A love story, portraying the dilemmas and inevitable consequences of ambition. It is a film about a woman's fight for independence, a woman trying to succeed with her own art in the extremely competitive world of dance.
Santiago Mitre co-directs his first movement following The Student together with choreographer Onofri Barbato. Although it would have been more accurate to say “his first film-story-adventure-movie-great movie following The Student”, the word movement fits perfectly in Los posibles, the most overwhelmingly kinetic work Argentine cinema has delivered in many, many years. The film deals with the adaptation of a dance show directed by Onofri together with a group of teenagers who came to Casa La Salle, a center of social integration located in González Catán, trying to find some refuge from hardship. Already entitled Los posibles, the piece opened in the La Plata Tacec and was later staged in the AB Hall of the San Martín Cultural Center. Now, it dazzles audiences out of a film screen, with extraordinary muscles and a huge heart: Los posibles is a rhapsody of roughen bodies and torn emotions. Precise and exciting, it’s our own delayed, necessary, and incandescent West Side Story.
The original classic on video, which introduces Gabrielle Roth's revolutionary system of moving meditation. Teaches how five core rhythms can teach, catalyze, and heal our entire being.
Pravahi is a film that documents and cinematically interperts the dance of Alarmel Valli, one of India’s foremost Bharatanatyam dancer.
This Christmas, step into the magical world of The Nutcracker. For the first time in many years, the Royal Ballet has given full access behind the scenes for a landmark 90-minute documentary as they prepare for this season's yuletide production.
This short documentary describes the process and inspiration behind the creation and performance of a new Cuban ballet based on Afro-Cuban traditions and beliefs.
Eric Kupers of Dandelion Dancetheater teaches a naturist dance workshop.
A profile on Moses Pendleton, the founder of the Pilobolus Dance Theater and MOMIX.
A small skit-documentary hybrid, written, shot and edited all in the space of a couple of hours on the 25th of October 2021, by exclusively myself, for a university project.
Documentary without audio produced by deaf people. Music is depicted visually with the complete absence of musical instruments or voices. Directed by Makihara Eri and choreographer Dakei. With a diverse lineup including ordinary deaf people with zero acting experience and a choreographer who performs in Japan and abroad, this film pulls out all the tops to give visual expression to music through the physical body. An aging man uses multiple sign language poems to convey the four seasons, and a girl expresses the wind amidst the rustling trees.
Four young girls prepare for a special Daddy Daughter Dance with their incarcerated fathers, as part of a unique fatherhood program in a Washington, D.C., jail.
Chronicles the rise of Collab Crib, one of the first mainstream Black creator mansion, exclusively documenting their whirlwind drive to achieve social media stardom in 90 days.
The dark sensibilities and cultural resonances of Butoh, the radical Japanese dance movement, are explored in this multilayered work. Profoundly rooted in both traditional and contemporary Japanese culture, Butoh arose in a spirit of revolt in the early 1960s. Characterized by frank sexuality and bodily distortions, Butoh transforms traditional dance movements into new forms, stripping away the taboos of contemporary Japanese culture to reveal a secret world of darkness and irrationality.
The lives of Jaipong dancers who persistently uphold tradition amidst economic pressures and changing times. Through their moving bodies and distinctive voices in traditional performing arts, these women dance not only for the stage but also to survive. Their voices, whether vocal expressions, soft utterances, or sinden singing, serve as the living spirit and "voice" that sustain and preserve their cultural heritage. An intimate portrait of resilience, steadfastness, and the voice in traditional arts that is gradually being marginalized.
Jaw-dropping acrobatics for royal visitors.
Award Winning Documentary on the Life of Artist Robert Shields. “Robert Shields: My Life as a Robot” is a documentary that will make you believe that your actions can have an inspirational effect on so many lives - and you may not even be aware of it. An icon of the 70’s, Robert began his career doing his robot in front of the Hollywood Wax Museum and a few short years later had his own top rated Prime Time CBS Variety show with his beautiful wife Lorene called: “The Shields & Yarnell Show”. And along the way, unbeknownst to him, he created ripples that define an art form to this day. This film may not save the environment, it won’t take on a corrupt corporation nor will it make you write your congress person. What it will do is make you laugh, bring you wonder and joy and introduce you to a man who makes you believe that anything is possible… including (and don’t try this at home!) Street Skiing in downtown San Francisco!
After celebrated careers , legendary dancers Marge Champion and Donald Saddler became friends while performing together in the Broadway Show Follies (2001) . When the show closed, they decided to rent a private studio together where they have been choreographing and rehearsing original dances ever since. They are both 90 years old. KEEP DANCING seamlessly blends 9 decades of archival film and photographs with present day footage to tell a story through dance of the passing of time and the process of aging.
Biocénose
Bon Odori dives into the world of karaoke and the ways this Japanese tradition has taken root and evolved in Brazil. Through an event that brings together young Japanese-Brazilian descendants and participants with no prior connection to Japanese culture, the documentary reveals encounters, memories, and exchanges across generations. Amid touching stories, striking voices, and charismatic personalities, the film crafts a sensitive portrait of belonging, respect, and cultural preservation—celebrating the power of the connections that emerge when differences are embraced.
At age 20, Guillaume Diop risked his career to sign a manifesto against racism at the Paris Opera. But just three years later, he was named a Danseur Étoile — a star dancer — in the Paris Opera Ballet, one of the world’s most prestigious companies. As the first Black Danseur Étoile, Guillaume is thrust into becoming a role model and a national symbol for diversity. But, as YOUNG, BLACK AND GIFTED shows us, in intimate conversations with family and friends, he sometimes questions whether he is ready for this responsibility.