New York City of Cities

Seemayer Studios presents a new documentary about the American Hotel in downtown Los Angeles and the Arts District that surrounds it. Since 1979, the American Hotel has been the beating heart of a rich community of artists who began moving into the deserted factory buildings between Alameda and the Los Angeles River.

In the early nineties, before the massive gentrification of many of New York's then slums, several young people from very disparate backgrounds left their broken homes and ventured onto the brutal streets of the city. United by their love of skateboarding, they formed a family and built a unique lifestyle that eventually inspired Kids, a groundbreaking and outrageous film directed by photographer Larry Clark and released in 1995.

Stockholm Syndrome chronicles the meteoric rise of contemporary trendsetter A$AP Rocky, capturing the exuberance of youth and urgency of hip-hop in equal parts, before taking a detour into darkness. With amazing access, the film reveals Rocky’s experience with the inequities of the Swedish judicial system and the dangers of stardom and scapegoating through a series of twists and turns, ultimately paralleling the need for prison reform in our own backyard. Directed by The Architects, the film blends archival footage with contemporary interviews, animation, and electrifying live concert footage to tell the astonishing story of how one of rap’s biggest superstars became embroiled in an international incident, leading to an unexpected political awakening.

The life and work of New York artist Jean-Michel Basquiat have been marked by a long quest for identity, by his Haitian and Puerto Rican family origins and by a founding trip to Africa. To portray this major painter of the 20th century, who died in 1988 at only 27 years old, is also to evoke the place of black American artists in the conservative and racist America of the Reagan years.

The film is a controversy on democracy. Is our society really democratic? Can everyone be part of it? Or is the act of being part in democracy dependent to the access on technology, progression or any resources of information, as philosophers like Paul Virilio or Jean Baudrillard already claimed?

Tony Silver and Henry Chalfant's PBS documentary tracks the rise and fall of subway graffiti in New York in the late 1970s and early 1980s.

A documentary about the confluence of Christianity and mixed martial arts, including ministries which train fighters. The film follows several pastors and popular fighters in their quest to reconcile their faith with a sport that many consider violent and barbaric. Faith is tried and questions are raised. Can you really love your neighbor as yourself and then punch him in the face?

When Sarah accidentally proposes to her girlfriend in Provincetown, the mixup turns their loving relationship into a minefield of marital exploration.

Reporter Clay Pigeon interviews New Yorkers in October, 2008.

An in-depth look at the legendary point guards of New York City who honed their craft and developed their legendary showmanship in the 1980s and ’90s. The documentary spotlights the ascent of Rafer Alston, Kenny Anderson, Mark Jackson, Stephon Marbury, God Shammgod, Kenny Smith, Rod Strickland and Dwayne “Pearl” Washington in the midst of a cultural renaissance.

Sur les Gratte-Ciel de New York

Follows the young people of Selma, Alabama's RATCo (Random Acts of Theatre Company) as they journey to New York City to share their story of hope, resilience, and overcoming.

Kristina, a self-named Hungarian female lion tamer, arrives in New York to become a dance choreographer. Kristina, now a middle-class NYC artist concerned about the environment, has a sailor lover named Raoul. The film, a collage work, an essay film, a fictional narrative and a documentary all rolled into one, is one of the most important independent American feminists films made during the 1970's.

Woman on Fire follows Brooke Guinan, the first openly transgender firefighter in New York City. A character-driven documentary, the film follows Brooke as she sets out to challenge perceptions of what it means to be transgender in America today.

Martin Scorsese’s electrifying concert documentary captures The Rolling Stones live at New York’s Beacon Theatre during their A Bigger Bang tour. Filmed over two nights in 2006 with an all-star team of cinematographers, the film combines dynamic performances with archival footage and rare glimpses behind the scenes, offering a vibrant portrait of the band’s enduring energy and legacy.

Chronicles the rise and fall of 1970s New York City nightclub Plato's Retreat.

Trailblazing double bassist Orin O'Brien never wanted the spotlight, but when Leonard Bernstein hired her in 1966 as the first female musician in the New York Philarmonic, it was inevitable that she would become the focus of much interest and fascination. Now 87 years old and recently retired, Orin looks back on her remarkable life and career, insisting that a fuss should not be made, much preferring to play a supporting role to the family, students, friends, and colleagues that surround her.

Director Drew Stone’s The New York Hardcore Chronicles Film is an incredible journey through the community and culture of the iconic New York hardcore scene. Not the typical history of a local music scene but so much more. Shot in an episodic format, the film contains over 60 interviews, never before seen footage, photos and a blazing soundtrack. With appearances by Roger Miret & Vinnie Stigma (Agnostic Front), Lou Koller, Craig Setari (Sick Of It All), Ray Cappo (Youth Of Today), Billy Graziadei (Biohazard), Billy Milano (S.O.D. / M.O.D.) and Mike Judge (Judge). The film addresses the community, culture, straight edge and DIY ethic of the hardcore scene in the greatest city in the world that is still vibrant, relevant and going strong to this day.

Bronx, New York, November 2019

Static was filmed from a helicopter circling around the Statue of Liberty in New York Harbour. It was shot shortly after the monument was fully re-opened following the September 11th attacks. Flying alongside the statue, the camera presents us with startling close-up views of its oxidised copper surface. The continual sense of movement is disorienting, undermining its sense of permanence and stability.