Closer Now

A devastating meditation on love and intimacy, unfolding over 24 hours as three friends face the quiet wreckage of their choices.

After a young girl discovers a fascinating art museum, she becomes attached to the artwork she comes across. Although over time, there is a strange shift in energy the more time she spends with the artwork.

A short artist film that explores femininity and sexuality. SHE journeys through her life and mind in order to be reborn, and reclaim all that men have taken from her.

Experimental short movie mostly made of still photos, following a strange woman looking for the truth behind a high school girl's death.

Experimental short movie mostly made of still photos. An old assassin lives on a yacht, in a port city. One day, the sister of a woman he killed appears.

Polish immigrant Karol Karol finds himself out of a marriage, a job and a country when his French wife, Dominique, divorces him after six months due to his impotence. Forced to leave France after losing the business they jointly owned, Karol enlists fellow Polish expatriate Mikołaj to smuggle him back to their homeland.

A compilation of non-narrative, mischievous, fictional tableaux vivants featuring two young women on a dreamlike, summer-like quest for self-discovery, written in the glittery language of music videos, fashion shoots, and meandering streams of consciousness, set to a nostalgic mood track that evokes universal, bittersweet sentiments.

Two souls: One seeks to know her life's true essence and the other is haunted by foreign sights of himself, as they both are influenced by an existence beyond human realm—whom continually oversees them across eras, trapping them in a game of time and the unknown.

A young man visits a Buddhist temple in the hopes of quenching his thirst.

A prisoner belonging to a void known as “Lacuna,” longs to escape their entrapment. As they search for a way out, they confront the unchecked mental illness that plagued their former life.

A psychological thriller that delves into the intricate struggles of a man haunted by entities that only he can see. As he confronts these manifestations during therapy, a gripping journey unfolds, blurring the lines between reality and the paranormal. His therapist attempts to guide him through the chaos of his own mind, uncovering a haunting truth about his and her mental health.

To forget about the end of a relationship, a woman fantasizes about an ideal one. Fantasy and reality begin to melt into one another, but the past finds a way to rear its head again. Films used: Notorious (1946) Gaslight (1944)

l'eau tonne à minuit

An experimental film revolving around how an artist perceives a man and a woman.

HOW BRIEF is a disappearing act set over the course of one night in 1962 when a restless woman returns to her childhood home for the last time, inspired by the music of singer-songwriter Connie Converse.

A personal reflection on hands, the word "tear," and caring for oneself that experiments with sound, silence, and definitions.

What appears at first glance to be a patterned floor of traditional Islamic tiles is in fact an intricate installation of hand dyed sand. In a light-filled room in an abandoned house, the artist steps into frame to sweep it away, breaking the illusion and destroying the image of traditional heritage.

A 16mm experimental film that analogizes the discourse of racialized criminality and the carceral apparatus, which surveils and delimits the movements of Black people’s bodies, with the conventions and mechanics of the cinematic apparatus which regulates and standardizes the movement of the filmstrip through the motion picture camera and projector. Equal parts essay and visual art, Speaking in Tongues embodies the cinematic Black ecstatic that simultaneously re-envisions resistance defiance in the face of anti-Black state violence and subverts the conventions of cinematic realism through a manually and optically altered collage of original documentary and archival film sourced from Hollywood movies, television commercials, educational films, cartoons, European art cinema and miscellaneous ephemera.

X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.