Colours We Paint

The documentary deals with the topic of body positivity and shows how different we can be depending on the environment.

A story about the relationship between a grandma and her granddaughter, despite the physical difficulties.

Karol is performing as a drag queen, Lola. He's trying to fit into the new environment and find his true self.

When we depend on others...

In the hills of rural Pennsylvania, the leader of a local militia must prepare his men for the turbulent political landscape of 2020 while at war with his own conscience. For over ten years, 48-year-old Iraqi War Veteran and machinist Christian Yingling has commanded a troop of private militiamen and women concerned with the government’s infringement on their constitutional rights. The group practices paramilitary drills, stockpiles food and ammo, and attends gun rights rallies in preparation for a doomsday scenario. Now that a worldwide pandemic has hit, followed by a summer of racial injustice protests and a Presidential election like no other, Christian—out of work and nearly out of money—must confront his allegiance and choose to act or not.

The film shows the spatial distribution and the behaviour of the Mediterranean demoiselle Calopteryx haemorrhoidalis on typical reproduction waters. The great importance of suitable perches becomes obvious. These perches, e. g. single rush stems, are used by immature, hunting individuals as well as by reproductive males that are controlling territories from these sites. The latter chase all other individuals, the result being a spatial segregation between immature and reproductive specimens during the day. Typical behaviour, such as threatening, courting, copulation, and oviposition is shown in different film speeds.

Meet Rocky Salemmo. He’s a ramblin’ gamblin’ man. For the majority of his adult life Rocky has hustled bowling for a living. Here is his story. A short documentary about booze, broads and bowling.

In September 2015, the state of Alabama closed 31 Department of Motor Vehicles offices, disproportionately affecting African-American communities and their ability to register to vote. A band-aid solution in the form of a pop-up mobile voter registration unit is quickly dispatched. It's so disorganized and unprofessional it could be a comedy skit—if it weren't so infuriatingly disrespectful.

Terminal City records the demolition of the Devonshire Hotel in Vancouver; through extreme show motion (200 frames per second) and symmetrical diagonal framing, Gallagher underscores the passage from order to chaos within the event. The sparseness of this centering and he patience required of the viewer heightens the literally explosive climaxes of the film, and transforms the everyday violence of the events into moments of convulsive beauty. – Jim Shedden, Michael Zryd, The Independent Eye

As the only work in this medium by Richter, the film was created for the exhibition Volker Bradke that took place on 13th December 1966 at Galerie Schmela in Düsseldorf. For the purpose of this exhibition, Gerhard Richter addressed the person Volker Bradke in different mediums. In addition to photographs, a banner and a large-scale painting Volker Bradke [CR: 133], the film had been screened. Richter transferred one of the stylistic features of his paintings of that time into film: the blurring.

A ridiculous mini-doc about Bill Daughton and his creation of a six-foot penis costume at the Halloween Parade in Greenwich Village, New York. See Daughton dressed up in the giant penis costume, walking around campus, catching the subway, and chatting with people about the costume on his way to the Halloween Parade. (Oddball Films)

Several species of dragonflies are shown in their natural habitat.

Presents the various stages in the production of wool and its transformation into yarn to make clothes, against the rhythm of the sound of the machines.

Generation One is a short documentary that explores the perspectives of the American-born children of Arab Muslim immigrants as they navigate their two identities. The film follows the life of a Palestinian-American named Hamoody as he decides to leave his tight-knit Arab community and pursue his independence. With vignette interviews from five other Arab-Americans to supplement Hamoody's story and expound upon certain themes, Generation One sheds light on a range of unique challenges found between the hyphens.

Using gland regions on their heads, warthogs mark poles and other objects for self-orientation. Males often mark during the mating season. The male also sprays urine when searching for and inspecting sleeping cavities.

During his adventure in Mexico, Sergei Eisenstein made footage of a Mexican "Death Day" celebration for inclusion in his "Que Viva Mexico!" film project. When the 200,000-plus feet of film he eventually exposed in Mexico was first attempted to be made into a feature film, "Thunder Over Mexico", the producers excluded the Death Day material for subsequent compilation as an independent short subject. Silent with music track and explanatory English intertitles.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Resorptive symptoms of intoxication after injection of cocaine in cats. Motor and vegetative arousal stages, tonic-clonic spasms and their spread in the motor system are shown in the individual phases of the poisoning.

This minimalist six-minute film looks at the creation of animal life through video and time-lapse footage of an embryo’s development – a process universal to all animals, including people. The film follows, in microscopic detail, the development of an alpine newt in its translucent egg all the way from first cell division to moment of hatching.

Julia is spending her summer alone by the sea. She's trying to meet new people through Tinder.