L'angle mort d'une hirondelle

News broadcast interlaced with footage of people doing bizarre, senseless acts.

Extended nature and landscape shots. Shot on 16mm film.

A quick view of three remarkable organic gardens: Le Tomple, Le jardin du Mas d’Abri in the department of Gard and Le jardin des Sambucs in the department of Hérault. The film goes over their general layout along pathways amongst the vegetation, ponds and people or animals that happen to be there at the time.

A man, alone and contemplative, sits in his room until a woman enters.

The story of the first cloned human being - told in her own words: At the age of thirty the world-famous composer Iris Sellin learns that she has an incurable illness. She - a person who wanted to live for ever - does however not give in. In order to preserve her art and also herself, beyond death, for all posterity, she has herself cloned. Her daughter Siri, whom, in this way, she turns into her virtual twin, learns as a child that she is the world's first cloned human being. In fact a blueprint: a blueprint of her mother. From that moment on nothing is as it was before...

An investigation about human intervention in nature, from the subjective point of view of the camera, the environment and its transformation are observed.

A chronicle of the lives of a couple and the gradual dissolution of their relationship.

This experimental film is a metaphysical journey through memories. It is a melancholic reflection on childhood and the fragility of personal sacred places. The concept: the main character is an object, not a subject, which the audience spends 24 hours with, exploring the possibility of a script without conventional elements.

This is a film about a list. The sacred method developed by mankind to organize it's thoughts. God gave us one to follow and we created many more after him. Infinite are the journeys to find the truth. This is one of them.

Shadow plays flicker, birds call, and colour leaks into grey walls. In Starlings, live action collides with puppetry and poetic visuals as a teen girl transforms loss into light, reviving the fractured bond with her father through the fragile power of art.

From the lower St. Lawrence, a picture of whale hunting that looks more like a round-up, with a corral, whale-boys and all. In 1534, when he stopped at the island he named l'Île-aux-Coudres, Jacques Cartier saw how the Indians captured the little white beluga whales by setting a fence of saplings into off-shore mud. In the film, the islanders show that the old method still works, thanks to the trusting 'sea-pigs,' the same old tide, and a little magic.

In this short documentary, a Musqueam elder rediscovers his Native language and traditions in the city of Vancouver, in the vicinity of which the Musqueam people have lived for thousands of years. Writing the Land captures the ever-changing nature of a modern city - the glass and steel towers cut against the sky, grass, trees and a sudden flash of birds in flight and the enduring power of language to shape perception and create memory.

In 1896, three survivors of a whaling ship-wreck in the Canadian Arctic are saved and adopted by an Eskimo tribe but frictions arise when the three start misbehaving.

The Fall

This movie marks the understanding of cinema as an extra-human effort and finds cinema beyond the human, somewhere on the territory of its non-existence.

Set beneath a surreal green sky on a distant, crumbling world, the film captures the last survivors of a dying civilization—women who perform a synchronized ritual dance to summon an ethereal extraterrestrial presence from another realm.

The desire to grow closer to yourself will lead you to disappear. The simple desire to get a closer look at yourself makes you see yourself disappear. The possibilities of recording are limited.

A philosophical contemplation of the author about finding and losing yourself and the other in yourself. The film traces the opposition of photography and cinema.

In this film, Edward Sheglanov wanted to present a person as an element of language, and see how a sign lives. The film came together spontaneously, influenced by charming stories about the jazz improvisation of Cassavetes’ films. The author associates this image with the beginning of the garrulous and fruitless 1990s.

Experimental short-film made by brazilian students about the trópicalia and cinema novo movement. The narrative revolves around the song Géleia Geral from the album Tropicália ou Panis Et Circensis and also around the political, artistical and social time from that period.