part i. The BUILDING.

Working completely outside the mainstream, the wildly prolific, visionary Stan Brakhage made more than 350 films over a half century. Challenging all taboos in his exploration of “birth, sex, death, and the search for God,” he has turned his camera on explicit lovemaking, childbirth, even autopsy. Many of his most famous works pursue the nature of vision itself and transcend the act of filming. Some, including the legendary Mothlight, were made without using a camera at all, as he pioneered the art of making images directly on film, by drawing, painting, and scratching.

10/26

O Que Nos Separa

Bolivian artist and filmmaker Luciana Decker Orozco delves into ancient and essential acts: eating, masticating and digesting. Her suggestive celluloid slips through mouths, intestines and entrails, as well as experiments in the catacombs of the human being and the Earth. Inspired by the avant-gardist and indigenist Peruvian writer Gamaliel Chumata, the surface and the underground, the real and the extraordinary, mysteriously merge together.

The short film follows Endika, a director who, in the midst of a clash with his reality, transforms a documentary about paternal absence into a personal quest for reconciliation with his own father.

An Editor recounts the diaries of a failed film production as they attempt to construct a new narrative from the remaining footage.

notice sur la métamorphose

Three basketball players step onto the court, each with a rhythm of their own. As their movements are studied and reimagined, their game is then recontextualized into jazz, revealing the artistry within sport and the music hidden in motion.

notice sur la métamorphose

In 7 episodes, a subject traverses through various phases of existence. He fully explores different facets of the human condition— a calm birth, a stifled growth, an outrage against injustice, a cumulation of scars, and the return to innocence.

Atlantic Poems - La Force

Graduation is approaching, marking the close of a chapter. I took my camera to Green Island, recording video letters day by day. But the camera became unruly, backup batteries went missing, and the trip began to go downhill. Typhoons arrived, and the video letters ceased... Finally, facing the sea beneath the sun, my camera non-responsive, I took a Dramamine, then boated back home.

This is not just a “folkumentary”, but an invitation to reflect on the future of humanity on a planet where tradition and technology coexist, and where the unknown reminds us that there are still unanswered questions.

A silent city symphony, projected from gorgeous black and white 16mm film. Materia vibrante lets the resonating frequencies of the urban environment create the inaudible hum that keeps the engines of society running, absent of the inhabitants running around like little ants toiling away.

An experimental odyssey through altered realities and reconstructed archives, where wandering voices of the past, present, and future unravel the elusive nature of time and memory.

Welcome to the funbubble! Over 2 hours of bizarre entertainment. Meet Shaye Saint John, former supermodel who now has no arms or legs and her special friend Kiki (a burnt doll). This series of shorts documents the daily collision of Shaye's glamorous fantasies with the realities of the physical limitations of her everyday life. These films with their juxtaposition of child-like imagery can be genuinely disturbing without a hint of blood, violence, nudity, cursing, or off-color subject matter of any sort. Watching Shaye do her schtick is akin to watching a segment of one of John Waters' early flicks. There is no question about the fine line between maddness and genius here -- it's madness, plain and simple, dizzying in its detachment to reality. Depending on your outlook, Shaye Saint John is either a true testimony to the power of art to rise above adversity or these films are hidden footage from a ward for the criminally insane!

Fireworks

A short study on our relationship with natural landscapes, the evolution of spaces and the memories they hold

When you sleep

Two layers of mesh overlap on the left. One rotates over the course of a day, its speed shifting gradually. On the right, a single mesh remains still. Digital interference is continuously superimposed onto the physical rotation. Where no rotation occurs, motion persists through digital interference alone. Under different conditions, the two images arrive at similar shimmering forms. The sound drifts with the sky. Tremolo. Pulse.