Carnaval

The Story of an Encounter is a documentary that captures the unexpected encounter between México and Cirque du Soleil creators in the mist of the creation of LUZIA, Cirque du Soleil next big top show. It is a cultural and intimate story of the meeting of creative minds seen through personal interactions and relationship building of the show creators. Filmed in Mexico City, Tijuana, Oaxaca and Montréal, this series features: Daniele Finzi Pasca (Co-author and Director of LUZIA), Patricia Ruel (Direction of Creation), Simon Carpentier (Composer), Eugenio Caballero (Set and Props Designer) as well as Majo Cornejo and Rodrigo de la Mora (Musicians).

Drawing upon a vast and richly visual archive and featuring a host of performers, historians and aficionados, this four-hour mini-series follows the rise and fall of the gigantic, traveling tented railroad circus and brings to life an era when Circus Day would shut down a town and its stars were among the most famous people in the country.

An Austrian director followed five successful African music and dance artists with his camera and followed their lives for a year. The artists, from villages in Ghana, Gambia and Congo, were the subjects of Africa! Africa! touring across Europe, but they have unbreakable roots to their homeland and their families. Schmiderer lovingly portrays his heroes, who tell their stories about themselves, their art and what it means to them to be African with captivating honesty. The interviews are interwoven with dance scenes and colourful vignettes set to authentic music.

Jesus 'Chuy' Aceves and a dozen living members of his extended family suffer from the very rare condition of congenital hypertrichosis, meaning they were born with excessive hair on their faces and bodies. Due to their appearance, they suffer from discrimination in all areas of their lives: the children are made fun of at school and abandoned by their 'non-hairy' parents, and the adults cannot find work unless they choose to exhibit themselves as freaks in circuses. This moving and visually arresting documentary is a portrait of Chuy and his family members. It examines their day-to-day lives and their struggle to find love, acceptance and employment.

Sara Greene is a 20-year circus industry veteran with a big dream—to start her own tented circus. As the summer moves along on Weirs Beach, Sara faces serious obstacles in fulfilling her dream, and in sharing that dream with her ailing step-mother, to whom her show was dedicated.

Alegría is a mood, a state of mind. The themes of the show, whose name means "jubilation" in Spanish, are many. Power and the handing down of power over time, the evolution from ancient monarchies to modern democracies, old age, youth - it is against this backdrop that the characters of Alegría play out their lives. Kings' fools, minstrels, beggars, old aristocrats and children make up its universe, along with the clowns, who alone are able to resist the passing of time and the social transformations that accompany it.

From the Italian 'saltare in banco' – which literally means 'to jump on a bench' – Saltimbanco explores the urban experience in all its myriad forms. Between whirlwind and lull, prowess and poetry, it takes spectators on an allegorical and acrobatic journey into the heart and soul of the modern city.

Icarus is the main character of Varekai, who falls to the ground, breaking his legs as he does. He is suddenly in a strange, new world full of creatures he has never seen before. Parachuted into the shadows of a magical forest, a kaleidoscopic world populated by fantastical creatures, this young man sets off on an adventure both absurd and extraordinary.

Cirque du Soleil presents The Mystery of Mystère, a captivating documentary that explores how arts and science merge together using Mystère, the critically acclaimed Las Vegas show at Treasure Island, as the outlet for this message.

F, an 18-year-old boy, immerses himself in the world of the Drag Queen where he begins to build his identity despite family and social mandates, which impose on him to be afraid and ashamed of being who he is.

Every summer, a horde of professional Santas, Mrs. Clauses, and elves descend on a campsite in the New Hampshire woods to learn the tricks of their trade. But this year is different. The organizers, members of the one-hundred strong New England Santa Society, have decided to tackle a complicated and historic problem – the lack of diversity in the Santa industry. They enlist a Black Santa, a Santa with a disability, and a transgender Santa, each with their own surprising Santa origin story.

One man, one camera, one goal...to capture the essence of adventure. An experimental, often abstract new type of filmmaking process creating color rich visuals combined with a lush soundtrack that grounds the project. A unique cinematic experience.

A story of the world's first female tiger trainer who claimed her love for her tigers was so great she wanted to die in the ring. Raised in poverty in Kentucky, Mabel Stark joined the circus in 1911 and became the first woman to train tigers, earning the center ring despite being told that women couldn't work the big cats. In a 57-year career, she headlined shows with Ringling Bros and Barnum and Bailey, survived multiple maulings and marriages, starred in Hollywood movies, and managed up to 20 cats by forming intimate relationships with each, rather than using the whip. Her life ended tragically just outside of Jungleland in Thousand Oaks, CA, and her legacy and the golden era of the American circus is recounted by former animal trailers, performers and historian Janet Davis, with Mabel's voice, from her memoir "Hold That Tiger", provided by Oscar ®-winner Melissa Leo.

The journey of eight diverse youth in China confronting cultural differences. Crossing Borders - Widening Horizons - Building Bridges between Cultures

As Cirque du Soleil reboots its flagship production, O, more than a year after an abrupt shutdown, performers and crew members face uncertainty as they work to return to their world-class standards in time for the (re)opening night in Las Vegas. With unfettered access, filmmaker Dawn Porter captures the dramatic journey of the world's most famous circus act on its way back from the brink.

In the magical world of La Nouba, dreams become reality and talent turns the ordinary into the extraordinary. La Nouba is, literally, a waking dream come true – clowns, ballerinas, trapeze artists, an incredible BMX bicycle act – and much more.

French filmmaker Laurent Chevallier always wanted to make a documentary on an African circus, but there were no native circuses on the continent. So Chevallier decided to help found a circus in Guinea. 36 young people were chosen from the city of Conakry to participate in what would become Circus Baobab. A group of French circus artists were imported to train the participants for 2 years in acrobatics and trapeze. Then the group took their show on the road. This film is Chevallier's account of the troupe's inaugural tour in Guinea, from March 1 - April 11, 2000.

While writing a book on the circus, author John Shawcross reflects upon the great acts he has seen over the years and the mystique of circus people. He recalls the solo trapeze act of La Mara; Tarzan, Sahib, and their elephant; Marco's sword-balancing act; an archery act in which Grey Arrow shoots an apple off the head of Zuni, his wife; the Mascott Sisters' head-to-head balancing act on a high ladder; the juggling of Rudy Cardenas; high bar specialists, the Tongas; Gunther Gebel Williams with his tiger; the flying bar act of the Laribles; Carl Sembach-Krone's trained horses; lion tamer Pablo Noel; the Gaonas and the Four Titos on the trampoline; the Flying Armors on the flying trapeze; Frieda Krone and her elephants; Fredy Knie, Sr., and his Lippizaner; the Francesco Clowns; Lilly Yokoi on her bicycle; Mendez and Seitz on the tightrope; and Pauline Schumann on the trick horse.

For more than a century the great colonial powers put human beings, taken by force from their native lands, on show as entertainment, just like animals in zoos; a shameful, outrageous and savage treatment of people who were considered subhuman.

Aunt Neirud was always present at family gatherings. Neirud was big, strong, and worked in the circus. Who was this woman so close to the family and about whom we know so little?