Lobsters Unlimited

Lingerie--a word that conjures up silk, seduction and sensuality, the items that can create a curve or a mood. Underwear is the first thing to touch you in the morning and the last to touch you at night. Whether or not it's seen by anyone else, what you're wearing next to your skin matters. This sexy documentary shows you who makes these all-important articles, who sells them, and what influences people to buy them.

A documentary about the closure of General Motors' plant at Flint, Michigan, which resulted in the loss of 30,000 jobs. Details the attempts of filmmaker Michael Moore to get an interview with GM CEO Roger Smith.

High Tide in Newfoundland

Feisty, fiercely independent and firmly rooted in place, 90 year-old Mabel Robinson broke barriers back in the 40s when she became the first woman in Hubbards, Nova Scotia, to launch her own business—a hairdressing salon where she still provides shampoo-n-sets over 70 years later. Weaving animation and archival imagery with intimate and laugh out loud moments in the salon, the film celebrates the power of friendship, doing what you love and staying active. With no desire to retire anytime soon, Mabel gives voice to a generation who are not front and center of cinema or the pop hairstyles of the day, and subtly shifts the lens on our perception of beauty and the elderly.

Once heralded as the spirit of American manufacturing, music, and democracy, Detroit kicked its fiscal can down the road for decades plummeting into insolvency, culminating in the largest municipal bankruptcy in U.S. history. GRADUALLY, THEN SUDDENLY is the inside story of how a state-appointed Emergency Manager and the people of this iconic American city- confronting financial ruin-followed a treacherous path towards a new beginning.

Michael Moore comes home to the issue he's been examining throughout his career: the disastrous impact of corporate dominance on the everyday lives of Americans (and by default, the rest of the world).

Paul Grignon's 47-minute animated presentation of "Money as Debt" tells in very simple and effective graphic terms what money is and how it is being created

With the country's debt growing out of control, Americans by and large are unaware of the looming financial crisis. This documentary examines several of the ways America can get its economy back on the right track. In addition to looking at the federal deficit and trade deficit, the film also closely explores the challenges of funding national entitlement programs such as Social Security, Medicare and Medicaid.

La saga du rail

Unknown short stories from the past, the present and the future of fascism and its relation to the economic interests of each era. We will travel from Mussolini’s Italy to Greece under the Nazi occupation, the civil war and the dictatorship; and from Hitler’s Germany to the modern European and Greek fascism.

Maxed Out takes us on a journey deep inside the American debt-style, where everything seems okay as long as the minimum monthly payment arrives on time. Sure, most of us may have that sinking feeling that something isn't quite right, but we're told not to worry. After all, there's always more credit!

Britain feels under-funded and falling apart. On the eve of the election, as politicians debate the causes, economist Tim Harford looks at what the numbers reveal about the broken state we're in.

MANUFACTURED LANDSCAPES is the striking new documentary on the world and work of renowned artist Edward Burtynsky. Internationally acclaimed for his large-scale photographs of “manufactured landscapes”—quarries, recycling yards, factories, mines and dams—Burtynsky creates stunningly beautiful art from civilization’s materials and debris.

DEBT is the story of a frantic pursuit: the search for the responsible for the televised cry of hunger of Barbara Flores, an eight-year-old Argentinean girl. Buenos Aires, Washington, the IMF, the World Bank and Davos; corruption and the international bureaucratic lack of interest.

TGV, la réussite française

Emmy-winning journalist Danny Schechter investigates America's mounting debt crisis in this latest hard-hitting expose. The film reveals the unknown cabal of credit card companies, lobbyists, media conglomerates and the Bush administration itself who have colluded to deregulate the lending industry, ensuring that a culture of credit dependency can flourish. Schechter exposes the hidden financial and political complex that allows the lowest wage earners to indebt themselves so heavily that even house repossessions are commonplace.

Created in the Victorian era to widen the mouth of the River Tees for shipping, South Gare is a man-made peninsula extending four kilometres into the cold North Sea. Today, the industry it was built for has gone, but the Gare remains as a haven for all sorts of unexpected communities - kite-surfers, photographers, bird-watchers, scuba-divers and the people who simply appreciate its strange, lonely beauty.

Promotes television sets and the broadcast of New York's first regularly scheduled programs by providing a clinical look at the inner workings of television, including the manufacture of the tubes, lab experiments, and an actual telecast. Shows RCA's production studios in Rockefeller Center, television demonstrations at the 1939–40 New York World's Fair, RCA's Empire State Building transmitter, and remote mobile broadcast units. One of a variety of "Reelisms" shorts produced by Frederic Ullman Jr. and Frank Donovan for RKO in the late 1930s.

Should the United States eliminate the penny? "Heads-Up: Will We Stop Making Cents?" is a documentary that explores the different sides of the debate, touching on the role of the penny in today's economy, predictive economic models of a penny-less future, and the cultural importance of the coin. Radio DJ and Actor Laurie Gallardo narrates the penny odyssey as we travel from Texas to Canada, stopping to speak with former Mint Directors, lawmakers, economists, and more than a few unique penny characters, including a coin-hunter, a former President*, and one very memorable penny prankster. * "Abraham Lincoln" appears in the film.

As the documentary “Tax Me If You Can” explored, the tax shelter became one of corporate America’s biggest hidden profit centers in the 1990s and early 2000s. The General Accounting Office estimated that bogus tax shelters at the time cost the government more than $85 billion. Correspondent Hedrick Smith spoke with government officials, tax experts and industry insiders to expose these tax shelters. His reporting led him to some unexpected places — from the city of Dortmund, Germany, to the Cayman Islands. The documentary examined how difficult it was for the Internal Revenue Service to find tax shelters and how the tax shelter wave prompted a federal investigation. The ultimate victim in this scheme, experts in the documentary said, is the honest taxpayer who is left to make up what companies aren’t paying.