Drawing on a wealth of unseen archival material and unpublished notebooks, the film weaves a complex and personal portrait of Margaret’s life, from the perspective of a fellow artist sensitive to the potential Margaret envisaged for film as a poetic medium.
Long before Kim Gordon was a cooler-than-thou multimedia artist in Body/Head, she was a cooler-than-thou multimedia artist in Sonic Youth. In the ’80s, Gordon and her bandmates were fixtures of New York’s downtown art and music scene; one regular haunt of theirs was legendary nightclub Danceteria, which served as the setting for a short film Gordon made sometime around 1985. Now, as Dangerous Minds points out, said video has surfaced online thanks to filmmaker/designer Chris Habib (a.k.a. Visitor Design). “Excellent video I found in my Sonic Youth archive,” Habib writes on the clip’s Vimeo page. “I digitized it for Kim during her [early 2000s] CLUB IN THE SHADOWS exhibition at Kenny Schachter’s old space in the West Village.”
To the sound of a heartbeat and made entirely without the use of a camera, this film projects abstract forms and illuminations on a night-black background and suggests as Tambellini says, “seed black, seed black, sperm black, sperm black.”
Education is a caged bird. This short film pays homage to experimental cinema, which is characterized by the absence of narrative, lack of focus, paint or scratches on the screen, abrupt cuts and asynchronous sound. With the aim of redefining our way of seeing, exploring new spatial and temporal concepts.
Myles navigates the tumultuous aftermath of a breakup, battling inner demons in a dark mental state.
Electro-pop avant-gardist LYZZA slips into a surreal neon underground in this visual accompaniment to her mixtape of the same name.
In the 1970s, Director Kim is obsessed by the desire to re-shoot the ending of his completed film Cobweb, but chaos and turmoil grip the set with interference from the censorship authorities, and the complaints of actors and producers who can't understand the re-written ending. Will Kim be able to find a way through this chaos to fulfill his artistic ambitions and complete his masterpiece?
An unfinished short student film about dreaming
2 of One is a video album by American heavy metal band Metallica. It was released on June 6, 1989, through Elektra Entertainment and features two versions of the group's first music video, "One", from their fourth studio album "...And Justice for All". The music video One was directed by Bill Pope and Michael Salomon and was filmed in Los Angeles, California. It features clips from Dalton Trumbo's anti-war film Johnny Got His Gun (1971). All parts of 2 of One are also included on the DVD "The Videos 1989–2004", released in 2006.
A collaboration between Soda_Jerk and The Avalanches.
Motion. Struggle. Pain. A dive into memory, into a conscious land. But at some point in time, the mist will fade away. Will it be the beginning?
editing experiments with a walk in the woods
A look into modern society, sex work, and faith in America.
poem. trees. fragments. fritz. movement.
While her girlfriend is in the hospital in a coma state after find her floating in the bathtub without vital signs, Clara stars on a path of physical and psychological transformation, with the goal of possessing her in some way.
By subjecting fragments from the film 'Rashomon' by Akira Kurosawa to the mirror effect, Provost creates a hallucinating scene of a woman's reverse chrysalis into an imploding butterfly. Papillon d'amour produces skewed reflections upon love, its lyrical monstrosities and wounded act of dissappearance.
Devastated by a recent loss, Jayne's perseverance is tested by her nuisance husband as she attempts to complete her jigsaw, but as pieces start disappearing she must solve a far more complex puzzle; one she may not like the answer to.
A girl disappears without a trace while playing hide and seek with her friend. The friend is asked to explain how it happened, but the adults around him find it hard to believe his story. With visual originality, the limits of existence are allowed to be stretched in a film that depicts the incomprehensible from a child’s perspective.
APARTMENT
A hand animated film that is a precursor for Belson’s later work