Kati and Steffi have been best friends since they were six. Now they're both 17 and enjoying the ups and downs of becoming adults together. While Kati's parents are religious and conservative, but argue constantly, Steffi comes from what appears to be a harmonious and liberal family. But the girls discover how quickly their attractive world can fall apart when, at a hip nightclub, they happen to see Steffi's father in the arms of another woman. Steffi is shocked, her trust in her small perfect world shaken to the core. She can only think of one thing: revenge.
Will Keane, a Manhattan restaurateur, is content with his playboy lifestyle until he meets Charlotte Fielding, a free-spirited young woman. Together the pair pursue a passionate affair that forces them both to reevaluate what they want out of life, even as fate threatens to steal away their future.
The lives of several individuals intertwine as they go about their lives in their own unique ways, engaging in acts which society as a whole might find disturbing in a desperate search for human connection.
At Pacific Palisades High, a poor Latino falls hard for a troubled girl from the affluent neighborhood.
Unpolished and ultra-pragmatic industrialist Jean-Jacques Castella reluctantly attends Racine's tragedy "Berenice" in order to see his niece play a bit part. He is taken with the play's strangely familiar-looking leading lady Clara Devaux. During the course of the show, Castella soon remembers that he once hired and then promptly fired the actress as an English language tutor. He immediately goes out and signs up for language lessons. Thinking that he is nothing but an ill-tempered philistine with bad taste, Clara rejects him until Castella charms her off her feet.
In 1950s Connecticut, a housewife's life is upended by a marital crisis and mounting racial tensions in society.
Oskar Roehler's drama Der Alte Affe Angst (Angst) is about the dissolution of a couple. Robert (Andre Hennicke) and Marie (Marie Baumer) have little in common other than their sex life. Since Robert is going through a bout with impotency, they are having a very rocky time. Robert learns that his father, whom he is estranged from, has died. This disturbs Robert so much that he visits a prostitute, and is able to engage in sex with her. Marie discovers the infidelity, and the prostitute has a surprise of her own. Angst was screened at the 2003 Berlin Film Festival.
Jerry Falk, an aspiring writer in New York, falls in love at first sight with a free-spirited young woman named Amanda. He has heard the phrase that life is like "anything else," but soon he finds that life with the unpredictable Amanda isn't like anything else at all.
Kurt and Lydia are planning a relaxed vacation at the Gripsholm castle in Sweden . What Lydia does not know is that for Kurt, a well-known publicist, the journey is actually a flight from encroaching fascism and a direct threat from the Nazis.
Three activists cobble together a kidnapping plot after they encounter a businessman in his home.
In the style of a documentary this tragic comedy tells the story of a relationship crisis between two married couples and their longing to break out of their miserable daily lives. In this East German post-wall movie Andreas Dresen introduces the sad everyday life of two couples from Frankfurt an der Oder in a honest and tolerable manner.
A semi-documentary experimental 1930 German silent film created by amateurs with a small budget. With authentic scenes of the metropolis city of Berlin, it's the first film from the later famous screenwriters/directors Billy Wilder and Fred Zinnemann.
Pepa resolves to kill herself with a batch of sleeping-pill-laced gazpacho after her lover leaves her. Fortunately, she is interrupted by a deliciously chaotic series of events.
Five young Europeans (German, English, and Irish) try to find answers to life's questions in India and Thailand.
A New York writer on sex and love is finally getting married to her Mr. Big. But her three best girlfriends must console her after one of them inadvertently leads Mr. Big to jilt her.
Based on the actual case of Marianne Bachmeier from 1981, the film tells the story of a mother who in a calm and determined manner shoots the murderer of her daughter seven times in the court room.The man dies at the crime scene. The media jumps at this tragedy and Bachmeier′s action is even spontaneously applauded by some. But soon, the attractive woman is cast under a pall when the media starts to look for "disclosing" details from her private life.
A woman goes to see a movie to which she appears to have a strange connection.
A meditative film about the processes of consciousness of a local gangster and his attempts to break away from the group of fellow bohemian villains. The stilled narrative suggests themes such as generalized surveillance, the metamorphosis of the political regime only on the surface in post-communism, the impossibility of escaping from a system – favorite themes of the 90s. Through its metaphorical stylistics, the film is part of a tradition with which the films produced by the National Theatre & Film Academy (ATF) would be associated. -Gabriela Filippi
In Granbury, TX, firefighter Jack Gilmore makes holiday memories with his son and not knowingly shares a final kiss with his wife. But when a runaway teen's car hits his wife's car, Jack grapples with his faith and the idea of forgiveness.
Married for eight years with no children, Brits Katherine and Alex Joyce are driving to Italy, their ultimate destination just outside of Naples to sell the villa they have just inherited from his uncle, the villa where they will be staying during their time there. On the drive, they come to the realization that this trip marks the first time that they have truly been alone together, and as such don't really know one another in the true sense.