An often humorous documentary about the building of the Öresund bridge, connecting Copenhagen in Denmark to Malmö in Sweden. We meet the people who work on production of the bridge, as well as opponents to the idea of such a bridge.
Recalls the day when Holocaust survivors took their first steps into freedom, unaware of their future. Every Face Has a Name puts a name on those nameless faces and lets them recount their feelings of that day, the 28th of April, 1945.
The film starts just when WWII is over. A German ship, m / s Homberg, arrived at Malmö Nyhamn on May 11, 1945. On board there were over 1300 former concentration camp prisoners to be taken care of. We then follow one of the Red Cross Sergeant who was in Germany and received prisoners from concentration camps for further transport by boat to Sweden. 10000 prisoners would be decontaminated and made ready for departure. This happened in Lübeck. He was later moved to Poland to transport medical equipment to Otwock outside Warsaw where Sweden would build a hospital. Through his amateur photos we get an insight into the difficult circumstances that prevailed.
In 1945 Irene, Ewa and Joe were among the nearly 30,000 survivors rescued from German concentration camps to the peaceful harbour town Malmö, Sweden. Here they started life again.
A dramatic, behind-the-scene-story about the building of Santiago Calatravas Turning Torso in Malmö. A 190 meter high, twisted residential building which was appointed "worlds best residential building project" at Mipim in Cannes, 2005.
Julia and Johanna, from the high-rise flats of Rosengård in Malmö, inseparable for as long as they remember. Curled up beside each other at night, carrying equal memories of abduction and abuse in their home country Azerbaijan. In Blood Sisters we follow their journey from twin sisters in symbiosis to young women trying to stand on their own feet.
Documentary about Margit Nielsen and her work at the Malmö chocolate factory.
A series of psychic readings of spaces, commissioned by the artist in an attempt at connecting with the past of domestic or exhibition spaces, despite the limitations of rational discourse. The video is not edited, respecting the actual duration of the performance. In this particular case, Frans Dupont is looking at the past but also at the future of Rooseum - Center for contemporary art in Malmoe, which was on the verge of being shut down while Blum was artist-in-residence.
A fairy tale about communism, social-democracy, and capitalism. (The sequel to Wandering Marxwards)
Daniel, a teenager from Stockholm, spends the summer in Malmö with his mother and her new husband. Daniel gets a job at McDonald's and falls in love with a girl.
In 1936 Sweden, a teenager drifts through life in his small town, hoping that a novel about the neighborhood he grew up and lives in will reverse the fortunes of his family.
The daily workins of Austria's Danube Hospital.
in complete world is a feature-length documentary made up of street interviews done throughout NYC. Mixing political questions (Are we responsible for the government we get?) with more broadly existential ones (Do you feel you have control over your life?), the film centers on the tension between individual and collective responsibility. The film can be seen as a user's manual for citizenship in the 21st century, as well as a glimpse into the opinions and self-perceptions of a diverse group of Americans. It is a testament to the people of NYC in this new millennium, who freely offer up thoughtful, provocative and at times tender revelations to a complete stranger, just because she asked.
In 2002, a woman from the Pakistani countryside named Mukhtar Mai made world headlines. After the rumour that her 12-year-old brother was having a relationship with a woman from another clan, Mukhtar was gang-raped by order of the village council. Instead of committing suicide, she spoke out and the six men were sentenced to death, although five of them were eventually acquitted. Against all the codes of her society, Mukhtar took her case to the Supreme Court. After the Rape doesn't comment on the outcome of her case. What the film does show is the environment that the assertive Muhktar managed to create in the wake of the incident.
Is there a possible common link between the migration patterns of Monarch Butterflies and Personality Disorders? Beyond Me takes a look at the mechanism in place that, through the process of reincarnation, retains traits and tendencies from one lifetime to the next. This film provides the missing link between Darwin's Theory of Evolution and the theory of Intelligent Design and offers a simple and practical solution to lifting mankind out of it's collective misery.
An Idea Film. A Bookumentary. A cinematic treatment of a worldview. A poet live in concert. A motion picture sermon. VH1 Storytellers meets Planet Earth. In this unusual but fascinating film sequence, best-selling author N.D. Wilson gives an emotional and intellectual tour of life in this world and the final chapter that is death. Everything before and after and in between is a series of miracles - some of which are encouraging, others disturbing and uncomfortable.
A look at some of the last stone carvers working in the United States, those completing the sculptures adorning the Washington National Cathedral. They discuss their craft and the cultural forces which helped define it, as well as the fading use of stone ornamentation in architecture and the history of stone carving, and they tour the cathedral to point out the history behind some of the work.
The Garden of Eden is a 1984 American short documentary film directed by Roger M. Sherman. The film posits that in the next 30 years, 20% of all forms of life will cease to exist. It argues that it can be for good business to save the environment: discoveries in the plant, animal, and microbiology worlds show that what you might think of as unimportant could be the cure to a major disease, save an entire species of plant, or ward off pests. The film was nominated for an Academy Award for Best Documentary Short.
Soviet documentary, historical and biographical film of 1983, directed by Irina Kalinina. In a 30-minute tape shows the selfless work of Anna Ivanovna Zelenova, the director of the Pavlovsky Palace Museum, who devoted her entire life to him, survived with him years of occupation and rebirth from the ashes.
A profile of individuals who knowingly risked their lives during the Holocaust to aid Jews.