young woman decides to act about something concerning her for a long time.
A corrupted computer system explains its reasoning for taking over control of the world.
Incapable of falling asleep, Mamadou starts to walk endlessly to tire himself and be able to have a final dream of where he was born.
In EIN TRAUM DER LIEBENDEN [A DREAM OF LOVERS], Monk meanders through a maze of Minoan bull-leaping, satyrs and revelatory rainbows.
A nuclear family sits in front of the television. The phone rings.
The Internal Void of a Damaged Mind
The film explores girlhood, the positives, the negatives and how that binds us together as women. A feminist film which will give an insight of how precious it is to be a woman and how we build safe environments within our female friendships which allow us to explore our femininity.
The film follows a girl born during the Iranian 1979 revolution, growing up amidst war and global events, leading to her breakdown and subsequent healing through self-care.
Hoping to find a sense of connection to her late mother, Gorgeous takes a trip with her friends to visit her aunt's ancestral house in the countryside. The girls soon discover that there is more to the old house than meets the eye.
A Propos d'Enedice
Experimental animation that embraces nature and explores the disconnect that loneliness can bring, not just from others, but also from yourself.
Experimental short film that reflects through the voice of the protagonist, poetically, about a fateful intimate and personal event.
In this 21st century, under the cloak of capitalism, governments, and other systems by which society is governed, this short film shows the true social reality of many people “on the street”.
By reversing the image of the burning and destruction of Chinese-Indonesian homes and cultures in the May 1998 tragedy, the filmmaker documents a funeral and cremation she conducted in response to the ethnic hatred that was still being discussed 20 years after the 1998 atrocities. Can memories be erased? What can we choose to forget? What continues to haunt us?
In the solitude of night, the veil of reality slips away to reveal our deepest fears.