Puedo sentir mi cuerpx del otro lado de la línea

Strange experimental short film that follows four days of a writer.

Soon after getting married, couple Maya and Andi begin to experience eerie disturbances from unseen malevolent forces.

Margot enjoys life pleasures: eating, drinking, smoking, dressing in nice clothes. However, when her proposal for an advertising campaign is rejected, she becomes aware of how lonely she feels. Then Anna stands at her door. Anna was sent by the health insurance to make Margot lose weight. Every evening Anna prepares a healthy, light dinner for Margot. Margot is gradually overcomes her aversion towards Anna, who keeps her company during their dinners. A fine and fragile friendship develops. Yet, when Margot gains weight again, the insurance orders Anna to end the mission. At their last dinner, their friendship is put to the test and secrets are unveiled.

A spiral of dreams and ages unravel as two celestial characters awaken and transmutate into a mythological being.

After a series of murders begin to happen at Gregory Hills school, a group of friends decide to investigate the bodies, thus beginning a great search for the truth and discovering the real killer.

Defiant 18-year-old Adela León pushes her father and an unbending headmistress to the limit in this delicious comedy.

A festival of digestion on many scales, from planetary to microbial.

An exploration of the interconnected experiences of queerness and illness, this film navigates personal and collective journeys through medical spaces, sexual violence, and survival, displays the profound impact on body and identity.

min krop, men mit hoved

Akbari was diagnosed with breast cancer in 2007 and she lost her breasts due to the cancer. After she directed, wrote and acted 10+4 which showed her struggle with the cancer, the depiction of the artists body became central in her works. In the same year, Akbari photographed her own naked body for the photo project titled Devastation. Although it was pretty risky, put herself in danger and prohibited to exhibit Devastation in Iran due to the naked images of her own body, Akbari continued to depict her own body as a new medium and new material so that she provided a video secretly as well. In 2012, after Akbari left Iran due to the barred situation of filmmaking and arresting film makers, she uses the video that shoot secretly from her own body in 2007 and juxtaposed with new images and the song of Ahangaran, who was a singer for the war time between Iran and Iraq. As a result of her action and performance, the video project titled In my country, Men Do Have Breasts happened.

Women’s voices rise to deliver testimonies of victims of sexual violence. By reconstructing a story with these fragments of experience, a societal portrait is painted throughout the documentary. Like a mosaic, the pieces stick together to build a unique story that could belong to any human.

A lyrical film ode to the odehimin or heart berry. A two-spirit Anishnaabe person finds themself in a dark place with their body. They undertake a healing journey, stating aloud their intentions and reconnecting with the land and the water for strength. As they get more in touch with their body and the beings around them, we begin to see them heal.

A video work which reflects on the conflicting natures of gender, bodies, queerness, algorithms, glitches, and data.

Far from the dictates of current female beauty, MBMR focuses on these other bodies, those who take up space, those that stain, biters, those who devour, those who enjoy as they wish, those age and those who are self-transformed, those who are free and wild. Eight people will reveal the magic,cruel, sensuel, powerful relationship they have with their own bodies.The adventure of the film is multiple: the objective is to give voice and images to women whose body or sexuality is seen as non-standard, unseen or without speaking. The film will highlight possible resistance through an intimate portrait gallery, collective experimentations, tantra, exchange of fluids and knowledge, rituals… A strong political and feminist manifest about body politics, female sexuality and its representation, as well as about diversity and various forms of sexual desire.

Six extra-ordinary people from around the world reveal their bodies and share their secrets in a unique experiment in search of their inner selves.

Once 8 year old Simon gets shrunk down to a microscopic level by a talking teddy bear, he ventures into the body of his ailing grandfather in search of the source of his illness.

Adapted from a performance by the same name, fuses autobiographical material with information about how an alcoholic family perpetuates addictive behavior. Elements of Alcoholics Anonymous meetings, such as the “Hi, my name is...” introduction are used along with photo-montage and a disjointed narrative. In addition to being shown at venues such as the Museum of Modern Art and the New Museum, Trick Or Drink has been used regularly by hospitals and alcohol treatment centers throughout the United States.

Writing a letter to Paul B. Preciado, trans philosopher and filmmaker, as one would write to a friend. Undertake a healing process as a queer child growing up in a Spanish evangelical family. From Lausanne to New York, Lézio Schiffke-Rodriguez follows in the footsteps of revolutions that invite us to redefine our vision of binary bodies.

A surreal meditation on chronic illness and anxiety, Prion follows a character's struggle with self-acceptance as their fears manifest in the form of a sickly, white deer.

The film follows the journey of the body and belongings of a recently deceased lonely person.