Trespassing or Close Encounters of the 3rd World

After starting a painting business right before the housing crash, a filmmaker drives over 35,000 miles to track down the people who saw it coming and look ahead to the consequences of a decade of secret bank bailouts and 0% interest.

Amanda’s perspective on her hometown changes drastically when she discovers that the simplicity and memories in Neves have shaped her true home.

Au bonheur des riches

Dandara: Enquanto Morar for um Privilégio, Ocupar é um Direito

In the summer of 2004, the Mayor of Lewiston, Maine announced a plan to develop a four-lane boulevard across downtown's low-income neighborhood. This project was called "The Heritage Initiative." Contrary to its name, this plan was going to eliminate the downtown's heritage by displacing 850 people from their homes as well as destroy playgrounds, vegetable gardens, and historic buildings. Moving residents out of the city and improving traffic flow was at the heart of this proposal... It was 1960's Urban Renewal all over again. As tragic as the circumstances were, the threat of a road destroying the neighborhood required residents to rise to the challenge of becoming *community organizers. This movie documents 5 years of development and community organizing in Lewiston. It's an exceptional story about the people of Lewiston, but it's also a universal story about the challenges faced by many urban neighborhoods across the United States.

La Meilleure Façon de tracer

Filmed in a squatter community of Labangon in Cebu, Philippines, Holding Our Ground is the inspiring story of a group of women who have organized collectively to pressure their government for land reform, to establish their own money-lending system and to create shelters for street kids. A story of grassroots organizing that can be a model in both hemispheres.

The availability of housing is a big topic today. It has the strongest impact on those who participate least in the public debate – low-income households, minorities or single women. The film follows a group of activists around Martin Freund, a representative and member of the Live Brno movement, as they try to persuade politicians in the second largest Czech city about their vision of affordable housing.

A VOZ DA ORLA: Tribunal Popular da Orla

A visual experiment on the different types of movement in a city.

Documentary about the history and development of Qiqihar city.

What happens when a world that relies on traffic and the logistics that allow it comes to a standstill? What happens when sickness and even death are taken from us?

If God came down to earth and try to earn a living in Bombay, most probably he would become successful as a voice over artiste, lending his voice to thousands of Hindi movies and even more documentaries and public service films in India.

In US society, people of East Asian heritage are often perceived through an obscuring lens of ethnic and cultural stereotypes. In STOLEN GROUND, six Asian-American men talk about their experience of the highly racialized United States, and consider how racism has affected their lives and those of their family members.

A humorous short documentary which features interviews with three zealous New York City roach-haters who demonstrate their own extermination techniques and recount - in hilarious detail - their own personal experiences with cockroaches. Includes an original musical composition lamenting the presence of this pesty insect in urban life

Exploration of the territory in a delirious time-space journey through the largest Megalopolis in America.

Nostra Torino Oscura

Un cafè a l'Hamsa

Beyond the sensationalized stories dominating the news, real people share their unfiltered experiences of life in San Francisco, a city far more complex and human than any headline can capture.

Istanbul: Chronopolis is an experimental documentary that explores the city as a living organism where the linear flow of time is disrupted and the past and future coexist. Structured around a thematic cycle of birth, speed, and decay, the film uses rhythmic visuals and archival footage to bridge temporal gaps. Through a fourteen-minute mathematical edit, it replaces linguistic narrative with the evocative language of time-lapse and slow-motion cinematography. The project invites the audience to transcend chronological time and experience Istanbul as an eternal moment—an entity existing solely within its own timeless cycle.