8 Points

An experience of a camera swinging in different gestures facing the optical distortion of the Sun. The last appearance of the smudge.

The innovative and influential British filmmaker Derek Jarman was invited to direct the Pet Shop Boys' 1989 tour. This film is a series of iconoclastic images he created for the background projections. Stunning, specially shot sequences (featuring actors, the Pet Shop Boys, and friends of Jarman) contrast with documentary montages of nature, all skillfully edited to music tracks.

One million Dutchmen (out of 16 million) play soccer. Almost two million fish at least once a year. Fishing might be the most remarkable sport in the world. The documentary V.I.S.S.E.N (FISHING) dives into the world of Dutch fish and fishermen. Above and under water, on the IJ, at the coast, on the North Sea, in the cities, in the polder and on and by lakes and rivers. The film is a personal, filmic search for the “primordial fisher” in mankind and a portrait of the Netherlands by and on the water. V.I.S.S.E.N is also about what moves the fishermen. Who are the people that fish? Is fishing a hobby, a sport, an escape or a primordial instinct one cannot repress? What goes through your mind when you fish, when you catch something, or when you do not catch anything. And: what's it like for the fish, getting hooked?

Metamorfosi is a veritable dance ballet on the rocks, performed by a great climber, Patrick Berhault, set on the picturesque French Riviera and the Lingurian coast. Berhault's movements, in the sea, in caves, on rocks and precipices, are extremely difficult but are above all executed to give the movement an aesthetic value. Matemorfosi is the story of a cycle without words, told with gestures and music. Climber Monica Dalmasso also participates in the film.

Jo; or The Act of Riding a Bike is Zefier's third film.

Godard by Godard is an archival self-portrait of Jean-Luc Godard. It retraces the unique and unheard-of path, made up of sudden detours and dramatic returns, of a filmmaker who never looks back on his past, never makes the same film twice, and tirelessly pursues his research, in a truly inexhaustible diversity of inspiration. Through Godard’s words, his gaze and his work, the film tells the story of a life of cinema; that of a man who will always demand a lot of himself and his art, to the point of merging with it.

In a remote area of northern Spain, the wind has a name: Tramuntana. Tramuntana takes what it wants—clothes, trees, boats, and the people of the landscape who live with the endless threat of being carried away by its force. This film is a lyrical portrait of this furious wind, woven from the stories passed down by local villagers.

This free-form film is a self-portrait, which revisits more than 40 years of the author’s filmography and questions the major stations of his life, while capturing the political tremors of the time.

The Metaphor That Became a Room is a psychological drama exploring identity, communication, and the struggle for self-understanding. Divided into two parts, the film first delves into the protagonist’s frustration with the urge to persuade others, realizing that over-explaining only distorts meaning. A note from the past echoes a hard truth: “Someone’s unwillingness to understand will always outweigh your effort.” In A Symphony of Unfinished Selves, the narrative shifts inward, revealing the protagonist’s fractured identity. Trapped in a metaphorical room built from illusions and contradictions, he reflects on his dual persona—the social facade and the hidden, lost self. The film questions how we see ourselves versus how others see us and whether true self-recognition is possible. Through minimalist dialogue and layered symbolism, the film captures the silent tension between who we are, who we appear to be, and who we long to become.

Nearing the end of his university studies, a soon-to-be graduate reflects on his life up to this point, all through the lens of a Handycam his father used to use.

«I often have dreams. Careless dreams. When the sun was shining. It was calm and quiet. And a peaceful sky overhead.» An experimental musical film on the theme of love. Memories of the past excite the imagination and make you evaluate what is happening in the present in a new way.

"Labyrinth" is a groundbreaking multi-screen 45-minute presentation produced for Chamber III of the Labyrinth at Expo 67 in Montreal, using 35 mm and 70 mm film projected simultaneously on multiple screens. A film without commentary in which multiple images, sometimes complementary, sometimes contrasting, draw the viewer through the different stages of a labyrinth. The tone of the film moves from great joy to wrenching sorrow; from stark simplicity to ceremonial pomp. It is life as it is lived by the people of the world, each one, as the film suggests, in a personal labyrinth. Re-released in 1979 as "In the Labyrinth" by the National Film Board of Canada in a 21-minute single projection format.

As an unwavering natural force, Maj Wechselmann produces at least one film a year, which is guaranteed to show troublesome connections between established power structures and maladjustments for people further down the hierarchy of society; this time through the Swedish Television photographer Claes-Göran Bjernér's fascinating fate of life. Bjernér, who reported from 23 wars in 83 countries, had his lungs injured for life in the poison gas disaster in Bhopal, India in 1984. The film begins with him almost dying several times, but miraculously returning to life. In interviews and archival photos, he shares his unique first-hand experiences of war, violence and corruption. A glowing agitation to never stop demanding responsibility for the world's tragedies.

A story of life and death, featuring Lozinski's six-year-old son Tomaszek and elderly people spending time on the benches of a Warsaw park. Riding his scooter, Tomaszek asks the elderly very adult, though basic, questions, which they are happy to answer. The boy's ideas of future and life are confronted with those of men at the end of their lives.

A collection of restored prints from the Lumière Brothers.

A feature length documentary shot in Iceland on mediums and the relationship between humans and invisible beings such as elves ghosts, angels, water monsters and extra-terrestrials. The film is a journey to the frontiers of life questioning the scope of our existence. Are we alone in the universe? If life exists in other dimensions, it's worth knowing more.

Jean-Luc Godard is synonymous with cinema. With the release of Breathless in 1960, he established himself overnight as a cinematic rebel and symbol for the era's progressive and anti-war youth. Sixty-two years and 140 films later, Godard is among the most renowned artists of all time, taught in every film school yet still shrouded in mystery. One of the founders of the French New Wave, political agitator, revolutionary misanthrope, film theorist and critic, the list of his descriptors goes on and on. Godard Cinema offers an opportunity for film lovers to look back at his career and the subjects and themes that obsessed him, while paying tribute to the ineffable essence of the most revered French director of all time.

Could film gelatin, a 16mm film camera, 3 lenses and film developing chemistry experimentation act as messengers between the spirit and the physical world? a one day trip to the remote town of Panguipulli (Chile) seeks to explore possibilities and to also expand on the power of audio frequencies as a healing instrument. A manifestation of the hummingbird movement? A connection between mind, landscape, sound, latent image? A replication of Rukapillan volcano’s intermittent flows of magma through fissures on the earth’s surface? -Colibri- erupts 16mm single frame experiments & bursts smoke and sonic healing vibrations

Journey through the memories of the tour of India in July 2024.

"Fly too high and you will burn, go too low and you won't breathe." Shot in just seven consecutive days during the summer of 2023, it concludes the first volume of Bliss, a playlist of sounds and shapes. Daedalus delves into the perilous dance between striving for something and the suffocating pull of stagnancy. This chaotic structure bridges the warnings and epiphanic thoughts of 20th-century thinkers with the lives of today's dreamers.