The Cabinet of Jan Švankmajer: Prague's Alchemist of Film

The ultimate Bobby Jones golf series reaches its climactic conclusion on board a speeding train to oblivion.

Christian is an average employee working in the less productive company of Canada: Imprim’ 2000. He met his new coworker, Stephen. The only problem is that Stephen is none other than a bear and that nobody except Christian seems to worry about.

Queen Poppy plans the first annual Trolls Kingdom Secret Holiday Gift Swap, but things don't go quite as expected.

Mound is a celebration of the moving painting, in which more than one hundred pallid puppets – clowns, spectres, gnomes, wraiths, and ghouls – writhe, sway, plod, and transform with awkward grace to the mournful musical accompaniment of It’s Raining Today(1969) by legendary singer-songwriter Scott Walker (also known as Noel Scott Engel).

Johann Lurf‘s film Endeavour slides between documentary, avant-garde film, and science-fiction. This highly singular combination of materials and techniques gives the viewer of Endeavour a feeling of flight, as the film continually evades the gravity of genres and definitive definitions. Lurf uses NASA footage from a day and a night launch of the space-shuttle that follows the booster rockets from take-off to splashdown.

This is a story about people whose invisible job is to clean up the world that is hidden from our society.

With her deadline fast approaching, Mimi the cat panics across the vast halls of a tech company on a mission to gain approval from her uncaring superiors.

In the short documentary GERD HANSEN, 55 Jochen Hick talks about an aging gay masseur and the times before AIDS. The film was premiered at the International Short Film Festival Oberhausen in 1987 and received the Prize of the German Film Critics.

"Marx was born in Queensland, Australia, and was a landscape painter and model there before moving to San Francisco. However, when she arrived, she found herself in the midst of fascinating non-objective painting and filmmaking activity. She was greatly influenced by the work of Harry Smith and Jordan Belson, and changed her own style to non-objective, receiving graphic inspiration from Jungian brain drawings, symbols in the occult sciences, and the design used by Eastern cultures, all of which being important elements in the San Francisco school mystical school of non-objective art." -Robert Pike, A Critical Study of the West Coast Experimental Film Movement. Preserved by the Academy Film Archive in 2000.

María, a girl from Colonia Dignidad, in Chile —a kind of sectarian community, tyrannically mastered by the ruthless Paul Schäfer, a German madman, religious fanatic and child predator, who would end up turning the place into a torture center at the service of the military dictatorship ruled by Augusto Pinochet—, is punished for having lost three pigs, so she decides to run away and take refuge in an abandoned house hidden in the forest.

Two women in a living room: smoking, playing cards, listening to the radio. As often in Dwoskin’s films, the use of masks, make-up and costumes allows the characters to playfully transform themselves. Shot in colour film, C-film exuberates swinging London energy. In the second part of the film, the women appear to be watching the rushes of the film on an editing table. ”We are making a movie” we hear them say. As Dwoskin points out, “C-film asks how much is acting acted”, an ongoing question in Dwoskin’s cinema. Produced by Alan Power, with Esther Anderson & Sally Geeson.

To mark the 30th anniversary of L'Étrange Festival, Gaumont is opening up its archives to offer the best of its most secret, bizarre and crazy images, digitized for the first time. A unique program featuring black magic, surrealistic happenings, world records, the evolution of feminism, wild bets, vanished places, forgotten inventions and other delights.

A look at the ruins of the ancient city of Angkor. The largest collection of sculptures the world has ever seen - an entire metropolis of palaces and temples recovered from the jungle.

In 1968, a convoy set off to transport a Calandria, the 70-ton core of a Canadian nuclear reactor, to Rajasthan in India. Even the largest semi-trailers could not keep up with this transport, which drove over specially reinforced roads and through city walls that had been demolished to make room.

Cloud Guy takes you through key locations created by the amazing artists at DreamWorks Animation.

After Kosovo's independence the first internationally recognized sports federation was the one of Table Tennis. Two local Ping-Pong enthusiasts see this as a great opportunity and start self-financing the training sessions for young players.

Short documentary about Twin Peaks: The Return.

Once upon a time. Old magazines gently dance in the wind. A super-8 camera crawls over a wooden table while an old carpet flows in and out. Suddenly, a mouse. Then, a whole civilization running towards its inevitable destiny. Plastic waste has reached the point where not even the most distant beaches are safe.

Petryk Pyatochkin goes to kindergarten and loves to play around. One day he counted elephants so that he could fall asleep with the other children during quiet time. And when he succeeded, Petryk got to Africa in an amazing kindergarten, where he had to take care of baby elephants, who did not miss the opportunity to have fun.

This 13-minute short subject, marketed as an educational film, records a slice of life in the Watts neighborhood of Los Angeles prior to the rebellions of 1965. Filmmakers Trevor Greenwood, Robert Dickson and Alan Gorg were UCLA film students when they crafted a documentary from the perspective of the unassuming-yet-articulate teenager Felicia Bragg, a high-school student of African-American and Hispanic descent. Felicia’s first-person narrative reflects her hopes and frustrations as she annotates footage of her family, school and neighborhood, creating a time capsule that’s both historically and culturally significant. Its provenance as an educational film continues today as university courses use "Felicia" to teach documentary filmmaking techniques and cite it as an example of how non-traditional sources, as well as mainstream television news, reflect and influence public opinion.